Arts and Humanities Commons^™

Queer Is Here, Hopefully To Stay: The Incorporation And Reception Of Lgbtq+ History At The History Colorado Center, Madeline Ohaus

Electronic Theses and Dissertations

Historically, the documentation of LGBTQ+ histories, struggles, and accomplishments has been absent from museum collections and exhibitions. Scholars argue that given the authoritative nature of museums and their influence on the public, exclusions of LGBTQ+ history can mount to institutional erasure of queer identities. However, in the past decade, there has been an increase in attempts to document and curate exhibitions highlighting and encouraging the public to engage with LGBTQ+ history. While this history is imperative to preserve and display, it can be met with controversy, leading some LGBTQ+ history exhibitions to be relocated or even removed. During the summer …

Queer Political Organization In Israel, And Palestine: Shifting Away From Homonationalism, Tristan Blaisdell

Undergraduate Honors Theses

In this project, I present research I have done on the issue of pink washing queer Israeli and Palestinian citizens and homonationalism within Israel and Palestine. I also create an exhibit brief outlining a hypothetical museum exhibit on this topic to be put up at the museum of culture and environment. The first section outlines the history and theory of my exhibit, and a brief personal statement where I talk about my interest in the subject and where I’m coming from before I design this exhibit. My theory is built off concepts of diaspora, home, belonging, queer identity, and intersectionality …

Museums, Feminism, And Social Impact, Audrey M. Clark

Museum Studies Theses

This paper aims to explore the history of women within the context of the museum institution; a history that has often encouraged collaboration and empowerment of marginalized groups. It will interpret the history of women and museums and the impact on the institution by surveying existing literature on feminism and museums and the biographies of a few notable female curators. As this paper hopes to encourage global thinking, museums from outside the western sphere will be included and emphasized. Specifically, it will look at organizations in the Middle East and that exist in only a digital format. This will lead …

We Were There, We Are Here: Queer Collections And Their Repositories And Legacies, Alexandria Deters

MA Theses

Art history and history has gaps within it that are just now starting to be filled and the absences rectified. Those gaps are caused by erasure of queer art history. The way it has been rectified is through queer institutions and queer collections. This study explores how queer institutions and collections are innately political through saving queer objects and art. It is through their efforts that queer art history is finally being recognized in major institutions, collections, and exhibitions. I interview scholars and collectors to understand why they collect, which reveals the political nature and uniqueness of queer art as …

We Call It Pulling A Thread: Deconstructing Femininity At The Molly Brown House Museum, Emily J. Starck

Electronic Theses and Dissertations

Despite making up around half of the global population, women are consistently underrepresented in museums. Where women's experiences are present in exhibitions and programming, they are often misrepresented within an entrenched heteronormative and patriarchal framework. Through this thesis, I show how Denver's Molly Brown House Museum works to upset traditional narratives through their dynamic interpretation of the life of their namesake, Margaret Tobin Brown. Using new museology, feminist anthropology, and performance theory, I analyze data from staff interviews and tour participant observation to explore how the museum deconstructs popular understandings of historical femininity. Through visitor surveys, I measure the extent …

Making Sense? Visual Cultures Of De-Extinction And The Anthropocentric Archive, Rosie Ibbotson

Animal Studies Journal

This article examines the operations of visual representations within discourses advocating deextinction. Images have significant agency within these debates, yet their roles, and the assumptions they naturalise, have not been critiqued. Demonstrating the affective, triumphant and subversive potentials of these representations, this article then turns to the implications of relying on images made by and for humans within the expressly multispecies space of de-extinction. Discourses around de-extinction tend to place undue weight not just on how candidate species look(ed), but on how they appear to human eyes after the mediating processes of representation, and the notion of recreating a nonhuman …

A Matter Of Regionalism: Remembering Brandon Teena And Willa Cather At The Nebraska History Museum, Carly S. Woods, Joshua P. Ewalt, Sara J. Baker

Department of Communication Studies: Faculty Publications

In 2010–2011, the Nebraska History Museum featured two temporary exhibits: “We the People: the Nebraskan Viewpoint” and “Willa Cather: A Matter of Appearances.” We argue the public memories of Brandon Teena and Willa Cather contained in the exhibits are distanced from regional politics when articulated alongside the nostalgic regionalist rhetoric of the Nebraska History Museum. Specifically, both exhibits not only discipline the memory of trans* performance within problematic material and symbolic contexts, but also place these memories within a rhetoric of regional optimism that has critical consequences for restricting counter-public formation. In performing this reading, the essay argues that critical …

The Lesbian And Gay Past: An Interpretive Battleground, Polly Thistlethwaite

Publications and Research

The lesbian and gay past is an interpretive battleground that mainstream archives have refused to enter, assuming few risks in collecting, naming, or identifying archival collections. At the same time, libraries offer up worlds to those who work to unearth the secrets there.

The New York Public Library's 1994 "Becoming Visible" exhibit trumpeted The Arrival of lesbian and gay history to New York's cultural mainstream. The NYPL exhibit denies the library's role in secreting lesbian and gay history, and diminished the contributions of community-based archives to the exhibit.