Open Access. Powered by Scholars. Published by Universities.®
- Publication Type
Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
Writing The Wrongs: How Gay And Lesbian Playwrights Use The Paranormal In Autobiographical Writing, George William Zorn
Writing The Wrongs: How Gay And Lesbian Playwrights Use The Paranormal In Autobiographical Writing, George William Zorn
Dissertations
Playwrights have been using ghost and spirit-characters in stage works since the classical era. From their beginnings as speechless, vengeful catalysts and informational narrators, the ghost-character has evolved to something that would not be recognizable to Greek playwrights. This is no more evident than in the works of contemporary gay and lesbian dramatists. Examining the selected works of playwrights Claudia Allen, Larry Kramer and Victor Bumbalo will illuminate the use of ghosts and the paranormal by these playwrights as a way to overcome personal trauma by either creating closure with autobiographical scenes or by using the absence of these characters …
Summer Of Shrew, Part 4: Which End’S Up?, Daniel Pollack-Pelzner
Summer Of Shrew, Part 4: Which End’S Up?, Daniel Pollack-Pelzner
Faculty Publications
In the last of a four-part series on Shakespeare's The Taming of the Shrew, Daniel Pollack-Pelzner explores how expanding the range of the titular Shrew to include male characters is actually a return to its original meaning. Pollack-Pelzner focuses on a long-forgotten Renaissance sequel to Shrew (John Fletcher's The Tamer Tamed) that takes the taming of men even further and turns its gender roles upside down.
Summer Of Shrew, Part 2: Tamed? Really?, Daniel Pollack-Pelzner
Summer Of Shrew, Part 2: Tamed? Really?, Daniel Pollack-Pelzner
Faculty Publications
In the second of a four-part series on Shakespeare's The Taming of the Shrew, Daniel Pollack-Pelzner argues that Shakespeare’s play raises challenging questions about the way we define gender roles, and the answers aren’t as obvious as they might seem.
Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley
Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley
Masters Theses
Although Tennessee Williams does not openly champion the rights of women in his plays, he presents strong cases against their social alienation in a harsh and brutal world governed by men. Williams' emotional leanings, sensitivity, and intuition enable him to see life through women's eyes. In The Glass Menagerie, A Streetcar Named Desire, and Summer and Smoke, Williams astutely sounds the battle cry for women to fight against male oppression. He shows how Amanda Wingfield, Laura Wingfield, Blanche Dubois, Stella Kowalski, and Alma Winemiller are held hostage to the rules governing patriarchal society and become unhappy marginalized victims. The self-contained …