Arts and Humanities Commons^™

Book Review: Ruin And Resilience: Southern Literature And The Environment, Kevin J. Reagan

Georgia Library Quarterly

No abstract provided.

Race And Technology In Southern Literature, Civil War To Civil Rights, Kaitlyn Elizabeth Smith

Theses and Dissertations

This dissertation considers the intersection of technology and race in the literature of the American South from the nineteenth and twentieth centuries. Though narratives about technology in American literature often promise democracy, equality, improvement, and progress, the role of technology in southern literature is more complex and ambivalent. Literature from and about the South from the Civil War to the civil rights era, by Black and white southern authors like Charles Chesnutt, Zora Neale Hurston, William Faulkner, and Eudora Welty reveals technology’s ability to uphold and naturalize southern white supremacy, but also to subvert it. Southern literature traces a pattern …

Crippling Stagnation: Disability Imagery And The Handicapped South, Amber L. Stickney

Electronic Theses and Dissertations

Southern literature is well-known for its disabled characters due to the proliferation of the Southern Gothic genre. Many scholars have identified these disabled characters as metaphors for the failure of the Lost Cause, but less attention has been placed on how the internalization of the Lost Cause mythology has caused Southerners to become disabled. Hence, this study aims at understanding the relationship between grand narratives and Southerners through a cultural studies approach. This thesis focuses on short stories, specifically Flannery O’Connor’s “Good Country People” (1955), Breece D’J Pancake’s “Time and Again” (1983), and Bobbie Ann Mason’s “Shiloh” (1982). The research …

Book Review: Understanding Alice Walker, Cindy E. Garcia-Rivas

South Carolina Libraries

Cindy Garcia-Rivas reviews Understanding Alice Walker, written by Thadious M. Davis.

Book Review - Blood, Bone And Marrow: A Biography Of Harry Crews, Chris Sharpe

Georgia Library Quarterly

A book review of Blood, Bone and Marrow: A Biography of Harry Crews by Ted Geltner. This is the first biography of writer Harry Crews. It covers his life as an author of several books and articles and a teacher of creative writing.

Ecological Approaches To Modernism, The U.S. South, And 20th Century American Literature, Justin Ford Tinsley

Graduate Theses and Dissertations

This project seeks to draw from the insights of the emerging scholarly discipline known as ecocritism, study of the relationship between human and nonhuman in all arts and in all diverse forms, and apply them to the study of a specific regional art, that of the U.S. South. As an interrogation of the human / nonhuman binary, ecocriticism is intrinsically intertwined with the concept of place. Southern studies—having long explored the diversity (in terms of both human experience and geographical terrain) characterizing the region—offers ecocriticism a ripe testing ground for theoretical mergers and analytic applications. Both fields celebrate hybridity, multiplicity, …

Southern Transfiguration: Competing Cultural Narratives Of (Ec)Centric Religion In The Works Of Faulkner, O’Connor, And Hurston, Craig D. Slaven

Theses and Dissertations--English

This project explores the ways in which key literary texts reproduce, undermine, or otherwise engage with cultural narratives of the so-called Bible Belt. Noting that the evangelicalism that dominated the South by the turn of the twentieth century was, for much of the antebellum period, a relatively marginal and sometimes subversive movement in a comparatively irreligious region, I argue that widely disseminated images and narratives instilled a false sense of nostalgia for an incomplete version of the South’s religious heritage. My introductory chapter demonstrates how the South’s commemorated “Old Time” religion was not especially old, and how this modernist construct …

Editor’S Foreword: The Need For “Deep Engagement”: Robert Penn Warren, Malcolm X, And Ta-Nehisi Coates, Mark D. Miller

Robert Penn Warren Studies

No abstract provided.

“That Paradox Of Unjoyful Joyousness” Or Pure And Impure History: Retrospection And The Past In Robert Penn Warren’S A Place To Come To, Noah Simon Jampol

Robert Penn Warren Studies

No abstract provided.

When Is An Agrarian Not An Agrarian? A Reading Of Robert Penn Warren’S “The Briar Patch”, Clare Byrne

Robert Penn Warren Studies

No abstract provided.

Isolation Of The Individual In The Novels Of Carson Mccullers, Adam Hutchinson

Honors Projects

A southern novelist of the mid twentieth century, Carson McCullers is often labeled as a Southern Gothic author, and her novels reflect the violence, grotesque characters, and dilapidated settings of the genre. However, while early interpretations of her work focused on the depravity of doomed characters, more recent analysis has opened up her work to a productive understanding of social change. Her characters are isolated from the rest of society, whether by race, religion, or sexuality, but rather than highlighting their own shortcomings, these isolating factors underscore a limitation within the social structures and the need for change. This essay …

The Rough South And New Southern Studies: Crossroads And Constellations, Amanda Freeman

Masters Theses, 2010-2019

“The Rough South and New Southern Studies: Crossroads and Constellations” examines fiction by writers of the Rough South and interrogates the inadequate state of criticism on these working-class authors in New Southern Studies. New Southern Studies seeks to de-marginalize the South and to combat a sense of inferiority or irrelevancy in a multicultural and increasingly globalized world; but in this process, New Southern Studies has actually marginalized the region’s most vibrant form of contemporary fiction—Rough South literature. This marginalization springs partly from class-based prejudice, and partly from a concern that the Rough South is too provincial for New Southern Studies. …

Bluegrass, Bildung, And Blueprints: The Little Shepherd Of Kingdom Come As An Appalachian Bildungsroman, Leona Shoemaker

Electronic Theses and Dissertations

The Little Shepherd of Kingdom Come takes as its backdrop the American Civil War, as the author, John Fox, Jr., champions Kentucky's social development during the Progressive Era. Although often criticized for capitalizing on his propagation of regional stereotypes, I argue that the structure of The Little Shepherd of Kingdom Come is much more problematic than that. Recognizing the Bildungsroman as a vehicle for cultural and social critique in late-nineteenth and early-twentieth century writing, this project offers an in-depth literary analysis of John Fox, Jr.'s novel, The Little Shepherd of Kingdom Come, in which I contend the story itself is, …

Postsouthern Melancholia: Revising The Region In The Twenty-First Century, Matthew Dischinger

LSU Doctoral Dissertations

Postsouthern Melancholia offers a new way of conceptualizing the elusive concept of melancholia through contemporary fiction, particularly fiction of or about the American South. Critics have long discussed national literature through the lens of melancholia: an unceasing attachment to a lost object or ideal that a subject or culture internalizes. My project positions melancholia as a literary strategy—one that contemporary southern fiction frequently contests and critiques. I read fiction that has been called “postsouthern,” a term applied to texts that reassess the bedrock concepts of southern literature such as community, storytelling, and sense of place. While much scholarship has focused …

Lopsided, Scarred, And Squint-Eyed: Ugly Women In The Work Of Southern Women Writers, Monica C. Miller

LSU Doctoral Dissertations

The ubiquity of ugly female characters in the work of southern women calls into question what W. J. Cash termed “gyneolatry,” the worship of the beautiful white woman upon which so much of southern ideology has been based. If the South functions as an internal other for the nation, then examining this fiction’s multiplicity of ugly women illuminates the ways in which women defy not only the norms of southern gender but also those of the larger American culture, in which the southern woman often acts as a representation of the South in general. By considering ugliness as a category …

“Between The Dream And Reality”: Divination In The Novels Of Cormac Mccarthy, Robert A. Kottage

Electronic Theses and Dissertations

Divination is a trope Cormac McCarthy employs time and again in his work. Augury, haruspicy, cartomancy, voodoo, sortition and oneiromancy all take their places in the texts, overtly or otherwise, as well as divination by bloodshed (a practice so ubiquitous as to have no formal name). But mantic practices which aim at an understanding of the divine mind prove problematic in a universe that often appears godless—or worse.

My thesis uses divination as the starting point for a close reading of each of McCarthy’s novels. Research into Babylonian, Greek, Roman and African soothsaying practices is included, as well as the …

Occupying The Pedestal: Gender Issues In Ellen Gilchrist, Karon Reese

Graduate Theses and Dissertations

Ellen Gilchrist's works shows the struggles of women living in a postmodern South. This dissertation explores Gilchrist's representations of southern women as they transition from the old South to modernity. Gilchrist's work depicts women who attempt to break off the pedestal of white Southern womanhood, but never quite do, often simultaneously disrupting and confirming traditional notions of a "good Southern lady." Gilchrist shows how women occupy the pedestal as a form of refuge and also as a form of protest. These are women who, as they navigate the transition to a new South, are reluctant to surrender the privilege of …

"I Had Never Before ... Heard Of Him At All": William Gilmore Simms, The Elusive William North, And A Lost Simms Novel About American Authorship, Patrick G. Scott

Patrick Scott

Examines a review by the antebellum Southern novelist William Gilmore Simms of a new book by the English writer William North (1825-1854), North's posthumous novel The Slave of the Lamp (1855), discusses possible reasons for Simms's hostility to North such as North's links to the New York Bohemians and his anti-professionalism, and explores what the review reveals about a now-lost Simms novel, with the same title, that gave a different perspective on mid-19th century changes in the conditions and profession of authorship in America.

The Action Of Grace In Territory Held By The Devil: Flannery O’Connor And Cormac Mccarthy, Scott A. Singleton

The Kennesaw Journal of Undergraduate Research

This paper compares the lives and work of Flannery O’Connor and Cormac McCarthy. The two authors share similarities in their backgrounds, careers, and work. The paper begins with an examination of biographical information of both authors to contextualize their work and note commonalities in their lives and careers. The central idea is that Flannery O’Connor and Cormac McCarthy both create grotesque characters to reveal the depraved condition of humanity in order to highlight the need for redemption and the possibility of divine grace. To prove this, examples are discussed from multiple pieces of work by O’Connor and McCarthy including The …

“Always The Truth, And Always The Lie”: Language As Symbol In Brother To Dragons, Allison Vanouse

Robert Penn Warren Studies

Robert Penn Warren, in an introductory note to Brother to Dragons, writes that the poem is not ruled by action, but by its characters’ “inner urgencies ... the urgencies of argument.” He seems to be addressing something about the agency of language. In addressing the intoxicating puissance of argument itself, Warren activates a strange and uneasy space between words and the truths they try to describe. It is by navigating this space that he draws parallels between the voice of Thomas Jefferson — struggling with the unfulfilled legacy of his political writings — and the troubled role of the poet …

A Critical Look At Robert Penn Warren’S New (And Old) Criticism On Satire, Michael Sobiech

Robert Penn Warren Studies

Although a father of New Criticism, Warren did not always restrict his analysis of a text to the text itself. In his work with John Marston’s satires, Warren appears to go against what will become key attributes of New Critical theory. This essay explores Warren’s work with Marston’s satires, in particular examining his historicizing of the text, arguing for a more complicated view of Warren’s New Criticism.

The Windhover And Evening Hawk Shudder In Sync: Gerard Manley Hopkins And Robert Penn Warren, D.A. Carpenter

Robert Penn Warren Studies

The author traces the philosophical and poetic similarities between Robert Penn Warren and Gerard Manley Hopkins. In doing so, he addresses the meditative process that Warren and Hopkins use in their work in order to demonstrate human connectedness to each other and nature in the form of what could be called a mystic unity. Integral to this meditative process is Hopkins’ idiosyncratic concepts of “inscape” and “instress,” which are defined and explored by the author while demonstrating how Warren’s work is in dialogue with these concepts, particularly in his 1968 collection of poems, Incarnations.

Robert Penn Warren And Photography, Joseph Millichap

Robert Penn Warren Studies

Robert Penn Warren’s career and canon demonstrate his more than casual interest in photography, much like those of several contemporaries in the Southern Renaissance. Warren’s 1972 essay about photographer Walker Evans recalls how photographs in the 1930s opened the emerging writer’s imagination to the power inherent in any art form to revise commonplace perceptions of social and subjective reality. Evans and many other photographers thus influenced Warren in his use of photographic tropes for an artistic transformation of the visual art of photography into the verbal art of literature. My close readings of recreated photographs in several major works of …

Twilight Of The Boss: All The King’S Men And Norse Mythology, Leverett Butts

Robert Penn Warren Studies

This essay explores the deep connections between Warren’s third novel and Norse mythology, particularly the Ragnarok myth. By comparing characters, settings, and events in the novel with various figures from Norse mythology, as well as Richard Wagner’s operatic interpretation of the Ragnarok myth Ring of the Nibelung, this paper contends that Warren employs Norse myths that mirror his own themes of balance and acceptance that run throughout his novel.

Editor’S Foreword (Volume 9), Mark D. Miller

Robert Penn Warren Studies

No abstract provided.

Notes On Contributors (Volume 9), Robert Penn Warren Studies

Robert Penn Warren Studies

No abstract provided.

About The Center (Volume 9), Robert Penn Warren Studies

Robert Penn Warren Studies

No abstract provided.

About The Circle (Volume 9), Robert Penn Warren Studies

Robert Penn Warren Studies

No abstract provided.

Dedication Page (Volume 9), Robert Penn Warren Studies

Robert Penn Warren Studies

No abstract provided.

About The Birthplace (Volume 9), Robert Penn Warren Studies

Robert Penn Warren Studies

No abstract provided.