Arts and Humanities Commons^™

A Journey To A Black Woman’S (Read Black Girl’S) Joy And Her Story Of Coming Home, Brittany Lauren Brock

Dissertations, Theses, and Capstone Projects

This is an auto/ethnography about the self-actualizing journey of reclaiming storytelling as my native tongue and my journey to joy. Throughout, using my story and the stories of so many others, I not only lay out the wounds (the pain, the loss, then the hope that comes) within the academy and outside in the world but I also use storytelling as a tool of healing—my tool of healing—to show how I wrote myself free.

When Black women (read Black girls) go through The Reckoning (the moment we realize something isn’t right with how we are perceived by others) …

'Since No Expressions Do': Queer Tools For Studying Literature, Filipa G. Calado

Dissertations, Theses, and Capstone Projects

This dissertation explores how digital methods and tools for studying text engage with queer literature. I critique digital methods and tools by posing computation, where textual data is cleaned and structured for electronic processing, against the complexity of queer subjecthood and affects expressed in textual style, form, and voice. While tools like quantitative text analysis, for example, transform, and necessarily reduce, qualitative elements of gender and sexuality into numerical data such as word frequencies or concordances, I argue that this reduction opens up possibilities for interpreting the formal qualities of queer literature. Just as digital formats transform and manipulate text …

Staging Retro-Perspectives: Performing Age, Memory/Loss, And Queer Desire In The Later Works Of Split Britches (2009–2020), Benjamin Gillespie

Dissertations, Theses, and Capstone Projects

This project investigates the later works of the celebrated New York–based lesbian-feminist performance troupe Split Britches made up of founding members Peggy Shaw (b. 1944) and Lois Weaver (b. 1949). Revealing how the duo consciously interlaces aspects of aging and age-based identity into the very fabric of their later performances in both form and content, this project analyzes how Shaw and Weaver integrate an explicitly anti-ageist and overtly queer representation of aging on the experimental stage. Their later performances serve to challenge narratives of decline and debilitation that come with (hetero)normative representations of old age and the life course in …

Further Toward Minor Literatures, Aaron Hammes

Dissertations, Theses, and Capstone Projects

Minor literature is literatures of the minoritarian, not simply that produced by (cultural, ethnic, racial, gender-expressive, sexual, ability, age) minorities. Further Toward Minor Literatures operates from this decisive distinction to trace the contours and potentialities of one minoritarian literature, the contemporary transgender novel in the US and Canada. This study is premised in part on putting the fiction itself on a plane with theoretical and critical sources, creating a dialogue that does not privilege one discourse over the other. Minor literature is self-theorizing, perhaps even authotheoretical, in its expressing and fulfilling the mobile orientations of its minoritarian communities. This study …

Searching For Sapphistries: An Archive Of Felt Photographs, Lauren Fisher

Theses and Dissertations

Using the holdings of the Peter J. Cohen Collection in New York City as a platform from which to engage the queer impulse of feeling backward, this thesis posits that vernacular photographs can be included in sapphistry through the creation of a counterarchive of “felt photographs,” where a reading of photographs is animated by a queer positionality and knowing.

What Do You Think She’S Gonna Do With A Set Of Real Claws?: Gender, Race, And Sexuality In Onscreen Portrayals Of Women Werewolves, Ashleigh K. Williams

Dissertations, Theses, and Capstone Projects

This thesis analyzes 13 disparate portrayals of werewolfism in film and television as they relate to uncontrolled and uncontrollable femininity. A necessary component of this project is the visual assemblage: my findings are displayed in the format of a zine, in an attempt to capture the bright, furious, aggressive sensory experience of witnessing women becoming werewolves onscreen. Research questions include: How are conventionally masculine werewolf markers feminized in werewolf narratives? How are the women in these pieces of media ultimately punished for embodying creatures that aren’t feminine enough, or are too feminine in exactly the wrong ways? Many she-wolf centered …

Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova

Dissertations, Theses, and Capstone Projects

This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …

The Gentrification Of Drag, Kyle Kucharski

Capstones

The world of drag has reached virtual mainstream visibility thanks to a combination of shifting social norms, social media and the success of shows like RuPaul’s Drag Race (which just won its third Emmy). No longer relegated to the confines of queer subculture, drag queens are now exported worldwide on prime-time television. When a “man in a dress” is no longer subversive, how can drag as a subculture continue to push the boundaries?

This critical essay looks at the art of drag, its historical position in culture and how its currently blowing up mainstream entertainment. Increased success and visibility can …

Party On, Derrida!: A Queer, Deconstructionist Look At Wayne's World, Glam, And The Losers Of Rock And Roll, Michelle A. Arp

Dissertations, Theses, and Capstone Projects

What do you get when you mix a girl from Long Island, critical theory, a movie based on a Saturday Night Live sketch, David Bowie, and alternative rock of the early 2000s? A lot of losers, a lot of queerness, and plenty of room for deconstruction.

Part performance studies, part queer studies, and part memoir, this study is a cross-genre and experimental analysis of postmodern ideologies, rock and roll, and comedy. More specifically, I use Jacques Derrida’s notion of “the slash” (Of Grammatology, 1967) in relation to high and low culture via comedies, such that of Wayne’s World …