Arts and Humanities Commons^™

Timeless Teachings & Unbridled Possibilities, Ruijie Tai

Masters Theses

I am looking at is process of TRANSLATING AND BRIDGING.

Qi, traditionally understood as the vital force that flows through and animates living beings and the environment, lies at the edge of our perceptual capabilities.

The notion that what we cannot "see" holds significant influence over our world suggests that there are aspects of reality and forces at play beyond our direct sensory experience. AI, with its capacity for analyzing vast amounts of data and recognizing patterns beyond human capability, offers a unique tool for exploring these unseen forces.

The potential of AI to perceive and understand Qi could open …

New Commandments, Jacob Sussman

Masters Theses

I reach into the earth, pull out mud-encrusted objects, and recombine them to define new meanings. With every object transposed, the past breaks down; new potentials form. “New Commandments” recombines historical symbolism through an intuitive building, destroying, and merging to reimagine or re-establish meaning.

The work critiques rites of passage, masculinity, and stereotypes by deconstructing how histories, ideologies, and preconceptions form.

As a queer person raised in-between Judaism and Christianity, social preconceptions and religious expectations festered my formation. Our choice is taken away at this moment of conception. To take back autonomy, I reimagine historical, and religious symbolism and transmute …

Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit

Masters Theses

As artists continue the long and storied lineage of Landscape, are there aesthetic responsibilities that come with representing the forces that afford you the capacity to do so? As we delineate spaces into places, endless interconnectivity into knowable “systems”, and living matter into thing based taxonomies, who do these delineations serve and with what intentions do we proceed? My studio art practice explores what it means to give form to our Former—the Former being that from which we came, the here and now, our explicit ecological reality, the stuff of what we call nature. …

A Case For A Husserlian Willardarian Approach To Knowledge, Joseph Gibson

Masters Theses

This thesis introduces certain aspects in the thought of Dallas Willard and Edmund Husserl as a new way forward in the internalism externalism debate. Husserl’s detailed analysis of cognition has application to epistemology and addresses in great depth an area which in the current discussion is often tertiary and shallow at best. It is argued that in both internalist and externalist camps there is a common assumption about cognition which Husserl argues forcibly against. This assumption is that thought, or cognition, is essentially linguistic. (The notion that ‘thought is essentially linguistic’ means that thought requires the use of language.) Whatever …

Virtue, Knowledge, And Goodness, Marlin Ray Sommers

Masters Theses

This thesis consists of three parts. Part one responds to an argument by Jason Baehr that virtues of intellectual character which make their possessor good qua person can also figure as virtues in reliabilist accounts of knowledge. I analyze his argument with special attention to the cases he uses to motivate his claims, and argue that the role which intellectual character virtues play in the acquisition of knowledge is not the role which is relevant to reliabilists accounts of knowledge. More generally, I argue that character intellectual virtues are not good candidates for reliabilist virtues because their telos is not …

The Spirit Molecule: Dmt, Brains, And A Theoneurological Model To Explain Spiritual Experiences, Shaun Smith

Masters Theses

This thesis attempts to address the philosophical implications of the N, N-Dimethyltryptamine (DMT) research of Dr. Rick Strassman. Strassman concludes that the psychedelic properties of DMT represent a proper biological starting point for discussing spiritual and near-death experiences. My research attempts to incorporate philosophical elements from the philosophy of mind and philosophy of religion/mysticism to give an accurate account of some of the philosophical issues worth exploring for future research. One of the essential patterns in this thesis is to trace the research and conclusions of Strassman, compare them with the philosophical issues in the contemporary philosophy of mind and …

Removing The Classical Landmark: Assessing An Epistemology Governed By Methodological Naturalism, Kegan Shaw

Masters Theses

This paper proposes to assess the naturalist project in epistemology with an eye towards exposing the project as deficient for serving as a robust epistemological project. Epistemologists treasure a certain family of questions and burden themselves with a number of specific concerns the most important of which, I think, cannot be answered by the epistemological naturalist. Ignoring these questions, I will argue, essentially amounts to a dismissal of the principle tension that primarily motivates and properly guides epistemological theorizing. This tension is the familiar appearance vs. reality distinction and characterizes what I am calling the classical landmark or boundary-stone for …

"Sing To The Lord A New Song": Memory, Music, Epistemology, And The Emergence Of Gregorian Chant As Corporate Knowledge, Jordan Timothy Ray Baker

Masters Theses

Following the Christianization of the crumbling Roman Empire, a wide array of disparate Christian traditions arose. A confusion of liturgical rites and musical styles expressed the diversity of this nascent Christendom; however, it also exemplified a sometimes threatening disunity. Into this frame, the Carolingian Empire made a decisive choice. Charlemagne, with a desire to consolidate power, forged stronger bonds withRome by transporting the liturgy ofRome to the Frankish North. The outcome of this transmission was the birth of a composite form of music exhibiting the liturgical properties ofRome but also shaped by the musical sensibilities of the Franks—Gregorian chant.

This …

Epistemological Axiology: What Is The Value Of Knowledge?, Eric Walter Thompson

Masters Theses

It is my overall aim in this work to defend the view that knowledge is no more valuable than true belief or empirically adequate belief, and thus is not the primary epistemic good. I engage predominately with Jonathan Kvanvig‟s work for an assessment of the value of knowledge. In turn, I assess the arguments for the value of knowledge for their ability to support the view that knowledge is uniquely valuable. First I will consider an argument which relies on a purported connection between knowledge and proper action. It will then be suggested that arguments tying knowledge to our proper …

Inside Or Outside The Whale: George Orwell's Art And Polemic, Richard H. Walker

Masters Theses

This chronological study of the evolution of the works of George Orwell is helpful for the futurist, the citizen awash in groupthink, scholars of standpoint epistemology, of mind and nature, of radical humanism, and others. A former British officer and Spanish revolutionary, he became a Democratic Socialist who believed in intellectual freedom above all and was a champion of the common man. Described as the leading exemplar of the public intellectual, he focused on activism vs passivism (and pacifism), and transforming art and politics into cultural power with mind and nature as the foundation. Like few others, he understood cultural …

Aesthetic Experience As An Epistemological Concept, Patricia Avellano

Masters Theses

The purpose of this descriptive study was to give definition to aesthetic experience as an epistemological concept. The need for the study was based on the lack of continuity and focus of definition and description for aesthetic experience which has been highly diverse in the literature of aesthetics which began foremost with Baumgarten in 1750. The scope of the study focuses on: four intelligences defined as an intelligence faculty of (1) general intelligence, (2) imaginative-intelligence, (3) creative-intelligence, and (4) poetic-intelligence; two perceptual ordering capacities defined as (1) an innate aesthetic sense, and (2) an acquired aesthetic sense; and two primordial …