Arts and Humanities Commons^™

Aging Intimately, Niamh Mcdonnell, Giulia Hjort

Capstones

We’re both familiar with grief after the loss of family members over 75. This project is our way of giving back in a small way by listening, but also as a way of remembering the people we unexpectedly lost. Each person we’ve met on this journey has inspired us in their own way, with their stories of resilience through grief and aging. All of our collaborators on this project are constantly learning, taking risks, and moving forward through loss and pain. They aren’t defined by their age. Rather, they embrace it with a willingness to reinvent their approach to romance …

The Miss America Pageant Should Restore Prioritizing The Evening Gown Segment, Keishel Williams

Capstones

Evening gown in pageants, as in society, has always represented a woman's way of expressing her personality and femininity through fashion. Miss America's attempt to stop requiring evening gowns implies that wearing formal gowns does not equate to being a modern, empowered woman.

Instead of attempting to erase the evening gown as an outdated part of a modern woman’s wardrobe, the Miss America pageant should restore the original gown segment and use this opportunity to reshape America’s perspective on how modern women can choose to wear gowns and still be empowered.

https://keishelawilliams.wordpress.com/

Boys Will Be, Victoria Hoffman

Capstones

SocialJ Presentation

SocialJ Report

W()Men, Natalia M. Keogan

Capstones

W()MEN is a short documentary that examines the horror movie genre and the way that it focuses on women’s bodies. It integrates talking head interviews, clips from over 50 horror films, and narration in order to critically examine how women’s bodies have been portrayed as monstrous within the genre.

nataliakeogan.com/thesis-film

Gay Social Networking Apps Are Fueling Crystal Meth Use, Moises A. Mendez Ii

Capstones

Selling crystal meth on gay social networks is a problem nobody is talking about; two men tell their stories. The LGBT+ community has a long standing relationship with the use of drugs. From the 70s to present day, there has been a popular drug used – currently, it's crystal meth. Adam and Christopher have dealt with their addiction to crystal meth for many years and the introduction of gay dating apps like Grindr, Scruff and Jack'd posed new problems for them when they were trying to stay sober.

https://medium.com/@moises.mendez/gay-social-networking-apps-are-fueling-crystal-meth-use-ac34f38fa636

Undocumented Survivors Of Domestic Violence Struggle To Get Resources In New York City, Florence Mafomemeh

Capstones

Many undocumented survivors of domestic violence in New York City struggle to gain access to resources they need to survive due to their undocumented status. City officials tell them that help is available at the Family Justice Centers located in all five boroughs. But some undocumented survivors say they don’t get all the help they need. These victims and survivors bring with them the scars of abuse from their exes, to seek help from the city.

Link to full project:

https://florence-mafomemeh.weebly.com/capstone.html

What If The Key To Climate Change Is Hiding Under The Sea?, Shira Feder

Capstones

“We know more about outer space than we do the ocean,” says Vicki Ferrini, a research scientist at Columbia University with over 20 ocean expeditions under her belt. And as the woman leading Seabed 2030, the charge to map the world’s oceans—which are 85% unexplored—she knows how vital this is to combat climate change and exactly how she’s going to do it. Read it here: https://medium.com/@shira.feder/what-if-the-key-to-climate-change-is-hiding-under-the-sea-4503565c33a2

Contradictory Shakespeare: An Investigation Of Female Protagonists In Othello, Measure For Measure, And Pericles, Mingyue Xu

Student Theses and Dissertations

Unlike the stereotyped image of women in the Elizabethan era, in which women should submit to men’s control, Desdemona in Othello, Isabella in Measure for Measure, and Marina in Pericles present their powerful and brave characteristics when facing male dominance. More specifically, all three young women — Desdemona, Isabella and Marina — negotiate sexual and marital arrangements with their language intelligently, despite the fact that they sometimes lack self-determining power in the plays. That is to say, Shakespeare gives women rhetorical power while in certain circumstances, men cannot be persuaded. Such contradiction within how Shakespeare depicts his female …

The Ends Of Plot: Rupture And Entanglement In L’Amica Geniale, Victor X. Zarour Zarzar

Dissertations, Theses, and Capstone Projects

This dissertation employs narrative theory to contextualize Elena Ferrante’s successful saga, L’amica geniale, within the larger tapestry of European novelistic discourses. It engages with conceptions of narrative structure put forth by critics like Ortega y Gasset, Brooks, and Winnett to understand how L’amica geniale offers cutting commentary on our exegetic practices and advances a geometry of narrative entanglement. I contend that Ferrante recuperates and italicizes nineteenth-century modes of storytelling, displaying a form of epistemological tension rooted in a movement away from a belief in plot’s semantic potentialities and into the postulation of a poetics of smarginatura or rupture. I …

Words Are Found Responsible: Poetry's Jurisdiction And The Transformation Of Equal Rights, Talia Shalev

Dissertations, Theses, and Capstone Projects

Across various academic fields and from a range of political orientations, scholars note that a pervasive rights discourse shapes the imaginable horizons of identity, politics, and social life in the United States. Many critiques of rights since the 1970s highlight a particular conundrum of this rights culture: existing rights law and ubiquitous rights invocations fail to guarantee equal conditions for thriving across racialized and gendered axes of identity. Words Are Found Responsible: Poetry’s Jurisdiction and the Transformation of Equal Rights emphasizes and complicates elements of these critiques by reading poetry of the 1970s and 1980s in relation to shifting rights …

Getting Located: Queer Semiotics In Dress, Callen Zimmerman

Dissertations, Theses, and Capstone Projects

The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what …

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

Feminist And Anti-Feminist Discourses On Abortion In Haiti From 2010 To 2019, Katia Henrys

Dissertations, Theses, and Capstone Projects

While women in Haiti obtained important changes in discriminatory laws after the end of the Duvalier era, other issues remained unresolved. Haiti is amongst six countries in the Caribbean and Latin America that criminalize abortion. This does not prevent women from practicing abortion at very high risks: it is estimated that a third of the maternal deaths are due to abortions in the country. The January 2010 earthquake killed thousands of people and feminist leaders were also victims. How did feminist activists continue the work to legalize abortion after this event? How are they perceived in the media? This paper …

Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova

Dissertations, Theses, and Capstone Projects

This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …

Little Egypt: A Critical Biography, Katherine Vecchio

Dissertations, Theses, and Capstone Projects

Structured as a biography, this thesis investigates the origins of Little Egypt—a stage name assumed by multiple women performing either the danse du ventre or the hoochie-coochie—and considers the character’s cultural legacy. The work draws on nineteenth and twentieth century newspapers, advertisements, photographs, and official publications and archival records from the 1893 World’s Columbian Exposition. Chapter one takes a new look at the World’s Columbian Exposition in Chicago and shows how the presence of dancers performing the danse du ventre on the Midway Pliasance was turned into a flashpoint of controversy by the popular press. This controversy would be key …

Through The Mouth: An Essay On Appetite And Ecocide, Iemanja Brown

Dissertations, Theses, and Capstone Projects

This dissertation is an exploration of mourning and resilient joy in the midst of ecocide. Resisting the pervasive classification of the human as inherently destructive, I look to appetite as an aesthetic procedure that includes a material desire for intimacy with the more-than-human. My study considers the intersections of aesthetic production (primarily twentieth-century poetry and visual art), climate science, geology, cultural studies, theory within the contemporary nonhuman turn, and Alfred North Whitehead’s philosophy of organism. I employ an interdisciplinary approach, which helps me explore the various ways that literal and figurative appetite can be a way of sensing and exploring …

“Let’S Call Painful Sex Disorders Sexual Disabilities Instead”: A Feminist Disability Critique Of Feminist Representations And Medical Representations Of Sexual Disorders Of Pain, Oyku Akin

Dissertations, Theses, and Capstone Projects

Historically, gender and sexuality have been privileged sites of analysis in feminist theory. Critical feminist engagements with “sexual dysfunction” employ gendered analysis’ of medical and pharmaceutical interventions to sexuality in capitalist modernity in order to underscore the ideological dimensions of modern sexuality. Although sexual disorders of pain received little attention from feminist academics until recently, contemporary feminist work on sexual pain disorders mimic the previous work on sexual dysfunctions in terms of analysis. Analysing recent major feminist contributions employing different epistemological orientations to the study sexual disorders of pain, I show that gender continues to be the privileged common category …

Gendered Subjectivity And Resistance: Brazilian Women’S Performance-For-Camera, 1973–1982, Gillian Sneed

Dissertations, Theses, and Capstone Projects

This dissertation considers the work of a group of women artists in Brazil during the period of the military dictatorship (1964–1985), working in the genre of “performance-for-camera” (i.e., performance for film and video, rather than for a live audience). The artists are Lygia Pape (1927–2004), Letícia Parente (1930–1991), Anna Bella Geiger (b. 1933), Sonia Andrade (b. 1935), Anna Maria Maiolino (b. 1942), and Regina Vater (b. 1943). Some of these women were friends and colleagues who collaborated with each other; all of them contributed significantly to the development of film and video art in Brazil. Their works share an impulse …

All The Small Things, Talia E. Levitt

Theses and Dissertations

My paintings engage with the history of the still life as a marginalized and antiacademic genre. Rather than fool viewers into believing that there are real objects in front of them, as is the historical intention of trompe l’oeil, I use realistic rendering to emphasize the painting and painter.

Gender Based Violence In India: An Analysis Of National Level Data For Theory, Research And Prevention, Dhanya Babu

Student Theses

Gender based violence is a human rights violation, both the causes and impacts of which crosses personal, societal and cultural boundaries. Various initiatives to address the problem of gender-based violence have resulted in many countries attempting to quantify the extent of such crimes. The purpose of this present study is to examine nature and extent of GBV in India for prevention policy actions. The National Crime Record Bureau (NCRB) of India publishes a consolidated list of reported crime happenings in the country every year. Recognizing gendered aspect of certain crimes, the NCRB maintains a separate chapter on incidences of crimes …

Imaging Exploitation, Complexity, And Paradox In Subaltern Labor Photography, Mahnure Janis

Theses and Dissertations

Imaging Exploitation, Complexity, and Paradox in Subaltern Labor Photography is an expanded cinema performance examining 'cheap' labor in the fast fashion industry through a self-reflexive diasporic lens. The images and narration explores the garment factories in Bangladesh and contains ‘a photographer’s cognitive meta-data’, including ethical dilemmas while taking the images.

Panmela Castro: Feminism In Brazilian Graffiti Art, Giulia Chu Ferri

Student Theses and Dissertations

This paper is an analysis on the graffiti artist Panmela Castro and her murals in Brazil and around the world. My thesis emphasizes the importance of feminist subject matter for graffiti art in Brazil, as well as its impact on the public sphere. The paper is separated into four sections: “Formative Years,” describing her biography and the development of her works; “Interaction with the City,” analyzing the interaction between graffiti and the urban environment, and using that discussion as a frame to contextualize Castro’s work; “Feminist Imagery and Ideology,” examining some of her concurrent themes and imageries; and finally “Transnational …

Self-Portraits And Gravity Bodies, Tim Foley

Theses and Dissertations

Self-portraiture allows for the rapid fruition of ideas. An analysis of the work of Francesca Woodman and Ana Mendieta shows how the artist’s body can be variably used in photography. David Wojnarowicz’s memoir establishes a connection between gravity and the human condition. My practice has been informed by this connection.

The Woman We Don’T Want To Be: The Anti-Heroine In American Women’S Modernisms, Madison Priest

Dissertations, Theses, and Capstone Projects

Anita Loos’ Lorelei has a baby because “a kid that looks like any rich father is as good as money in the bank.” Edith Wharton’s Undine uses hers as a pawn in divorce negotiations with the child’s father. Jessie Redmon Fauset’s Angela abandons her sister so her boyfriend won’t guess she’s black, and Nella Larsen’s Helga frustrates and alienates everyone she loves. Yet these protagonists were subject not just to gleeful mockery and sanction, but to furtive pity, uncomfortable recognition, even envy. Each age calls for its own bogeys; and the anti-heroine was, I contend, the perfect instantiation of American …

İbne, Gey, Lubunya: A Queer Critique Of Lgbti+ Discourses In The New Cinema Of Turkey, Azmi Mert Erdem

Dissertations, Theses, and Capstone Projects

In my thesis, I examine the intersections between liberalism, neoliberal globalism, and LGBTI+ visibility and identity politics, through films that present “openly” non-normative sexualities through cis/transgender male, female, or non-binary characters in the new cinema of Turkey. First, I survey existing scholarship on how liberal capitalism impacts the formation of LGBTI+ subjectivities and identity politics. Furthermore, I trace how non-normative sexualities, practices, and discourses evolved along with socioeconomic and political shifts in the Turkish Republic following the Ottoman Empire. Accordingly, I review Turkey’s adoption of neoliberal ideologies in the 1980s and how these ideologies engage with its local, heterogenous gender …

Una Enunciación Intersticial: La Poética Del Destierro De Carlos De Rokha, Mariana Romo-Carmona

Dissertations, Theses, and Capstone Projects

Una enunciación intersticial: la poética del destierro de Carlos de Rokha

The era of the Chilean vanguard, in early twentieth century, is currently experiencing a resurgence of interest and study. In particular, the popular uprisings of 1938 and significant advancement of women in cultural and social terms are pivotal, yet it was also the stage of state-sanctioned repression and violence, and in the ensuing decades, persecution of activists and marginalized individuals. My study of the work of the surrealist poet, Carlos de Rokha (1920-1962), highlights the close relationship in the creation of the literary canon with the definition of a …

Women And Their Struggle To Be Considered Funny As Told Through The Study Of Female Standup Comics, Jean Kim

Dissertations, Theses, and Capstone Projects

In the history of comedy in America, women standup comics have taken a backseat to their male counterparts. Females have struggled against an inherent societal and male bias alleging that women cannot be funny. Even Sigmund Freud offered a medical explanation of this phenomenon in his 1905 book titled Jokes and their Relation to the Unconscious stating that it was physiologically impossible for women to be funny because of the way their brains were structured. In 2007, intellectual British journalist Christopher Hitchens reinforced this theory in a Vanity Fair article titled “Why Women Can’t Be Funny,” claiming that women did …

The Body And Its Signifiers: Bodily Depictions In Niccolò De’ Conti And Odorico Da Pordenone, Antonella Dalla Torre

Dissertations, Theses, and Capstone Projects

This dissertation examines textual, bodily depictions in two western European, medieval and late-medieval travel accounts, which describe the eastern travels of the Venetian merchant Niccolò de’ Conti and those of the Franciscan friar Odorico da Pordenone. My analysis show how a connection between the characterizations of the body and the process of identity definition is forged and sustained in these texts.

Through a cultural-studies perspective, my work focuses specifically on depictions of the body in Poggio Bracciolini’s account of the travels of Niccolò de’ Conti and in the text of a vernacular rendition of Odorico da Pordenone’s Relatio, the …

Imagined Futures: Feminist Science Studies In An Era Of Climate Change Denial, Emily K. Crandall

Dissertations, Theses, and Capstone Projects

What space is there for critical approaches to science in a context where the authority of science to say anything meaningful, or to prescribe, appears to be somewhat tenuous—in other words, in a moment of rampant climate change denial? To answer this question against the backdrop of the common refrain that the problem is one of capitalism vs. the climate (e.g. Naomi Klein 2014), I examine cases where debates about science, economistic organizational arrangements, and political clashes between neoliberals and environmentalists come together, while insisting on the view, following critical engagements with the sciences, that the sciences and their societies …

Queerness, Witchcraft, And Embodied Presence: Aesthetic Knowings Of What A Body Can Do, Megan Bigelow

Dissertations, Theses, and Capstone Projects

Taking as a point of entry the critique of representation and affirming the limitations of the cuts that language makes, this capstone project explores the imbrications and assemblages between Foucault’s concept of subjugated knowledges, witchcraft and other body-based ways of knowing and being, and the consciousness of non-human forms such as plants and through the framework of non-representational theory, process philosophies, aesthetics, queerness, and the concept of difference itself.

Since such theories themselves are living, breathing entities, this capstone project explores the ideological split that has occurred between sacred and secular beliefs, moving through different figures such as nuns and …