Arts and Humanities Commons^™

Anatomía Comparada De La Representación De La Muerte En La Literatura Española Transatlántica Durante El Ocaso De La Edad Media Y El Renacimiento, Miguel Ángel Albújar Escuredo

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

The main goal of this project is to dissect how death is represented during the Late Middle Ages, the Renaissance and the beginning of the phenomenon of colonization of America carried out by the Spanish Empire, all of it by means of reviewing the representations in Spanish literary works of those times. This is accomplished by comparing works diachronically in order to reveal the main thematic variations between them. To that effect, representative models are taken from the literary canon in Spanish that involves texts since the Late Middle Ages until the first modernity, also known as the Renaissance. This …

Textile Terminologies From The Orient To The Mediterranean And Europe, 1000 Bc To 1000 Ad, Salvatore Gaspa, Cécile Michel, Marie-Louise Nosch

Zea E-Books Collection

The papers in this volume derive from the conference on textile terminology held in June 2014 at the University of Copenhagen. Around 50 experts from the fields of Ancient History, Indo-European Studies, Semitic Philology, Assyriology, Classical Archaeology, and Terminology from twelve different countries came together at the Centre for Textile Research, to discuss textile terminology, semantic fields of clothing and technology, loan words, and developments of textile terms in Antiquity. They exchanged ideas, research results, and presented various views and methods.

This volume contains 35 chapters, divided into five sections: • Textile terminologies across the ancient Near East and the …

Review Of Performing Captivity, Performing Escape. Cabarets And Plays From The Terezin/Theresienstadt Ghetto. Edited And With An Introduction By Lisa Peschel., Hana Waisserova

Department of Modern Languages and Literatures: Faculty Publications

Performing Captivity, Performing Escape. Cabarets and Plays from the Terezin/Theresienstadt Ghetto presents Lisa Peschel’s edited, revised, and translated into English Divadelní texty z terezínského ghetta/ Theatretexte aus dem Ghetto Theresienstadt, 1941-1945.

Terezín/Theresienstadt was unusual in that it served as a ghetto with an attached prison, as well as a concentration camp. The Nazi propaganda used this camp to convince the world that life was “normal” in this supposed Jewish resettlement area. For this reason, they allowed cultural life to take place. Peschel’s work is an anthology of selected texts originating there. It contains cabarets, puppet play scripts, as well …

What Women Know: The Power Of Savoir In Marguerite De Navarre’S Heptaméron, Nora Martin Peterson

Department of Modern Languages and Literatures: Faculty Publications

The verbs savoir and connaître appear in central moments in the Heptaméron. Knowledge—as it appears in the frame narrative and in the novellas—can be a way for men and women to debate, among many other things, the relationship between the sexes. When women use this word, or when they demonstrate that they know something, it creates the space to participate – not always unambiguously – in otherwise male-dominated conversations. How Marguerite writes about the acquisition, possession, fragmentation, or loss of knowledge, underscores her interest in exploring the role of women in communities of knowledge.

Voltaire The Feminist, Esdras Castaneda

Nebraska College Preparatory Academy: Senior Capstone Projects

Voltaire was not the common Enlightened philosopher. No, he was one of the great ones. And especially critical in the fight for social justice and equality for women. Voltaire did not write about women. Typically, women were seen as weak, fragile, had pale skin, and were very thin. But Voltaire wrote about them in the exact opposite way. They were as strong, resilient, and brave as any man. And they were buxom, plump, and provocative. Voltaire purposefully writes this way to switch the gender roles; to show that women could be anything a man could be. That they could be …