Arts and Humanities Commons^™

Non:Wa: Navigating Indigenous Modernity Through Female Artists' Perspectives, Nicole Bussey

Undergraduate Student Research Internships Conference

This article examines the relationship between tradition and modern elements of Indigenous music through a cyclical perspective, and challenges colonial concepts of Indigenous modernity. Indigenous culture is often portrayed in mainstream culture as a relic of the past, which renders it incompatible with modernity. With a special focus on Indigenous female artists’ perspectives, I examine the ways in which women placed in this unique intersection challenge the binaries of past/present and tradition/modern.

The Strategies And Risks Of Performing Citizenship And Rights Through Music, Carolin Mueller

Biennial Conference: The Social Practice of Human Rights

My work explores the capacity of cultural producers to perform “insurgent citizenship,” a term theorized by James Holsten (2008) to describe how the peripheries of social organization can propel alternative modes of civic participation, through music. I utilize Engin Isin’s performative dimension of citizenship (2017) to investigate such forms of insurgent citizenship as they evolve in social and cultural peripheries of the contemporary arts and culture industry in the city of Dresden, Germany to identify the pathways they open to socio-political participation and autonomy for refugees.

While Germany understands itself as a nation of culture, cultural policy unevenly addresses the …

Hate Music On Youtube: The Dark Side Of Advancing Digital Freedom In Myanmar, Heather Maclachlan

Biennial Conference: The Social Practice of Human Rights

The International Fact-Finding Mission of the United Nations has condemned Myanmar’s treatment of Rohingya people as one of the world’s worst instances of ethnic cleansing, calling it “genocidal in intent.” The Rohingya are only one of many Muslim communities in Myanmar, a number of which have been subject to violent attacks by Buddhists in recent years (Wade 2017). This presentation explains the role that music plays in fostering anti-Muslim prejudice in the country’s majority Buddhist population. I present an analysis of the lyrics and accompanying videos of a corpus of recently recorded songs, all available on Youtube, and argue that …

Film Music And The Cinematic Experience, Brian Campbell

The Research and Scholarship Symposium (2013-2019)

Ever since the invention of cinema, film producers have always played music with movies. The addition of quality music to a well-crafted film can change the feel of the entire film. Over its one hundred and thirty years of existence, cinema has evolved into an extremely diverse art form that addresses a wide array of subjects. Given all these factors, this paper explores how film music is extremely diverse and can be used in a wide variety of ways to enhance, affect, and contribute to the way we experience a film. It explores storytelling methods as a narrative device, mood …

Music In India: An Overview, Anna E. Evans

The Research and Scholarship Symposium (2013-2019)

Music is fundamentally connected to culture, providing a mirror that reflects a culture’s philosophies, religion, social standards, and history. Unfortunately, this unique relationship is lost to the typical consumer of western contemporary music. Refreshingly, the vast culture of India is intricately woven into the fabric of the rich diversity of the music that nation has produced in the past and continues to produce today. India’s music, therefore, with even the briefest understanding of its heritage, provides the listener with a panorama of India’s resplendent culture. This paper attempts to give a terse overview of those philosophies and structures found within …

Coursing With Coils: The Only Orchestral Instrument Harder Than The French Horn, Sarah R. Plumley

The Research and Scholarship Symposium (2013-2019)

Playing the horn has become not only more sophisticated and accurate, but simpler and more efficient for the horn player than what it was three hundred years ago. The natural horn, used in a variety ways in early history, demanded an incredible level of skill and precision, more than our valved horn today in some ways because it required a more accurate ear, more embouchure dexterity, and the necessity of wrangling crooks for different keys. Thus, it required many practiced skills of the player that are no longer as necessary as they once were. This paper discusses each of these …