Arts and Humanities Commons^™

Fashion, Sexism, And The United States Federal Judiciary, Charles E. Colman

Charles E. Colman

The U.S. federal judiciary has frequently displayed a dismissive attitude toward "fashion," while simultaneously recognizing the great economic importance of clothing. As fashion was, from the formation of the United States until at least the late 1960s, associated primarily with the female sex, while judges during this time period were almost exclusively male, one naturally wonders whether the power dynamics of gender shaped the development of the law pertaining to fashion. There is good reason to believe that this has indeed been the case.

In Defense Of Feminists Who Like Fashion, Margarita C. Delgado

SURGE

I’m sitting on the downtown R train one night in Manhattan, a copy of Vogue resting on my crossed legs. It is late and I am clearly unwinding peacefully as I thumb through page after glamorous page of my magazine. The train stops at Prince Street and there’s the usual flux of people in and out. Those left inside settle as the train pulls out of the station.

“Ugh. Fashion is stupid,” remarks one young man to another, both of whom are sitting diagonally from me and well within earshot. He’s watching me ignore him as I continue enjoying my …

Gilda's Gowns, Rachel Ann Wise

AWE (A Woman’s Experience)

Critics have overanalyzed the portrayal of the femme fatale in film noir as female ruthless seduction in attempts to overpower men. However, a paramount aspect of the femme fatale has been under analyzed—women’s use of and exploitation of fashion. In film noir, Gilda particularly showcases the importance of fashion in the film’s plot. Gilda’s undressing and dressing in the film signifies the multifarious personalities and complexity of the femme fatale character. In understand Gilda’s character via her diegetic, fashionable, and mutable clothes, the femme fatale is exposed as a complex being defying stereotype by the variety of her wardrobe, but …