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Feminist, Gender, and Sexuality Studies

University of Richmond

English Faculty Publications

2010

Articles 1 - 3 of 3

Full-Text Articles in Arts and Humanities

Telling Old Tales Newly : Intertextuality In Young Adult Fiction For Girls, Elisabeth Rose Gruner Jan 2010

Telling Old Tales Newly : Intertextuality In Young Adult Fiction For Girls, Elisabeth Rose Gruner

English Faculty Publications

In one of the inaugural articles in feminist literary criticism, "Feminism and Fairy Tales," Karen Rowe followed Simon de Beauvoir's lead in claiming that fairy tales structure the consciousness of girls and women, and in a negative way. As Donald Haase has noted, "In Rowe's view, the fairy tale--perhaps precisely because of its 'awesome imaginative power'--had a role to play in cultivating equality among men and women, but it would have to be a rejuvenated fairy tale fully divested of its idealized romantic fantasies" (5). In the years since Rowe's essay first appeared, however, it has been unclear whether the …


Women Home From War, Laura Browder Jan 2010

Women Home From War, Laura Browder

English Faculty Publications

The first time I heard a woman describe her deployment in glowing terms, I was taken aback. Marine Colonel Jenny Holbert told me that being in charge of public affairs for the second battle of Fallujah was "probably one of the biggest events of my life, other than birthing two children." I thought, cynically, that this enthusiasm was all part of her role as a public-affairs officer. It took me a while to understand how compelling the experiences of being in a combat zone could be for the women I talked with. Colonel Holbert's enthusiasm for deployment was only one …


Faulkner's Sexualized City: Modernism, Commerce, And The (Textual) Body, Peter Lurie Jan 2010

Faulkner's Sexualized City: Modernism, Commerce, And The (Textual) Body, Peter Lurie

English Faculty Publications

Such classicism is the aesthetic opposite of what Faulkner demonstrates at moments in Mosquitoes and that would go on to become his famously baroque style. In the discussion that follows, I will be asking a number of questions about that development, among them the following: What is the role in Faulkner of a baroque, highly refined language, especially when Faulkner uses it to convey sexuality? And what connections (or disconnections) might that style have to Faulkner’s use of the setting of the city, as in Mosquitoes, or elsewhere of the rural countryside? As we will see, changes in these …