Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Austria (1)
- Austro-German (1)
- C. P. E. Bach (1)
- Charles Warren (1)
- Classical music (1)
-
- Craig Wright (1)
- Defamiliarization (1)
- Doctrine of Affections (1)
- Empfindsamer Stil (1)
- Enlightenment (1)
- Florence Cathedral (1)
- Frederick the Great (1)
- Germany (1)
- Guillaume Dufay (1)
- Gustav (1)
- Isorhythm (1)
- La bohѐme (1)
- Mahler (1)
- Marvin Trachtenburg (1)
- Modernism (1)
- Music (1)
- Musical Philosophy (1)
- Nuper rosarum flores (1)
- Opera (1)
- Paraphrasing (1)
- Protomodernism (1)
- Puccini (1)
- Romantic music (1)
- Symphony (1)
- Tonal conservatism (1)
Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
Carl Philipp Emanuel Bach: A Composer On The Fault Line Of Ideological Change, Stephen J. White
Carl Philipp Emanuel Bach: A Composer On The Fault Line Of Ideological Change, Stephen J. White
Musical Offerings
While there has been a renewed interest in recent years on Carl Philipp Emanuel Bach and his place as a transitional figure in Western music history, little academic thought is given to his musical philosophy. Emanuel’s father, Johann Sebastian Bach, taught him the German-Protestant view that the primary purpose of music was to highlight scripture. Through his education, Emanuel gained an appreciation for the secular philosophies of humanism and the Enlightenment. In contrast to J. S. Bach’s Protestant views, the philosophies of the Enlightenment asserted that the primary purpose of music was to highlight the essence of humanity through emotions …
Nuper Rosarum Flores: The Cathedral Conundrum, Jacy A. Stahlhut
Nuper Rosarum Flores: The Cathedral Conundrum, Jacy A. Stahlhut
Musical Offerings
In 1436, Pope Eugenius IV consecrated the newly-completed Santa Maria del Fiore, more commonly known as Florence Cathedral. The completion of the cathedral’s dome was an incredible feat of great significance to the city of Florence, whose cathedral had remained unfinished for over one hundred years, and the splendor of the dedication ceremony reflected this reality. Franco-Flemish composer Guillaume Dufay was commissioned to write a motet for the occasion, and the resulting work, Nuper rosarum flores, has sparked a great deal of controversy in the musicological realm. In 1973, musicologist Charles Warren claimed that the isorhythmic proportions of …
Is La Bohѐme A Verismo Opera?, Leah P. Bartlam
Is La Bohѐme A Verismo Opera?, Leah P. Bartlam
Musical Offerings
Verismo is an Italian term that came to be used in reference to literature, theatre, and opera during the end of the nineteenth century. According to William Berger, “verismo is often translated as ‘realism’ but the word is closer to ‘truth’ in Italian.” The term was applied to literature beginning in the 1870s, and began to be applied to opera during the 1890s. However, it has never been particularly well understood. Evaluating it today is especially difficult because the modern perceptions of the term are not quite the same as the original meaning. La bohѐme was composed by Giacomo …
Gustav Mahler The Protomodernist, Austin M. Doub
Gustav Mahler The Protomodernist, Austin M. Doub
Musical Offerings
Steeped in a cultivated European tradition and burdened by several personal tragedies, Gustav Mahler undeniably shaped the course of classical music leading into the twentieth century. Holding fast to late Romantic stylistic conventions including complex rhythmic concepts, emotional and expansive melodies, and a strict adherence to form allowed the forward-thinking composer to seamlessly introduce modern elements into his symphonies. Through Mahler’s commanding symphonic output, the composer successfully maintained strong Austro-German stylistic principles while propelling the genre forward. In these symphonic writings, modern techniques of tonal decentralization, chromaticism, quotation, and paraphrasing are met with cohesive and compelling narratives to create balanced …