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Full-Text Articles in Arts and Humanities
"'What The Suffering Was Like': Digital Affect In The Act Up Oral History Project, Margaret Sullivan
"'What The Suffering Was Like': Digital Affect In The Act Up Oral History Project, Margaret Sullivan
Remembrance: A Journal of Queer Culture, Information, and Preservation
This article considers The ACT UP Oral History Project as an affective site that renders visible the impact of loss and suffering. Focusing on the archive’s filmic and computer-mediated interviews, and placing both in conversation with memory and queer identity studies, I demonstrate that the Oral History Project, as a discursive space, invites its audience into a felt physical contact with grief, loss, anger, and rage.
Teaching Anne Finch In "Partisanship In Restoration And Eighteenth-Century Britain", Jennifer Wilson
Teaching Anne Finch In "Partisanship In Restoration And Eighteenth-Century Britain", Jennifer Wilson
ABO: Interactive Journal for Women in the Arts, 1640-1830
The works of Anne Finch, a writer doubly exiled as a female poet and Jacobite, stand out as eminently teachable examples of a compelling political outsider view that provokes us to consider how we can better attend to perspectives of principled opposition. Her poems in response to what has been called the "first modern revolution," together with her odes upon the deaths of King James II and Queen Mary Beatrice, showcase the subversive power of indirect articulation, expressing values through emotions and affects in veiled forms such as allegory and alternate history.
Toward A Crip Provenance: Centering Disability In Archives Through Its Absence, Gracen M. Brilmyer
Toward A Crip Provenance: Centering Disability In Archives Through Its Absence, Gracen M. Brilmyer
Journal of Contemporary Archival Studies
Using the records that document the 1893 World’s Columbian Exposition as a case study, this article discusses the messiness and unknowability of provenance. Drawing attention to how the concept of provenance can emphasize the reconstruction of a fonds when records have been moved, rearranged, and dispersed, this article draws attention to the ‘curative’ and ‘rehabilitative’ orientations of established notions of provenance. Put in conversation with disability studies scholarship, which critiques rehabilitating, curing, and restoring, this article outlines the theoretical scaffolding of a crip provenance: a disability-centered framework of resisting the desire to restore and instead meets records where they are …
Women’S Work And Men’S Devotions: The Fabrics Of The Passion In “O Vernicle”, Jenny C. Bledsoe
Women’S Work And Men’S Devotions: The Fabrics Of The Passion In “O Vernicle”, Jenny C. Bledsoe
Medieval Feminist Forum: A Journal of Gender and Sexuality
This article explores how male Cistercians producing an early fifteenth-century miscellaneous manuscript made devotional use of images representing women’s textile labor. An early manuscript copy of “O Vernicle,” a Middle English arma Christi poem, appears in Royal 17 A. xxvii, likely produced at Bordesley Abbey. The Royal version of “O Vernicle” features a unique marginal illumination of two women of Bethlehem and Jerusalem wearing green and red dresses. The woman in green holds a baby swaddled in a green and blue cloth with red stripes, similar to a Scottish tartan. Three other examples demonstrate the illuminator’s careful attention to fabric’s …
Kate O’Brien: Queer Hauntings In The Feminist Archive, Naoise Murphy
Kate O’Brien: Queer Hauntings In The Feminist Archive, Naoise Murphy
Journal of Feminist Scholarship
The archive of Irish writer Kate O’Brien is a notable example of how queerness haunts the mainstream of feminist literary spaces. The 2019 Museum of Literature Ireland (MoLI) exhibition Kate O’Brien: Arrow to the Heart, which set out to restore this censored novelist’s place in the archive of twentieth-century Irish writing, provides a case study of these dynamics. Queer and feminist perspectives on the archive, with a focus on affect, hauntings and Sara Ahmed’s “queer use,” illuminate the conflicting epistemologies regulating the O’Brien archive. Reading this exhibition as an Irish queer, affective experience collides with entrenched structures of power …
I Hate The Archives: A Queer Lesbian Meditation, Helis Sikk
I Hate The Archives: A Queer Lesbian Meditation, Helis Sikk
Journal of Feminist Scholarship
Questioning the neutrality of archives is nothing new as feminist scholars have been doing it since the 1970s. More recently, queer theorists have pushed the subjectivity of the archive even further by emphasizing the importance of desire and pleasure as its central tenants. The archive in these discussions is sometimes a metaphor for a variety of experiences and at other times a brick-and-mortar physical space. Yet, there has been a lack of focus on the relationships between these two approaches. Similarly, there has not been enough discussion on how to challenge the exclusivity of the archive in our everyday praxis …
Visualising Anthropocene Extinctions: Mapping Affect In The Works Of Naeemah Naeemaei, Linda Williams
Visualising Anthropocene Extinctions: Mapping Affect In The Works Of Naeemah Naeemaei, Linda Williams
Animal Studies Journal
While many writers have advocated the importance of narrative as a means of engaging with the problem of extinction, this paper considers what the qualities of visual aesthetics bring to this field. In addressing this question, the discussion turns to the problem of the ethical limits of art raised by Adorno and takes a theoretical turn away from posthumanism to consider how visual responses can redirect attention back to human agency. The focus of visual analysis is on five paintings by the contemporary Iranian artist Naeemeh Naeemaei. Neither exclusively Western nor overtly internationalist in their approach, these artworks refer to …
Stickiness As Methodological Condition, Cala Coats
Stickiness As Methodological Condition, Cala Coats
Journal of Social Theory in Art Education
Stickiness is introduced as a cultural concept, affective condition, and performative practice. The author suggests a process of methodological conditioning rooted in responsiveness and attunement in response to shared vulnerability embedded in precarity. Drawing from Felix Guattari’s ethico-aesthetic paradigm, new materialisms, and affect theory, the author invites readers to engage with a narrative score as an aesthetic pedagogical exercise. The score and additional provocations act as creative material for connective and collective performances tracing and creating encounters across time and space.
Feminist Friendship As An Affective Engagement Through The Arts: A Decolonial And Posthuman Becoming-With Rebeca Lane's Alma Mestiza, Miguel Ángel Blanco Martínez, Paola Mendoza Téllez-Girón
Feminist Friendship As An Affective Engagement Through The Arts: A Decolonial And Posthuman Becoming-With Rebeca Lane's Alma Mestiza, Miguel Ángel Blanco Martínez, Paola Mendoza Téllez-Girón
disClosure: A Journal of Social Theory
This paper considers friendship as an affective terrain of feminist alliance among subjects that belong to territories with a colonial record responding to the colonial/modern gender system (Lugones 2007) through the arts. Friendship is here conceptualized as an engagement of feminist solidarity unfolding within theoretical and practical models of change and resistance against the logics of cultural imperialism (Lugones and Spelman 1983). Turning friendship into a polyphonic feminist reaction, this work is conducted by acknowledging the need to foster dialogues where different authorial voices and feminist positionalities meet, reflect, and speak. The paper settles the encounter between its authors in …
Recovery After The Rupture: Linking Colonial Histories Of Displacement With Affective Objects And Memories, Aarzoo Singh
Recovery After The Rupture: Linking Colonial Histories Of Displacement With Affective Objects And Memories, Aarzoo Singh
disClosure: A Journal of Social Theory
The notion of home and belonging, specifically in the context of South Asian postcolonial diasporas, is connected to past traumas of colonization and displacement. This paper addresses how trauma, displacement, and colonialism can be understood through and with material culture, and how familial objects and items emit and/ or carry within them, emotional narratives. I turn to the affective currency that emit and are transferred on and down from objects, by diasporic subjects, to access the possible reclamation of otherwise silenced narratives within colonial and postcolonial histories. By following the events of the Partition of India in 1947 as a …
Dispatches From Queer Potluck: [Extra]Ordinary Affects As A Project Of Belonging, Greg Niedt
Dispatches From Queer Potluck: [Extra]Ordinary Affects As A Project Of Belonging, Greg Niedt
disClosure: A Journal of Social Theory
This essay takes an approach that is part autobiography, part meditation on theory, in order to engage with the tension between "ordinary affects" (Stewart 2007) and the queer extraordinary. Drawing on my own experiences as part of an intentional community in Philadelphia, I consider what it means for me to experience affect in queer space. How does that manifest in the body, and the world in turn? How do these experiences fit into a larger desire for kinship and belonging? My purpose here is not to make broad claims about what affect is (or is not), but to provide a …
Alexis Wright’S Literary Testimony To Intersecting Traumas, Meera Atkinson
Alexis Wright’S Literary Testimony To Intersecting Traumas, Meera Atkinson
Animal Studies Journal
This article proffers a reading of Alexis Wright’s The Swan Book (2013), hailed as ‘the first truly planetary novel’ (Gleeson-White), arguing that Wright’s poetics of transgenerational trauma witnesses to intersected trans-species injustices and traumas. Exploring the way Wright testifies to entanglements of human-nonhuman trauma, I challenge entrenched humanist and speciesist preoccupations in trauma theory to address trauma transmissions with particular focus on trauma as a social and political force generated by patriarchal imperialism. In doing so, I show how Wright’s fiction serves as a form of advocacy for nonhuman sentient beings.