Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Ethnomusicology

PDF

City University of New York (CUNY)

Publications and Research

Cuban music

Articles 1 - 6 of 6

Full-Text Articles in Arts and Humanities

From Contradanza To Son: New Perspectives On The Prehistory Of Cuban Popular Music, Peter L. Manuel Jan 2009

From Contradanza To Son: New Perspectives On The Prehistory Of Cuban Popular Music, Peter L. Manuel

Publications and Research

While it is often claimed that the Cuban son emerged from rural Oriente and “invaded” Havana in the early 20th century, serious Cuban musicologists have clarifi ed that the true consolidation of the genre took place in Havana after around 1910–1920. Examination of 19th-century sources can help us trace with greater specifi city the origins of the particular musical features that distinguished the traditional son. Editions and descriptions of 1850s–1860s Havana contradanzas illuminate much about urban popular dance music of that milieu. In par-ticular, they reveal the presence of features typically associated with the son, such as melodies in duet …


Cuba: From Contradanza To Danzon, Peter L. Manuel Jan 2009

Cuba: From Contradanza To Danzon, Peter L. Manuel

Publications and Research

If in the last century Cuban music has been known primarily for the mambo, the chachacha and the son that generated salsa, in the nineteenth century by far the most predominant and distinctively national music was the contradanza, in the diverse forms it took over the course of its extended heyday. The contradanza (or "danza," as it was later called) was also the era's most seminal genre, parenting the habanera that graced European opera and music theater, the elegant figures of the tumba francesa's mason dance, and, albeit ultimately, the mambo and the chachacha themselves, which evolved from the danza's …


Tonalidad, Tradición, Y El Sabor Del Son Cubano, Peter L. Manuel Jan 2008

Tonalidad, Tradición, Y El Sabor Del Son Cubano, Peter L. Manuel

Publications and Research

A discussion of dual tonicity in Cuban popular music.


The Saga Of A Song: Authorship And Ownership In The Case Of ‘Guantanamera’, Peter L. Manuel Jan 2006

The Saga Of A Song: Authorship And Ownership In The Case Of ‘Guantanamera’, Peter L. Manuel

Publications and Research

No abstract provided.


The Guajira Between Cuba And Spain: A Study In Continuity And Change, Peter L. Manuel Jan 2004

The Guajira Between Cuba And Spain: A Study In Continuity And Change, Peter L. Manuel

Publications and Research

No abstract provided.


Puerto Rican Music And Cultural Identity: Creative Appropriation Of Cuban Sources From Danza To Salsa, Peter L. Manuel Jan 1994

Puerto Rican Music And Cultural Identity: Creative Appropriation Of Cuban Sources From Danza To Salsa, Peter L. Manuel

Publications and Research

No abstract provided.