Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Feminist, Gender, and Sexuality Studies

University of Richmond

English Faculty Publications

Women writers

Publication Year

Articles 1 - 3 of 3

Full-Text Articles in Arts and Humanities

A Birth And A Death, Or Everything Important Happens On Monday, Daryl Cumber Dance Jan 2009

A Birth And A Death, Or Everything Important Happens On Monday, Daryl Cumber Dance

English Faculty Publications

I was going to be a grandmother. It had taken all too long. I gave birth to my first child, Warren Dance Jr., when I was only twenty-one, but Warren Jr. was going to be almost thirty-six when his first child was born. As excited as I was, I decided to wait until a week after the July 4, 1995, appearance of my new grand to visit him in Houston, Texas. Other members of the family were going to be there for the birth, and I wanted time to enjoy this baby all by myself, so I planned to arrive …


Plotting The Mother: Caroline Norton, Helen Huntingdon, And Isabel Vane, Elisabeth Rose Gruner Jan 1997

Plotting The Mother: Caroline Norton, Helen Huntingdon, And Isabel Vane, Elisabeth Rose Gruner

English Faculty Publications

The proper Victorian heroine neither acts nor plots. Heroines as disparate as Fanny Price of Mansfield Park and Gwendolen Harleth of Daniel Deronda prove their virtue by failing as actresses. When Fanny protests, “Indeed, I cannot act,” we know that it is because she cannot be other than what she is: virtuous. Gwendolen Harleth’s aborted attempt to make a career as an actress seems, in Daniel Deronda, to signal her essential difference from the Princess Halm-Eberstein, the mother who has abandoned Daniel in order to pursue her acting career. Gwendolen is flawed, but at least she is not an …


Zora Neale Hurston, Daryl Cumber Dance Jan 1983

Zora Neale Hurston, Daryl Cumber Dance

English Faculty Publications

Some new information is occasionally being ferreted out that may help to cast additional light on some of these issues, but quite clearly Zora Neale Hurston will remain something of an enigma - too complex a figure to reach any easy conclusions about, except perhaps that she defies simple characterization. People responded to her (and still do) very emotionally: her detractors despise her bitterly; her defenders love her passionately. All agree that she was eccentric, colorful, entertaining, humorous, and unforgettable.

Perhaps the most crucial question to pose about her is why one of the most important figures in the Harlem …