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Fiction

Missouri State University

Creative writing

Publication Year

Articles 1 - 3 of 3

Full-Text Articles in Arts and Humanities

Yes, Baby: Essays, Amy Gault Jan 2023

Yes, Baby: Essays, Amy Gault

MSU Graduate Theses

This creative thesis includes thirteen flash nonfiction pieces and one fiction short story exploring emotions and experiences that have changed who I am today. These writings are personal experiences or are inspired by personal experience. These creative works interrogate deeply transformative events and situations, such as familial relationships, trauma, poverty, living in the Midwest, patriarchy, and the beauty in existing. In the thesis’s critical introduction, I examine how my flash nonfiction pieces employ Milan Kundera’s theory of the appeal of play and Charles Baxter’s concept defamiliarization. I analyze how the succinct form of the flash essay allows my nonfiction writing …


Life, Love, And Loss: Redefining The Trauma, Samantha Crystal Rae Barnette May 2021

Life, Love, And Loss: Redefining The Trauma, Samantha Crystal Rae Barnette

MSU Graduate Theses

This thesis begins with a critical introduction analyzing the use of defamiliarization and the Dostoevskian hero in literature as a catalyst for a change in perception for victims of trauma. I create a relationship between the theories of Viktor Shklovsky and Mikhail Bakhtin as applied to both my own and published works. Short stories from Carmen Maria Machado and Marly Swick and Margaret Atwood’s novel The Handmaid’s Tale help to situate my own writing within this theoretical approach. The basis of my hypothesis lies in the blurred effect that trauma can have on the individual, causing an automatic response to …


Skin: Stories, Poems, And Essays, Amanda G. Hadlock May 2020

Skin: Stories, Poems, And Essays, Amanda G. Hadlock

MSU Graduate Theses

This thesis begins with a critical introduction which analyzes the use of objective correlative and varying points of view in creative writing in order to generate dialogue on cultural issues. I relate theories from Edward T. Hall, T.S. Eliot, Mikhail Bakhtin, and Lubomír Doležel to my own writing. Additionally, I situate my own multi-genre writing with work of contemporaries such as Maggie Nelson and Claudia Rankine. My hypothesis is that writers can use an objective correlative (Eliot) from the top of the cultural iceberg (Hall) as an entry point to representing deeper, more fraught cultural issues. Additionally, by experimenting with …