Arts and Humanities Commons^™

Symbolism, Sensuality, And The Space In-Between: Contextualizing The Queer Expression Of Mikhail Kuzmin In Russia’S Fin De Siècle, Avery Elizabeth Noe

Chancellor’s Honors Program Projects

No abstract provided.

“I Know A Place Where You Don’T Need Protection, Even If It’S Only In My Imagination:” 21st Century Queer Politics And Cultural Positions Through Pop Music, Abbey Coe

Dartmouth College Master’s Theses

From Madonna to Britney Spears to Beyoncé, women have dominated and defined pop music for decades. Pop music is a vital part of American culture; it is both shaped by and capable of shaping the broader sociopolitical landscape. Thus, women in pop can utilize the deep relationship between music and culture to convey a stance on the role of women in American society. However, queer women in pop music are somewhat scarce, even in 2024 when acceptance of queerness is relatively high. As such, the queer women and queer themes that are present in pop necessitate nuanced analysis to understand …

Good Girls Don't, Tess Fresco

English Honors Theses

Set in the year 1980, "Good Girls Don't" is a bracing coming-of-age story about Cathy, a young woman in Los Angeles who dreams of escaping the city yet feels intimately bound to it. Los Angeles as a terrifyingly beautiful place, in this specific time, figures prominently in this novella; even as Cathy enjoys smoking pot with her best friend Heather, rolls her eyes at her boss at Jack In the Box, and moons over sexy surfer boys, the threat of a serial murderer targeting young women hangs over her mind. On a date one night with Jim, an older boy …

Review Of Sara Levy's World: Gender, Judaism, And The Bach Tradition In Enlightenment Berlin, Edited By Rebecca Cypess And Nancy Sinkoff, Jeanne R. Swack

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of Sara Levy's World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin, edited by Rebecca Cypess and Nancy Sinkoff

Louise Farrenc: A Woman Composer's Voice Rising Out Of Obscurity, Allika Polowchak

All Zyzzogeton Presentations

Louise Farrenc (1804-1875) was a prolific composer, performer, and teacher of art music in Romantic-era France. Widely regarded during her lifetime for her incredible natural talent and hard work, her compositions fell into obscurity after her death due to general disinterest in women’s contributions to art. As Louise Farrenc started to become more recognized in the later 20th century, efforts were focused on reviving her instrumental works, but little is known about her choral and vocal pieces to this day.

The Power Of Female: The Representation Of Female Composers Through A Senior Flute Recital, Savannah Palmer

Honors Program Theses and Research Projects

In a prominent number of musical performances, the number of female compositions being performed is small. The dominance of male composers throughout time has created a barrier that prevents female composers from being represented in the music community. Female composers possess great creativity and virtuosity in their compositions, yet gender bias impacts their representation in music repertoire, specifically flute repertoire (Fairouz, 2017). With less than 6.10 percent of female compositions being programmed in concerts and recitals, members of various communities are lacking exposure to the powerful musical works that women create (Peters, 2016). To empower female composers and demonstrate their …

Spadafore, Sampson, Benjamin Lachapelle

Querying the Past: LGBTQ Maine Oral History Project Collection

Sampson Spadafore is a 27-year-old queer, transmasculine person who currently lives in Westbrook, Maine. They are originally from Syracuse, New York, and attended Nazareth College in Rochester, New York. They graduated with a degree in musical theater. Spadafore discusses shifts in their gender self-presentation and gender fluidity as well as media erasure of trans men. They then moved to Portland, Maine, to work for Maine Boys to Men and have also worked with Speak About It; Maine Renters United; and Democratic Socialists of America. A political current focus is using social media and art to raise awareness about Palestine. Writing …

Diversity Of Programming By Race And Gender In College And University Band Concerts, Liz Liss

Undergraduate Honors Theses

While there are many women (and others of non-male genders) as well as people of color who compose for concert bands, they are often not given equitable recognition or representation. Over the past several decades, pushes for diversity within the classical music realm and higher education have sparked numerous discussions surrounding current practices (Bond 2017, 154; Bowman 2020, 10; Cumberledge and Williams 2022, 4; Peters 2016, 22): who are we inviting into our programs, whose music are we playing, and who are we representing? Despite these concerns, there has been very little research to provide answers to these questions within …

Performing Grrrlhood: A Lyrical Analysis Of Riot Grrrl Music, Vida Hasson

CMC Senior Theses

This thesis examines the lyrics of the three founding Riot Grrrl bands: Bikini Kill, Bratmobile, and Heavens to Betsy. I explore how Riot Grrrl bands politicize girlhood to undermine patriarchal authority and empower girls to redefine feminism for themselves. I provide the historical context for Riot Grrrl as a political movement and its cultural impact in the 1990s. In my analysis I connect the lyrics to feminist discourse to demonstrate how Riot Grrrl provided women and girls a platform to discuss feminism and patriarchal oppression. Music has the power to send messages to the masses and Riot Grrrl's legacy proves …

Celebrity, Music, And Public Persona: A Case Study Of Taylor Swift, Elaina K.M. Junes

All Graduate Theses, Dissertations, and Other Capstone Projects

Studies have shown that celebrity culture is one of many significant sources of influence that inform the construction of individuals’ identities as well as their outlook on work, life ambitions, and accomplishment. Celebrity also offers a unique window with which to examine both how social structures operate in the mainstream, and how social inequalities are reproduced. This study utilizes qualitative research methodology by way of longitudinal content analysis to examine how Taylor Swift’s public persona has evolved comparatively throughout the early and late stages of her career, specifically in regard to her gender, age, and music. This study identifies ten …

Geist, Dale, Abby Milewski

Querying the Past: LGBTQ Maine Oral History Project Collection

Ever since his coming out in a Facebook post, Dale Geist has championed queer representation in one of the most conservative music genres. Country. He is the founder of the online blog called Country Queer, where his goal is to shine a light on LGBTQ+ country and Americana music artists. He talks about influential artists such as Bob Dylan, The Indigo Girls, Elton John, Brandie Carlile, and David Bowie. In this 50-minute interview, Geist covers many stories from his life, including discovering his sexuality, the importance of media representation, David Bowie’s positive influence on the bisexual community, and the cultural …

Clubbing Criminals: The Hirschfeld Centre And The Emergence Of Queer Club Culture In Dublin, Ann-Marie Hanlon

Irish Communication Review

Ireland in the 1970s and 80s was an extremely hostile place for the LGBT community: male homosexuality remained a criminal offence and social, legal and political oppression was the norm. This article documents the emergence of a nascent queer clubbing scene in Dublin in this period and investigates the historical intersection of partying and politics in a DIY translocal music scene defined by the sexual politics of the time. In particular, this research focuses on exploring the social and political importance of Ireland’s first purpose built queer club, Flikkers, which opened in the Hirschfeld Centre, Temple Bar on St. Patrick’s …

Freestyle's Forsaken, Sage D. Rivera

Theses and Dissertations

Freestyle is a genre of music born in the mid-1980s from Latino and Black communities in the urban epicenters of the United States. This project spotlights a freestyle music artist “Corina," and how she suffered a patriarchal construct but finally got the moment of significance she deserved.

Grrrls, Grrrls, Grrrls: Incorporating Feminist Theory Into Punk Rock Composition, Bryan M. Waring

Composition/Recording Projects

This project argues that one can make rock music with anti-sexist values by incorporating feminist criticism and gendered performance into the composition of punk rock music. To test this thesis, the history of feminism and its implementation within musical discourse were examined. Using feminist music theory as a lens for observation, several songs from female artists and mix-gender bands within the punk genre were analyzed. This was done in order to find similarities in compositional practices and to explore punk rock’s symbolic representations of gender. Areas covered were the expression of jouissance by the proto-punks, the use of détournement by …

The Status Of Women: Female Gender Associations In West Chester University’S School Of Music Archive, Katharine Godfrey

West Chester University Master’s Theses

Research in the West Chester University (WCU) School of Music (SOM) archive displayed a history of women’s involvement in music dating back to its opening in 1871. The archive provided the resources for an examination of the representation of female instrumentalists at WCU in a few key areas over more than a century. As trends of gender stereotyping in music shifted, their effects can be seen on women at WCU.

The research conducted in the archive provided three sets of primary documents that informed this project. Those primary documents include the Quarto-Centennial History of the West Chester State Normal School …

Gormley, Quinn, Liam Dunn, Katherine Sucy

Querying the Past: LGBTQ Maine Oral History Project Collection

Quinn Gormley, who uses she/they pronouns, is 27 years old and lives with their husband and dog in Auburn, Maine. Quinn became involved in activism and trans liberation in 2011 after attending a support group with Maine TransNet, a grassroots trans organization serving Mainers. Since then, they have been highly involved with the organization and took on the role of Executive Director in 2016. Prior to Maine TransNet, Quinn worked in public health managing an HIV testing program for the Health Equity Alliance, one of the state’s main AIDS service organizations. She attended the University Church of Chicago for Percussion …

Clough, Travis, Josh Allen, Rachel Shanks

Querying the Past: LGBTQ Maine Oral History Project Collection

Travis Clough is a 44 year old trans man who grew up in the small town of Bucksport, Maine. He uses the pronouns he/him/his, and identifies as queer or trans. From a young age, Travis felt different with his gender identity. He attended the University of Maine Farmington in the late 1990’s, and was the only school he applied to because it was “where all the queers went”. Having been into music since the age of 14, he began playing in bands while in college. Him and his band would make the long drive from Farmington to Portland every week …

“Leisure With Decorum”: Gentlemen Making Music In The Georgian Era, Lidia A. Chang

Dissertations, Theses, and Capstone Projects

This project examines the musical activities of Georgian gentlemen with the goal of illustrating the ways that recreational music-making tested the boundaries of gender, class, and nationality. While the English nobility could respectably engage in music-making, socialize with professional musicians (subverting, or temporarily suspending otherwise rigid class boundaries), and openly extol the virtues of Continental culture without compromising their gentlemanliness, English gentlemen walked a much thinner line. In pursuit of these claims I will expand the scope of primary sources beyond conduct books and novels to include selections of unpublished, peripheral accounts of recreational music-making as found in letters, diaries, …

Bad Bunny’S Purplewashing As Gender Violence In Reggaeton: A Feminist Analysis Of Solo De Mi And Yo Perreo Sola, Dairíne Hoban

USF Tampa Graduate Theses and Dissertations

Bad Bunny has skyrocketed to fame in the past few years, gaining worldwide recognition as one of the best reggaetoneros of his time. His self-promoted image as an ally to women’s movements and the Queer community has garnered him the recognition of being a role model for youth and as an anomaly in the misogynistic genre of reggaeton. However, few have looked beyond the assertion of allyship to see if his work truly does support women and anti-gender violence ideology. While scholarship on reggaeton has well documented the prevalence of gender violence in the lyrics, videos and overall culture of …

A Feminist History Of The Roland Mc-505, Cameron Davis

Seaver College Research And Scholarly Achievement Symposium

A Feminist History of the Roland MC-505

Abstract

Roland’s MC 505 is a small portable music production instrument also known as agroovebox that functions as a programmable sixty-four note polyphonic synthesizer and drummachine with twenty-six interchangeable drum kits to use in various combinations. (1) The groovebox is equipped for both audio recording and live performance, both of which are analyzed in this research. The machine has many innovative elements that have carried over into modern music technology as well as some limitations that have since been left behind. This study acts as a historical evaluation of the growth and improvements …

An Entity Of Power: Hildegard Von Bingen And The Female Body, Jacqueline Larivee

History Student Work

No abstract provided.

Efter Jobbet: En Inledande Diskussion Om Studiet Av Fritid, Leif Stenberg, Anders Ackfeldt

Faculty & Staff Publications

No abstract provided.

Do It Yourself: Women And Lgbtq+ Musicians And Promoters In The Diy Midwest Music Scene, Morgan W. Matzen

Honors Thesis

In certain parts of the Midwest “DIY,” or the underground/alternative music scene, there is not enough representation of women, people of color and LGBTQ+ individuals in music, whether onstage as a band or musician, or in venue ownership and leadership. This study looks at where these diverse people are, and the setbacks they’ve faced along the way of becoming a musician, promoter or venue owner. Three emerging themes through this journalistic research include all-ages venues and music scenes as integral to getting people involved in music; a “DIY” attitude or ethos as a push for these musicians and promoters to …

Feminist Friendship As An Affective Engagement Through The Arts: A Decolonial And Posthuman Becoming-With Rebeca Lane's Alma Mestiza, Miguel Ángel Blanco Martínez, Paola Mendoza Téllez-Girón

disClosure: A Journal of Social Theory

This paper considers friendship as an affective terrain of feminist alliance among subjects that belong to territories with a colonial record responding to the colonial/modern gender system (Lugones 2007) through the arts. Friendship is here conceptualized as an engagement of feminist solidarity unfolding within theoretical and practical models of change and resistance against the logics of cultural imperialism (Lugones and Spelman 1983). Turning friendship into a polyphonic feminist reaction, this work is conducted by acknowledging the need to foster dialogues where different authorial voices and feminist positionalities meet, reflect, and speak. The paper settles the encounter between its authors in …

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

Jesse Routte: Using Style To Signify Injustice, Emma Nordmeyer

Race, Ethnicity, & Religion

Jesse Routte, first African-American student to graduate Augustana, made national headlines in 1947 for wearing a turban on a visit to Alabama. In this paper, I explore how Routte's stylistic choices uprooted and questioned the racism of the Jim Crow era.

Uncovering Alice Bag: An Alternative Punk History, Emily Macune

Scripps Senior Theses

The intention of this thesis is to provide an alternative counter-narrative to the mainstream histories of punk that center white men. By focusing on the contributions of fem queer and POC punks, I aim to legitimize punk music as a form of resistance against systems of oppression that are oppositional to the commodified forms of mainstream punk. Using Alice Bag, as my central case study as a fem queer punk that is often left out of punk historical narratives, I contextualize her work through feminist, queer, and media studies lenses to bridge the gap between academia and forgotten personal experience.

Elders Talkin’, Lizzie Nova

Comparative Woman

No abstract provided.

Kawamoto, Eric, Cosette Holmes, Tiana Cope-Ferland

Querying the Past: LGBTQ Maine Oral History Project Collection

This interview with Eric Kawamoto reveals a journey of self-discovery in Chicago, L.A., Boston, and Portland; an intersection between being Asian American and being queer; and survival of AIDS as a result of reserve. Kawamoto places these personal themes among his account of the LGBTQ+ and Asian American communities’ overarching struggles, like the fight for domestic partnership benefits, representation of Asian American gay men, and spreading awareness about Japanese American internment in California.

Citation

Please cite as: Querying the Past: LGBTQ Maine Oral History Project Collection, Lesbian, Gay, Bisexual, Transgender, and Queer+ Collection, Jean Byers Sampson Center for Diversity in …

Quezada, Alzenira, Wendy Chapkis

Querying the Past: LGBTQ Maine Oral History Project Collection

Alzenira Quezada, also known as Lady Zen, is a queer artist, singer and performer. Quezada was born to Brazillian parents and raised by white adoptive parents who were members of the Church of the Nazarene, a branch of evangelical Christianity. She was cut off by her adoptive parents when she came out at 17. She studied music at Evergreen College in Washington State. She grew up in Arkansas and spent many years in Portland, Maine before moving to Mexico where she currently resides. Quezada owns a production company in Mexico and also works at a queer run bar. Her current …