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- Keyword
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- Beatrix;Tale of Peter Rabbit;Tale of Two Bad Mice;Tale of Pigling Bland;children's picture books;children's literature;Victorian Age;English literature;Victorian English society;Journal of Beatrix Potter;code-language;subversive voice;patriarchal ideology (1)
- Entertainment industry (1)
- Film analysis;motion pictures;masculinity;sexuality;teenagers in motion pictures;Rebel without a Cause (Motion picture);River's Edge (Motion picture);teen films;ideologicial film analysis;cultural studies;1950s;1980s;American culture (1)
- Gender studies (1)
- History (1)
Articles 1 - 2 of 2
Full-Text Articles in Arts and Humanities
"What It Takes To Be A Man": A Comparison Of Masculinity And Sexuality In Rebel Without A Cause And River's Edge, Alyssa Costa
"What It Takes To Be A Man": A Comparison Of Masculinity And Sexuality In Rebel Without A Cause And River's Edge, Alyssa Costa
Honors Projects
Compares the teen films, Rebel without a Cause and River's Edge, using cultural studies to analyze what they reveal about the complexities of masculinity and sexuality. Contends that while the cultural ideologies of the 1950s and 1980s promote a tough-guy hyper-masculinity, these films offer multiple models of masculinity, various forms of homosocial bonds, and veiled messages about homosexuality.
"So I Shall Tell You A Story:" The Subversive Voice In Beatrix Potter's Picture Books, Veronica Bruscini
"So I Shall Tell You A Story:" The Subversive Voice In Beatrix Potter's Picture Books, Veronica Bruscini
Honors Projects
Describes how recent literary scholarship has begun to interpret the themes and topics found within the children's picture books of Beatrix Potter through the lens of the code-language in Potter's secret journal, deciphered and published by Leslie Linder in 1966. Analyzes three tales from Potter's collection of picture books, The Tale of Peter Rabbit, The Tale of Two Bad Mice, and The Tale of Pigling Bland, to illustrate the ways these books continued to represent the social and personal observations, voicing subversive reactions to the excesses and hypocrises of Victorian culture, that Potter first began in her journal.