Arts and Humanities Commons^™

Symbolism, Sensuality, And The Space In-Between: Contextualizing The Queer Expression Of Mikhail Kuzmin In Russia’S Fin De Siècle, Avery Elizabeth Noe

Chancellor’s Honors Program Projects

No abstract provided.

The Strategies And Risks Of Performing Citizenship And Rights Through Music, Carolin Mueller

Biennial Conference: The Social Practice of Human Rights

My work explores the capacity of cultural producers to perform “insurgent citizenship,” a term theorized by James Holsten (2008) to describe how the peripheries of social organization can propel alternative modes of civic participation, through music. I utilize Engin Isin’s performative dimension of citizenship (2017) to investigate such forms of insurgent citizenship as they evolve in social and cultural peripheries of the contemporary arts and culture industry in the city of Dresden, Germany to identify the pathways they open to socio-political participation and autonomy for refugees.

While Germany understands itself as a nation of culture, cultural policy unevenly addresses the …

The Late Works Of Dame Ethel Smyth: A Musical Microcosm Of Interwar British Culture, Emily Morin

Spring 2015, British Society and Culture

This paper examines the late musical compositions of Dame Ethel Smyth in the context of British society and culture between the two World Wars. It focuses on Smyth's large-scale works, especially her operas The Boatswain's Mate (1914) and Entente Cordiale (1923-1924) and her oratorio The Prison (1930). Using these works as examples of the composer's mature style, I draw attention to a number of Smyth's original artistic choices as well as her sophisticated use of social commentary. Also considered in this research are certain anticipated roles for women as composers at the time, Smyth's other passions and pursuits, and her …

Modernism And The Cult Of Mountains: Music, Opera, Cinema By Christopher Morris (Review), Harald Höbusch

Modern and Classical Languages, Literatures and Cultures Faculty Publications

No abstract provided.

Hearing The Cry In Black Diasporic And Latina/O Poetics, Rachel E. Ellis Neyra

CLCWeb: Comparative Literature and Culture

In her article "Hearing the Cry in Black Diasporic and Latina/o Poetics" Rachel Ellis Neyra expands upon Edouard Glissant's notion of "the cry of the Plantation" and shows how to listen for it in literary arrangement of Derek Walcott, Piri Thomas, Pedro Pietri, Ralph Ellison, Miguel Algarín, and James Baldwin. Ellis Neyra also reads musical lyrics by Oscar D'León and Billie Holiday and the melodic nuances of salsa, jazz, the blues, and bomba for how they sound out what she calls the New World Cry, a mnemonic figure of the Plantation of the Americas and a metaphor for how estrangement …

Der Zauber Der Musik: E.T.A. Hoffmann Und Das Erleben Des Sublimen, Katelin M. Richter

Lawrence University Honors Projects

Die Werke von E.T.A. Hoffmann konzentrieren sich auf ein bestimmtes romantisches Konzept: auf die Sehnsucht nach dem Unendlichen und auf das Erlebnis dieses sublimen romantischen Reiches. Um Hoffmanns romantische Ästhetik besser zu begreifen, lohnt es sich seine Werke (Novellen, musikalische Schriften, Aufsätze und Kompositionen) heranzuziehen, um festzustellen, wie seine Figuren vor allem durch die Musik das romantische Reich erleben und wie und aus welcher Perspektive der Zuschauer auf dieses Reich reagieren kann. Diese Arbeit wird untersuchen, wie sich Hoffmanns romantische Ästhetik in den Erzählungen, den theoretischen Schriften und in der Oper Undine offenbart, wie seine Charaktere durch die Musik danach …

Frankenstein: Man Or Monster?, Leigh P. Mackintosh

Undergraduate Theses and Capstone Projects

Since its first publication in 1818, Mary Shelley’s novel Frankenstein has left a lasting impression upon the world speaking to a multitude of audiences including artists, scientists, philosophers, and society as a whole. Considering the impact of Frankenstein through its evolution as a cultural myth in various plays and films, this thesis will provide a way to gauge the relevance of Shelley’s story as an adaptation. Only by knowing what has been done in the past and how the materials have been used by other playwrights and screenwriters can one understand how to handle them as an original work. The …

Gunnar Johansen: The Gentlemanly Dane, Solon Pierce

The Bridge

It is about three score and five years ago now since a certain Dane came to Dane County, Wisconsin-a decisive step, he later recounted on many occasions, "that I have never regretted." To this native Midwestern observer, it was a perfect fit. There was something homespun and authentic in the nature of the man -a sense that he was cut from the same cloth.

Hans Christian Andersen In Musical Translation, Jean Christensen

The Bridge

Those of us who work in two cultures are fascinated by the peculiar demands and limitations of translating the sensual and intellectual qualities of one language to those of another, and by the challenges of transferring ideas from one historical time to another. A similar challenge exists for today's composers who set out to transform a text into music, but this is a process that also involves other considerations, for music has the additional potential to project multidimensional time and space. H.C. Andersen was no stranger to musical renditions of his work during his lifetime. In fact, because of his …

The Impact Of American Jazz On Denmark: From The 1950s To The 1970s, Merete Von Eyben

The Bridge

This is how Leonard Malone, an American writer who lived in Denmark until his death in 1998, described Dexter Gordon's first appearance at Jazzhus Montmartre. "Harold Goldberg had arranged for Dexter to appear at the Montmartre, beginning the first week in October ... On the ninth of October 1962, Dexter finally appeared .. .late. Thin. Very thin. Tall. Very tall. Charismatic...When he finished playing ... the audience was in a state that could best be characterized as a delightful state of shock.Dexter was in town and was burning! From that evening on, Dexter became "' our man in Copenhagen."'

The Spirit Behind The Melodies, Hermann Hesse

Swiss American Historical Society Newsletter

How the old Music Master from Castalia, visiting Berolfingen grammar school, tests young Joseph knecht's ability to respond to music and to the spirit od Castalia.