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Full-Text Articles in Arts and Humanities
Local Political Contexts And Immigrant Integration, Dalston Gawain Ward
Local Political Contexts And Immigrant Integration, Dalston Gawain Ward
Arts & Sciences Electronic Theses and Dissertations
Understanding the causes of immigrant integration is critical, as its failure can pose substantial economic and social costs for natives and immigrants alike. In this dissertation, I explore the role of local politics and immigrant demographics in explaining variation in immigrant integration across localities. In the first chapter, I develop a theory linking local politics to immigrant integration. Specifically, I argue that when local governing parties have anti-immigrant ideologies, integration becomes more difficult. I test this argument using data from refugees entering Denmark between 1986 and 1998. These refugees were spatially dispersed across Denmark's 275 municipalities, allowing me to identify …
Paese Di Accoglienza: Il Successo Di Un Modello Innovativo Di Accoglienza Dei Richiedenti Asilo In Italia, Isabela Arena Secanechia
Paese Di Accoglienza: Il Successo Di Un Modello Innovativo Di Accoglienza Dei Richiedenti Asilo In Italia, Isabela Arena Secanechia
Senior Capstone Theses
This work discusses Italy's migrant reception system including its flaws and their effects. Furthermore, this work explores an alternative, sustainable model of migrant reception created in Riace, Calabria, that has been successful in varying towns across Italy. Ultimately, this work argues that this system, which is beneficial to both Italians and incoming migrants — specifically asylum seekers — can and should be implemented nationally to counter the current flawed system.
A Station In Motion: Termini As Heterotopia, Simone Brioni Dr.
A Station In Motion: Termini As Heterotopia, Simone Brioni Dr.
Department of English Faculty Publications
Drawing on Michel Foucault’s definition of heterotopia, the article analyses the filmic and literary representation of Stazione Termini, Rome’s main train station. The Fascist architectural project, which mirrors an idea of the nation as homogeneous, monolithic, and white, begins to be challenged in the post-World War II representations of Termini which depict the station as the place where liminal and unexpected experiences can occur and accepted moral codes of behaviour are put into question. The article then focuses on the recent representation of Termini as a key place of contact with and among immigrants. While migration literature describes the station …