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Articles 1 - 5 of 5
Full-Text Articles in Arts and Humanities
Eyes Open In The Dark, Brittany A. Forrest
Eyes Open In The Dark, Brittany A. Forrest
Electronic Thesis and Dissertation Repository
An unusual dissertation that presents a science fiction autobiographical narrative, following a trial of trauma and identity dysphoria. Through a trans-queer biological female lens, the vulnerable tone of the author invites the reader into wording that describes matters they will care for on a human level. This study probes the question of what lives within the silence of our perceptions by appraising reverberations between interactions that coerce the human condition. Interrogating memory is inevitable when questioning how defense mechanisms interrelate and adapt to human needs. This study penetrates the complexities of perception fabrications, power dynamics, sensory perceptions, systemic moralities, and …
The Embroidered Tablecloth: How Locale Influences Eastern European Jewish Textile Production, Elena Solomon
The Embroidered Tablecloth: How Locale Influences Eastern European Jewish Textile Production, Elena Solomon
Electronic Thesis and Dissertation Repository
Recent scholarship frames craft as distinct from art and as an encapsulation of cultural expression at a given moment. Building on that framework, this thesis analyzes the shifting attitudes towards the production of handmade textiles among Eastern European Jews in the US in the twentieth century, as influenced by their migration. To demonstrate the textile environment at that time, this thesis examines pre- and post-migration primary sources and autobiographical writing, including Mary Antin’s The Promised Land, supplemented with interviews of first- and second-generation immigrants to Chicago. In contrast with stereotypes about craft as historically stable, defining craft as regional …
Still, Unfolding, Ramolen Mencero Laruan
Still, Unfolding, Ramolen Mencero Laruan
Electronic Thesis and Dissertation Repository
Together with my Master of Fine Art thesis exhibition, still, unfolding, at Zalucky Contemporary (Toronto, Ontario), this dossier constitutes the following accompanying components: a comprehensive artist statement, documented artwork, an interview with artist Erika DeFreitas, and a curriculum vitae. These components contextualize my subject-position, and outline theoretical research, motivations, and reflections that drive my work. I expand on the diasporic experience, politics of knowledge, and the autobiographical genre as they are linked methodologies in the retrieval of immigrant histories. The fusion of autobiography and fiction becomes a hopeful approach in challenging forgotten or omitted history and confronts the expectations …
Spanning, Mary Katherine Carder-Thompson
Spanning, Mary Katherine Carder-Thompson
Electronic Thesis and Dissertation Repository
This dossier consists of three chapters. Chapter 1 is a comprehensive artist statement describing my system for spirit communication that leverages the latent power of wool processing tools. This system borrows strategies from varied sources including living history, paraconceptualism, and bricolage. Chapter 2 visually documents my studio practice over the two years of my MFA candidacy at Western University. Chapter 3 is a case study of Luanne Martineau’s 2009 drawing, Who are they you salute, and that one after another salute you. This case study addresses Martineau’s engagement with Modernism’s legacy and discusses how her work builds an equitable …
Then Again, Maybe I Won't, Claire Bartleman
Then Again, Maybe I Won't, Claire Bartleman
Electronic Thesis and Dissertation Repository
This dossier and accompanying exhibition at MKG (Toronto, Ontario) both titled Then again, maybe I won’t, constitutes my Master of Fine Arts Degree at the University of Western Ontario. Within this dossier are a comprehensive artist statement, an interview with artist Jennifer Rubell and documentation of my art production over the course of my degree. These components contextualize my practice within the contemporary art world and outline the motivations and theoretical research that drives my work. Specifically, I look at affect theory, femmage, the burden of ownership and art theorist Jennifer Gonzalez’s notion of autotopography and how they are …