Arts and Humanities Commons^™

Made In Italy: Gli Effetti Della Musica Italiana (T)Rap Sulla Società E Sulla Lingua, Paraskevi Z. Gkana-Alberico

Theses and Dissertations

This paper explores the history of Italian (t)rap music, and uses the lyrics of famous songs in an attempt to examine the effects the sometimes vulgar and explicit themes, which are usually accompanied by the use of foreign languages, could have on society and the Italian language.

Equity + Catalyst Framework Guide, Naomi M. Silas

Culminating Experience Projects

There has been a shift in society, in light of Covid-19 and the global pandemic, more people have begun to recognize the structural and institutional injustices that exist in this country. Social innovation allows collaboration between people from different sectors, disciplines, industries, and backgrounds; in order to create sustainable change to complex social issues. Design thinking is an iterative process used in business to create innovation and products; it’s also used for social impact.

The goal of the Equity + Catalyst Framework is to bridge concepts that include design thinking, and embodiment, as well as lived experiences and community care …

The Implications Of Science And Technology For Chinese Women: A Cultural Study Of The Chinese Era Of Reforms, Wenjing Liu

Dissertations, Master's Theses and Master's Reports

Abstract

This dissertation addresses the gendered implications of science and technology in the era of reforms. It argues that in this era, which began in 1978 and continues today, science and technology are highly romanticized as nearly omnipotent. This results in its being embedded not only into ordinary Chinese people’s lives, hoping to bring them positive changes, but also into the Chinese government’s political practices, hoping to achieve its political purposes through science and technology. It also points out that in the era of reforms, Chinese women’s lived experiences are full of tensions, struggles, and conflicts, as evidenced by the …

Tracing Writer/Reader Identity In, And In Response To, Queer Latinx Autohistoria-Teorìa, Corrina Wells

Cal Poly Humboldt theses and projects

This project examines how diverse representation changes the discourse around queer latinx identities. This project extends theories of representation that show how a text changes the imaginary of the reader through a two-part methodology. First, through explicating Spit & Passion and A Cup of Water Under My Bed, this project examines how these texts construct a readers’ imaginary. Then, through a corresponding qualitative assessment on readers’ responses to the texts, this project identifies the extent to which the texts change the beliefs and understandings of a small group of students. Articulating an ecology of identity using the texts under examination, …

Away From The End Of Motherhood: Sites Of Haunting In The Social Imaginary In Lemonade And The Handmaid's Tale, Julia Michele Fleming

Electronic Theses and Dissertations

This thesis analyzes the television series adaptation of The Handmaid's Tale, specifically the episode "A Woman's Place," and Beyoncé's Lemonade: A Visual Album. I argue that these cultural texts leverage representations of women's lived experiences to scrutinize contemporary American anxieties about motherhood and reproductive justice. Lemonade, a celebration of Black womanhood, presents a counterpoint to The Handmaid's Tale's preoccupation with white motherhood in way that speculates on the utopian potentials of a woman-centered society.

Using bell hooks' film analysis, Avery Gordon's "haunting," and Luce Irigaray's "mimicry," I examine two interconnected themes: feminist aesthetics and generational haunting. …

Acts Of Provocation: Popular Antiracisms On/Through The Twenty-First Century New York Commercial Stage, Stefanie A. Jones

Dissertations, Theses, and Capstone Projects

This is an abolitionist feminist study of the role of liberalism in the twenty-first century political economy. It takes as its object New York City bourgeois cultural productions (in particular Broadway theatre and the New York Times) from approximately 1984 to 2009. It offers insights into important yet widely-misunderstood features of turn-of-millennium US society: class, art, political practice, and war. In order to understand liberalism’s political and economic agenda, I look at how these objects are pitched in the struggle over racism. Sometimes when we say “liberal” we mean it in the philosophical sense, with particular attention to liberal …

Queer(Ing) Politics And Practices: Contemporary Art In Homonationalist Times, Cierra A. Webster

Electronic Thesis and Dissertation Repository

This project investigates homonationalism through three different art practices. Briefly, homonationalism is a term to articulate the imbricated systems of contemporary mainstream LGBT politics and nationalist politics. The first article, Queering the Canon: Museum Politics and Hide/Seek at the Smithsonian, unpacks the first major exhibition of gay artwork in America as an example of homonationalist processes in the United States. The second article, entitled Colonial Queeries: Centering a Two-Spirit Critique of Homonationalism, analyses Canadian artist Kent Monkman’s paintings and focuses on the political potential of Miss Chief Eagle Testickle. (Pink)Washing the Conflict in Zero Degrees of Separation is …

Deconstructing "Chappelle's Show": Race, Masculinity,And Comedy As Resistance, Lyndsey Lynn Wetterberg

All Graduate Theses, Dissertations, and Other Capstone Projects

"Chappelle's Show" is a sketch comedy series that ran from 2003-2004 and that was created by and starred comedian Dave Chappelle. Chappelle focused on the issues of racism and race as gendered and as a social construction throughout the show's two full seasons. Using content analysis, my research highlights race and masculinity as a social construction within the context of "Chappelle's Show" by focusing on specific sketches within the series that play on issues of race and gender. The overarching theme of my analysis examines the idea of comedy as resistance to dominant society, specifically to race and gender norms …