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Articles 1 - 30 of 77
Full-Text Articles in Arts and Humanities
Out Of The Closet And Into The Classroom: Teaching Anne Finch's Plays, Diana Solomon
Out Of The Closet And Into The Classroom: Teaching Anne Finch's Plays, Diana Solomon
ABO: Interactive Journal for Women in the Arts, 1640-1830
The publication of the Cambridge Edition of the Works of Anne Finch, Countess of Winchilsea makes it possible to teach not only a much wider assorted of her edited poetry, but also Finch’s two dramas: the tragicomedy The Triumphs of Love and Innocence, and the tragedy Aristomenes. This essay proposes integrating Finch’s plays into a course on Restoration and eighteenth-century drama by proposing a class, “Genre Trouble,” which sets them in dialogue with frequently-taught plays of the era. Included herein are a syllabus of primary and secondary sources, suggestions for discussing Finch’s plays and dramatic paratexts in comparison to works …
The Eye’S Construction Of Power In Richard Ii, Julius Caesar And Macbeth, John O’Brien
The Eye’S Construction Of Power In Richard Ii, Julius Caesar And Macbeth, John O’Brien
Theses, Dissertations and Culminating Projects
This study seeks to analyze the optical performance of power in three of Shakespeare’s plays: Richard II, Julius Caesar, and Macbeth. Using a political framework via Kantorowicz’s King’s Two Bodies and Maus’s Inwardness and Theater in the English Renaissance, this paper explores the interior and exterior personas as they pertain and interact with public and private spaces. This paper will track Shakespeare’s contribution to this developing “modern” shift in the understanding of appearance and its role in the presentations of power in these three plays. In each of these plays, I argue, Shakespeare provides us with a series of presentational …
Clowning With Identity: Embodied Selves And Others In Comedy's Gendered Character Performances, Allison Douglass
Clowning With Identity: Embodied Selves And Others In Comedy's Gendered Character Performances, Allison Douglass
Dissertations, Theses, and Capstone Projects
Clowning with Identity examines the comedic performance of characters. The enjoyment of a character feels easy to accept uncritically, but these performances work because they deploy stereotypes and the cultural meanings surrounding them, often through acts of appropriation, as the performer makes the choice to embody an identity separate from their own. This project connects theory on drag and gender performance and its ideas about identity-remixing to rhetorical theory on comedy and clowning practices, sketching the ways American practices of drag, clown, and comedic character work are all deeply linked through their historical development. I theorize the productive ways that …
Rosalind's Masculine Self: As You Like It And Criticism Of Male Communities, Faith Langford
Rosalind's Masculine Self: As You Like It And Criticism Of Male Communities, Faith Langford
Merge
No abstract provided.
The Unarticulated Unseen: Britt Bennett’S “The Vanishing Half” And Her Intent On Revealing The Unseen In The Tradition Of Racial Passing, Caroline Maas Rue
The Unarticulated Unseen: Britt Bennett’S “The Vanishing Half” And Her Intent On Revealing The Unseen In The Tradition Of Racial Passing, Caroline Maas Rue
All Theses
Throughout the trajectory of passing literature, there have been varying projections of racial identity as it is intertwined with choice and power. Despite the many commonalities between the archetypal passing novel, the differences in the way that passing is demarcated in various novels is indicative of the racial climate out of which it came. This paper considers Britt Bennett’s 2020 novel, The Vanishing Half, as a socio-political artifact of an allegedly post-racial era. In considering Bennett’s novel as a reflection of post-raciality, a comparative study incorporating Nella Larsen’s Passing, Douglas Sirk’s Adaptation of Imitation of Life, and Danzy …
Feminist Modernist Dance, Melissa Bradshaw, Jessica Ray Herzogenrath
Feminist Modernist Dance, Melissa Bradshaw, Jessica Ray Herzogenrath
English: Faculty Publications and Other Works
This is the first of two special issues of Feminist Modernist Studies dedicated to feminist modernist dance (the second will be Summer, 2022). We have wrestled in our joint editorial work here, as well as in our own work, over the disjunctions embodied in these three terms conjoined. Though feminist scholars have been doing important work in modernist studies for half a century, the term modernism remains mired in gatekeeping canon formations that center white male artists, primarily writers, with few exceptions. The continued need to specify “feminist modernism” signals an exasperating truism that modernism persists in its reliable male-orientation. …
Our Neighbor Shakespeare, Niamh J. O'Leary, Jayme Yeo Phd
Our Neighbor Shakespeare, Niamh J. O'Leary, Jayme Yeo Phd
Faculty Scholarship
No abstract provided.
Review Of Women, Performance, And The Material Of Memory: The Archival Tourist, 1780-1915, By Laura Engel, Leslie Ritchie
Review Of Women, Performance, And The Material Of Memory: The Archival Tourist, 1780-1915, By Laura Engel, Leslie Ritchie
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Look At Her: The Subversive Spectacle Of Grande Dame Guignol Cinema, Michelle Smith
Look At Her: The Subversive Spectacle Of Grande Dame Guignol Cinema, Michelle Smith
English Theses
While the Grande Dame Guignol films of the early 1960s served in their time to capitalize on the reputations of aging female stars and the growing popularity of the horror genre, an updated reading of this subgenre proves that it is rich with social critique regarding the feminine experience, social performance, and the tendencies of classical Hollywood cinema that promote a dominant, patriarchal social narrative. While many popular and critical responses diminish them as “psycho-biddy” or “hagsploitation” films, the Grande Dame Guignol tradition’s transformation of its actresses from glamorous icons to unrecognizable villains rejects such limiting appraisals by focusing on …
Animals In Drama And Theatrical Performance: Anthropocentric Emotionalism, Peta Tait
Animals In Drama And Theatrical Performance: Anthropocentric Emotionalism, Peta Tait
Animal Studies Journal
This article outlines how nonhuman animals are framed by the emotions of drama, theatre and contemporary performance and considers a distinctive tradition in western culture of enacting animal characters who function as surrogate humans. It argues that, contradictorily, while animal characters confirm anthropocentric emotionalism, drama also contains pro-animal values and concern for animal welfare. Animals embodying emotions in theatrical languages are part of the way animals are used in the traditions of western culture and to think and philosophize with, but they also indicate thinking about the emotions in theatrical performance. The article considers if, however, staging living animals can …
Shakespeare's Problem Comedies As Self-Critique, John-Paul Spiro
Shakespeare's Problem Comedies As Self-Critique, John-Paul Spiro
Dissertations, Theses, and Capstone Projects
I argue that Measure for Measure and All’s Well That Ends Well reveal underexplored features common to Shakespeare’s comedies. Often interpreted as “problem plays,” they are more representative of the genre than previously acknowledged. I suggest that Shakespeare wrote them to de-nature and de-familiarize his own practices. The plays present the coercion inherent in the normativizing of marriage as the basis for social and political order. The “happiness” achieved—or at least gestured towards—at the end of Shakespearean comedy restricts human possibilities and is often presented as an imposition or injunction rather than a reflection of spontaneous, collective emotion. In particular, …
Large Lecture Best Practices List (Plus Sample Activity), Jessica Luck
Large Lecture Best Practices List (Plus Sample Activity), Jessica Luck
Q2S Enhancing Pedagogy
Includes a list of tips and best practices for running Large Lecture classes effectively, as well as a Bibliography of helpful resources (focused on English/Humanities). Ends with a sample engaging large lecture activity in which students perform Edgar Allan Poe’s “The Bells.”
(Haunted) Talk Show: Performance Pedagogy For Large Lecture Courses, Ann Garascia
(Haunted) Talk Show: Performance Pedagogy For Large Lecture Courses, Ann Garascia
Q2S Enhancing Pedagogy
This document outlines a culminating activity for ENG 1120 Speculative Fiction: Science Fiction, Horror, Fantasy that weds out-of-class preparation, as well as in-class participation and literary role-playing: “Haunted Talk Show.”It is a talk show-style assignment featuring major characters from the various texts that we have read throughout the semester. This document sketches out: A brief outline of my potential ENG 1120 theme, units, and sample texts; and, more detailed discussion of the specific assignment including a general overview, more detailed steps for execution (for students and instructor), and an explanation of the activity potentially aligns with pedagogical best practices for …
“Fantastic Tricks Before High Heaven,” Measure For Measure And Performing Triads, Emily Bryan
“Fantastic Tricks Before High Heaven,” Measure For Measure And Performing Triads, Emily Bryan
English Faculty Publications
Reading Measure for Measure through the logic of substitution has been a long-standing critical tradition; the play seems to invite topical, political, and religious parallels at every turn. What if the logic of substitution in the play goes beyond exchange and seeks out a triadic logic instead? This insistent searching for the triad appears most notably in the performance of Measure for Measure by Cheek by Jowl (2013–2019). Cheek By Jowl’s strategies of touring, simplicity, movement, and liberation create a dynamic and ever-evolving performance. This article puts Cheek by Jowl’s performance of Measure for Measure in conversation with C.S. Peirce’s …
On The Right Note, Carolyn Baird
On The Right Note, Carolyn Baird
Tutor's Column
This is a cross-disciplinary comparison of violin playing and tutoring writing. As a violinist and a tutor, I have found that my mindset and way of tutoring is greatly influenced by my experience as a violinist. There are many valuable parallels from the violin world that can be used as tutors in how we approach students, how we critique their writing, and how we think about tutoring in general. I hope to pull out those similarities to provide some insights on how to improve giving feedback in a tutoring situation.
"Within The Hollow Crown": Performing Kingship In Richard Ii And Henry Iv Part One, Angeline Morris
"Within The Hollow Crown": Performing Kingship In Richard Ii And Henry Iv Part One, Angeline Morris
Electronic Theses and Dissertations
This paper examines the parallels and connections between Richard II and Prince Hal in Shakespeare’sRichard II and 1 Henry IV and what the results would be if the characters were cross-cast, or played by the same actor onstage, in performance. Criticism on the plays has often addressed the parallels between the two characters, but as of yet no one has examined ways to show this in performance. This paper acts as a form of critical introduction for a proposed combined performance text of both Richard II and 1 Henry IV, arguing that the textual parallels between the two …
Breaking The Fourth Wall, Esther Elizabeth Karram
Breaking The Fourth Wall, Esther Elizabeth Karram
Masters Theses
This creative, non-fiction thesis is written in memoir form and analyzes how a person perceives reality, how that perception is broken, and how a person copes with the limitations of a new reality. In examining my life, I came to realize that many of my performative tendencies stemmed from a desire to be loved and the belief that love was contingent upon perfection. What follows is my struggle to try to maintain that perfection, the failure to do so, and the slow acceptance of being an imperfect person in an imperfect world.
Folklore-In-The-Making: Analyzing Shakespeare's The Tempest And Adaptations As Folklore, Heather Talbot
Folklore-In-The-Making: Analyzing Shakespeare's The Tempest And Adaptations As Folklore, Heather Talbot
Student Works
This paper explores the similarities between folklore and Shakespeare's play,The Tempest. Not only is The Tempest an example of a folkloric story, this paper looks at how this play calls to attention the importance of story and the need for story to adapt in order to survive. Folklore is an oral tradition that is living, or continually adapting. Shakespeare's plays, while written are also performances which can be adapted through interpretations and by adapting to new genres. It is this adaptability which allows Shakespeare's works to continue to thrive and it is this adaptability which will determine how …
Ya Think Ya Know A Guy, Glenn Spencer
Ya Think Ya Know A Guy, Glenn Spencer
Spring Presentation of Undergraduate Research
Through looking at the graphic novel Y the Last Man by Brian K. Vaughn this research project will be exploring ideas of male and female gender performance. This text provides a tight focus on a single male in a suddenly female-dominated world that flips the stereotypical gender script and allows a new perspective to be taken when looking at gender performance. This juxtaposition of strong and complicated female characters to Yorick's less than heroic nature in Vaughn's novel is his tool to break down what it means to be a man and an attempt to create a dynamic between the …
The Cognition And Performance Of Resonant Temporalities In Richard Iii, Joe Keener
The Cognition And Performance Of Resonant Temporalities In Richard Iii, Joe Keener
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
The Taming Of The Shrew And Coriolanus: Re-Interpretations And Adaptations After The Major Western Ideological Revolutions, David George
The Taming Of The Shrew And Coriolanus: Re-Interpretations And Adaptations After The Major Western Ideological Revolutions, David George
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Space On Par: A Short Performance For One Performer, Peta Tait
Space On Par: A Short Performance For One Performer, Peta Tait
Animal Studies Journal
Space on Par is a short performance text that uses gentle humour to communicate an alternative perspective on how open space is used by humans and nonhuman animals, in this instance a golf course. If playing golf for enjoyment is puzzling behaviour for a nonhuman observer, it can emphasise human refusal to recognise the physical and spatial rights of other species and their needs for survival. The effort to educate about the treatment of animals can include theatrical characters who blur the species identities to make a point, and Space on Par inverts the invisibility of the gaze of the …
Sleight Of Hand: Gender, Performance, And (In)Sincerity In E. D. E. N. Southworth’S The Hidden Hand, Samantha Martin
Sleight Of Hand: Gender, Performance, And (In)Sincerity In E. D. E. N. Southworth’S The Hidden Hand, Samantha Martin
Scripps Senior Theses
One of the many cultural anxieties that existed during the nineteenth century in antebellum America centered on the dubious status of authenticity of one’s emotions, gender expression, or socioeconomic class. The fluctuating socioeconomic landscape of antebellum America destabilized the logic of categorization, rendering it an ineffectual means by which to evaluate others’ identities. In her novel The Hidden Hand, or, Capitola the Madcap, E. D. E. N. Southworth explores instead of censures the transformative properties of the self, specifically in terms of gender and class. Her interest in this lack of authenticity, or transparency regarding one’s self and intentions, …
Identity, Spectacle, And Embodiment In Social Protest, Craig Alan Crowder
Identity, Spectacle, And Embodiment In Social Protest, Craig Alan Crowder
Theses and Dissertations--English
This dissertation examines the way rhetorical performances of identity function within a social movement. Examining the University of Kentucky chapter of a campus activist organization, United Students Against Sweatshops, I argue that embodied performances of identity often leverage spectacle in disruptive ways and work not only to solidify activists’ identities as part of a social movement but ultimately help to create solidarity within the movement, thereby working toward movement objectives. Historically under-examined in social movement literature in the rhetoric and composition tradition, identity performance examples are taken from an oral history project and archival materials to show how identity is …
Review Of Royal Shakespeare Company Production Of Mary Pix’S The Beau Defeated, Retitled The Fantastic Follies Of Mrs. Rich, Aparna Gollapudi
Review Of Royal Shakespeare Company Production Of Mary Pix’S The Beau Defeated, Retitled The Fantastic Follies Of Mrs. Rich, Aparna Gollapudi
ABO: Interactive Journal for Women in the Arts, 1640-1830
Jo Davies’s reprise of Mary Pix’s comedy The Beau Defeated, Or The Lucky Younger Brother,performed by the Royal Shakespeare Company at Swan Theatre in Stratford-upon-Avon under the title The Fantastic Follies of Mrs. Rich refocuses the comedy from its original engagement with primogeniture and middling class masculinity towards the female characters. It also diffuses Pix’s Whiggish moralism in Mrs. Rich's portrayal, highlighting instead her energy and verve. Overall, a very successful production, the performance is more Restoration comedy than the transitional work that Pix's play was when it opened in 1700.
Belligerent Mothers And The Power Of Feminine Speech In _The Owl And The Nightingale_, Wendy A. Matlock
Belligerent Mothers And The Power Of Feminine Speech In _The Owl And The Nightingale_, Wendy A. Matlock
Medieval Feminist Forum: A Journal of Gender and Sexuality
The Middle English poem The Owl and the Nightingale famously records the dispute between a hostile Nightingale and a bellicose Owl. Within that dialogue the birds reproduce themselves in word and egg, in rhetoric and body. Their digressions on bodies and scatology and on childbearing and childrearing become fertilizer that expands maternal authority into public, intellectual discourse. In addition to calling forth their own communicative powers, both characters aggressively recount narratives best known from the work of Marie de France, a voice feminist scholars have successfully restored to the canon, to condemn their foe. In this light, I argue, The …
Letters From Olive Fremstad To Willa Cather: A View Beyond The Song Of The Lark, Jessica Tebo
Letters From Olive Fremstad To Willa Cather: A View Beyond The Song Of The Lark, Jessica Tebo
Department of English: Dissertations, Theses, and Student Research
In 1913, Willa Cather met opera-diva Olive Fremstad and the two formed a friendship that would span at least a decade. Fremstad has long been recognized as an inspiration for the character Thea Kronborg of Cather’s Song of the Lark (1915) but has not been portrayed as influential in any other aspects to Cather’s career. Letters sent by Fremstad to Cather have recently been located, and they reveal an ongoing and interdisciplinary dialogue between the two women that negotiates issues surrounding art and professionalism. I locate these letters within the broader context of Cather’s public and fictional statements about art …
Anna Larpent And Shakespeare, Fiona Ritchie
Anna Larpent And Shakespeare, Fiona Ritchie
ABO: Interactive Journal for Women in the Arts, 1640-1830
Anna Larpent (1758-1832) is a crucial figure in theater history and the reception of Shakespeare since drama was a central part of her life. Larpent was a meticulous diarist: the Huntington Library holds seventeen volumes of her journal covering the period 1773-1830. These diaries shed significant light on the part Shakespeare played in her life and contain her detailed opinions of his works as she experienced them both on the page and on the stage in late eighteenth- and early nineteenth-century London. Larpent experienced Shakespeare’s works in a variety of forms: she sees Shakespeare’s plays performed, both professionally and by …
Theatrical Weddings And Pious Frauds: Performance And Law In Victorian Marriage Plots, Adrianne A. Wojcik
Theatrical Weddings And Pious Frauds: Performance And Law In Victorian Marriage Plots, Adrianne A. Wojcik
Dissertations (1934 -)
This study investigates how key Victorian novelists, such as Anne and Charlotte Brontë, Elizabeth Gaskell, Charles Dickens, Wilkie Collins, Mary Elizabeth Braddon, George Eliot, and Thomas Hardy, emphasize performativity in their critiques of marriage. Given the performative nature of wedding ceremonies, this project focuses on wedding descriptions in select novels by the aforementioned authors. Such a focus highlights an interesting dilemma. Although we often think of Victorian novels as overwhelmingly concerned with marriage, the few wedding descriptions found in Victorian fiction are aborted, unusually short or announced after the fact. Those Victorian novelists who do feature weddings often describe them …
Dadless: Dead Dads In Hamlet And The Effects On Their Children, Erin Diiorio
Dadless: Dead Dads In Hamlet And The Effects On Their Children, Erin Diiorio
Student and Faculty Research Days
This research is a close look at the methods of grief as depicted by the children who lose their fathers in William Shakespeare’s classic, Hamlet. The goal is to track each child’s reaction to the sudden bereavement in a variety of physical and emotional manifestations. This has been done by first examining current literature on the text, followed by a review of historical context of the period in which the play was written, and finally analyzing each character’s behavior. In doing so, this research seeks to highlight the importance of the presence of fathers within Hamlet and provide insight …