Arts and Humanities Commons^™

Women, Writing, And Storytelling In Medieval England And The Canterbury Tales, Sadie O'Conor

The Criterion

For a woman to succeed in an academic sphere, it is never enough for her to be clever-- she must be brilliant. “The Second Nun’s Tale” in Chaucer’s The Canterbury Tales explores the metaphorical brilliance (in sexual purity, intelligence, and faith) of St. Cecilia. The tale is also a mechanism for the Second Nun to advocate for her own vocation of “holy work,” for the sake of the learned religious women who preserved such writings. The themes of her tale are quite different from those espoused by the Wife of Bath, but the Wife also argues to have her voice …

Hysteria, Perversion, And Paranoia In The Canterbury Tales: "Wild" Analysis And The Symptomatic Storyteller, Becky Renee Mclaughlin

Research in Medieval and Early Modern Culture

Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in Chaucer’s Canterbury Tales, for Chaucer’s tales are rife with issues of mastery and control that emerge as conflicts not only between authority and experience but also between power and knowledge, word and flesh, rule books and reason, man and woman, same and other—conflicts that erupt in a macabre sprawl of broken bones, dismembered bodies, cut throats, and decapitations. Like …

Tolkien's Lost Chaucer (2019) By John M. Bowers, Nelson Goering

Journal of Tolkien Research

Book review by Nelson Goering of Tolkien's Lost Chaucer (2019) by John M. Bowers

“Glossing” The Text: Gendered Biblical Interpretation In Chaucer’S Canterbury Tales, Karen Knudson

Scholar Week 2016 - present

Not available.

"What Do The Divils Find To Laugh About" In Melville's The Confidence-Man, Truedson J. Sandberg

Theses and Dissertations

The failure of identity in The Confidence-Man has confounded readers since its publication. To some critics, Melville's titular character has seemed to leave his readers in a hopelessness without access to confidence, identity, trust, ethical relationality, and, finally, without anything to say. I argue, however, that Melville's text does not leave us without hope. My argument, consequently, is inextricably bound to a reading of Melville's text as deeply engaged with the concepts it inherits from Geoffrey Chaucer's The Canterbury Tales, an inheritance woefully under-examined by those critics who would leave Melville's text in the mire of hopelessness. In examining …

Literary Beasts: Use Of Animal Imagery In The Canterbury Tales, Morgan Kentsbeer

English Independent Study Projects

Through this paper I am going to argue that animals from the Middle Ages held more worth and were often considered to be more important than their modern counterparts. This gets shown through the three types of ways that animals are used within The Canterbury Tales. First, they are used as allegorical shorthands that imply more meaning with a fewer amount of words; this concept is primarily shown in “The Miller’s Tale” and “The Wife of Bath’s Tale.” Secondly, animals are crafted into characters but still end up being used as tools by other characters or Chaucer himself. For this, …

Breaking Expectations: Deviations From Genre, Gender, And Social Order In The Clerk's And The Merchant's Tales, Rachel Lea Combs

MSU Graduate Theses

Breaking Expectations: Deviations from Genre, Gender, and Social Order in the Clerk's and Merchant's Tales seeks to reconcile deviations in traditional form and representations of marital authority in both tales by understanding Geoffrey Chaucer's Canterbury Tales as existing in and responding to a shifting social hierarchy. After establishing that the Peasants' Revolt of 1381 and John Wyclif's heretical tracts signified drastic challenges to received systems of social, political, and religious authority, I assert that the disruption of genre and medieval models of wifehood in the Clerk's Tale and the Merchant's Tale is a recognition-celebratory for the Clerk and bitter for …

Tom Jones, Joseph Andrews, And The Canterbury Tales: Parallels In The Comic Genius Of Henry Fielding And Geoffrey Chaucer, Zachary A. Canter

Electronic Theses and Dissertations

The parallels between the works of Geoffrey Chaucer and Henry Fielding are very striking. Both authors produced some of the greatest works in English literature, yet very little scholarly investigation has been done regarding these two in relationship with one another. In this work I explore the characters of Chaucer’s Parson and Parson Adams, assessing their strengths and weaknesses through pastoral guides by Gregory the Great and George Herbert, while drawing additional conclusions from John Dryden. I examine the episodic, theatrical nature of both authors’ works, along with the inclusion of fabliau throughout. Finally, I look at the shared motif …

Freakish, Feathery, And Foreign: Language Of Otherness In The Squire’S Tale, Laurel Meister

The Expositor: A Journal of Undergraduate Research in the Humanities

No abstract provided.

The Many Faces Of Cleopatra: How Performance And Characterization Change Cleopatra In Geoffrey Chaucer's "The Legend Of Good Women," William Shakespeare's The Tragedy Of Antony And Cleopatra, And John Dryden's All For Love; Or, The World Well Lost, Rebecca Piazzoni Chatham

Graduate Theses and Dissertations

Geoffrey Chaucer, William Shakespeare, and John Dryden presented the character of Cleopatra differently, through both the written language of their pieces and their own and others’ performances of her, in order to meet the demands of their respective audiences and performance conditions. Chaucer, in “The Legend of Cleopatra,” portrays and performs Cleopatra comically. Shakespeare, in his Tragedy of Antony and Cleopatra, characterizes Cleopatra as a complex woman. In All for Love; or, The World Well Lost, Dryden characterizes Cleopatra as sentimental, but the performance of her on stage by female actresses added depth to the role. For Chaucer and Dryden, …

Absolving The Sin: Redemptive Feminine Figures In Geoffrey Chaucer's "The Wife Of Bath's Prologue" And John Milton's Paradise Lost, Rory Griffiths

Theses and Dissertations

Geoffrey Chaucer and John Milton have been ceaselessly studied in isolation to one another, but undergraduate students must begin to study them in conjunction. Chaucer’s “The Wife of Bath’s Prologue” serves as social critique of medieval misogynist practices that allows students to study social practices as they study his language. Milton’s Eve in Paradise Lost reflects the religious and social instability that marked the Interregnum of the English Civil War, allowing Eve to embody the culture’s desire to return to a virtuous Church. Students will learn to examine the space of the authorial paradox, primarily the questions of authority that …

The Anti-Crusade Voice Of Chaucer's Canterbury Tales, Malek Jamal Zuraikat

Graduate Theses and Dissertations

This study reads some Middle English poetry in terms of crusading, and it argues that the most prominent English poets, namely Geoffrey Chaucer, William Langland, and John Gower, were against the later crusades regardless of their target. However, since the anti-crusade voice of Gower and Langland has been discussed by many other scholars, this study focuses on Chaucer's poems and their implicit opposition of crusading. I argue that despite Chaucer's apparent neutrality to crusading as well as other sociopolitical and cultural matters of England, his poetry can hardly be read but as an indirect critique of war in general and …

To Wait Or To Act? Troilus, Ii, 954, Gregory M. Sadlek

Gregory M Sadlek

No abstract provided.

Love, Labor, And Sloth In Chaucer’S Troilus And Criseyde, Gregory Sadlek

Gregory M Sadlek

No abstract provided.

Mars And Venus: Symbols Of The Chaotic And Conflicted Human Passions And The Reestablishment Of Order In “The Knight’S Tale.”, Olivia L. Blessing

Senior Honors Theses

During the Middle Ages, Europe experienced a period when philosophers attempted to separate and analyze the passionate and rational elements of the soul. Some supported strict reason as the sole moral basis for living, while others looked to the tempestuous passionate emotions. Geoffrey Chaucer’s “The Knight’s Tale” portrays this conflict between reason and the passions through the depicted relationship between Mars and Venus and the uncontrolled passions of Arcite and Palamon.

Determining that a world controlled by passions results in chaos, Chaucer offers three different solutions—negating the passions, subjugating the passions to reason, and a balance between passion and reason. …

Mars And Venus: Symbols Of The Chaotic And Conflicted Human Passions And The Reestablishment Of Order In “The Knight’S Tale.”, Olivia Blessing

Olivia L Blessing

During the Middle Ages, Europe experienced a period when philosophers attempted to separate and analyze the passionate and rational elements of the soul. Some supported strict reason as the sole moral basis for living, while others looked to the tempestuous passionate emotions. Geoffrey Chaucer’s “The Knight’s Tale” portrays this conflict between reason and the passions through the depicted relationship between Mars and Venus and the uncontrolled passions of Arcite and Palamon.

Determining that a world controlled by passions results in chaos, Chaucer offers three different solutions—negating the passions, subjugating the passions to reason, and a balance between passion and reason. …

Papacy In Paganism: The Great Schism Of Palamon And Arcite, Samantha Kathleen Diaz

Theses & Honors Papers

This thesis looks at Geoffrey Chaucer’s the Canterbury Tales in the historical context of the Great Schism of the Catholic Church, during which time Chaucer lived and was writing the Canterbury Tales. It compares this work with Giovanni Boccaccio’s Teseida Delle Nozze d’Emilia and analyzes the way in which the two literary works critique the conflict in the Catholic Church in that time period, as well as giving hints to Chaucer’s views on these events and of the Catholic Church as a whole.

Geoffrey Chaucer's The Canterbury Tales: Rhetoric And Gender In Marriage, Andrea Marcotte

University of New Orleans Theses and Dissertations

In the Middle Ages, marriage represented a shift in the balance of power for both men and women. Struggling to define what constitutes the ideal marriage in medieval society, the marriage group of Geoffrey Chaucer's The Canterbury Tales attempts to reconcile the ongoing battle for sovereignty between husband and wife. Existing hierarchies restricted women; therefore, marriage fittingly presented more obstacles for women. Chaucer creates the dynamic personalities of the Wife of Bath, the Clerk and the Merchant to debate marriage intelligently while citing their experiences within marriage in their prologues. The rhetorical device of ethos plays a significant role for …

Reconsidering Dunbar's Sir Thomas Norny And Chaucer's Tale Of Sir Thopas, Deanna Delmar Evans

Studies in Scottish Literature

No abstract provided.

Noble Groping: The Franklin's Characterization In The Canterbury Tales, Jason De Young

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

‘As Writ Myn Auctour Called Lollius’: Divine And Authorial Omnipotence In Chaucer's Troilus And Criseyde, Richard Utz

Richard Utz

No abstract provided.

In Search Of A Female Self : The Masculinization Of May In Chaucer's Merchant's Tale, Kimberly Diane Whitley

Master's Theses

This examination of Chaucer's Merchant's Tale was undertaken as a response to existing scholarship. While criticism in the past tended toward a literal reading of the text, viewing it as a misogynist Merchant's story attesting to the innate depravity of women, more recent feminist criticism has leaned toward a reading which endeavors to defend the actions of May, claiming an evolvement on her part towards autonomy and self-knowledge. This thesis, taking its cue from French feminist theoretical assertions concerning self, refutes both of these readings. While it acknowledges the subversive nature of May's actions, it is unable to recognize any …

Love, Labor, And Sloth In Chaucer’S Troilus And Criseyde, Gregory M. Sadlek

English Faculty Publications

No abstract provided.

To Wait Or To Act? Troilus, Ii, 954, Gregory M. Sadlek

English Faculty Publications

No abstract provided.

Chaucer's Criseyde : The Pressures Of The Courtly Love Code, Betty Ann Jaffee

Master's Theses

When Chaucer wrote the poem Troilus and Criseyde, he created a heroine who stands out from other romantic med­ ieval heroines such as Guinevere and Ysolt. He created a heroine of such complexities that critics have debated her motives endlessly and have explored the psychology of her emotions with every literary tool at their command. He created a heroirie whose sin was so damning that it inspired Robert Henryson to provide for her what he considered a fit­ ting punishment; and it inspired Shakespeare to try to salvage the wreck left by Henryson to create his masterful play.

It is …

Chaucer's Ecclesiastics In The Canterbury Tales, Helen Lee Coleman

Master's Theses

It is thought that Chaucer began composing The Canterbury Tales as a dramatic whole around 1387. This is his last and by f ar his best known work. In this final. masterpiece Chaucer undertakes the tremendous task or presenting in poetic form a whole society. However, he does not merely explore society in general; he also develops the theme or the individual's relation to the community and the integral part that each person plays in making up the whole. The Canterbury Tales is, as George Lyman Kittredge so aptly puts it, "a micro cosmography" or a little image of a …

Chaucer's Pandarus : A Character Study, Phillip Valentine Daffron

Master's Theses

Chaucer 's Pandarus has been an intriguing character for me ever since my first exposure, as an undergraduate, to Troilus and ­Criseyde. Pandarus interests me because he is true to human nature in that he is not consistently one way all of the time. Like most human beings, Pandarus has many facets to his nature; therefore, I find it distressing that many critics and students of Chaucer will not acknowledge this complexity but rather tend to want to stereotype him. If Pandarus were a simple, transparent character, then his rank in English literature would be considerably less significant. It is …

Chaucer's Criseyde: Portrait Of Woman, Nancy Joan Faulkner

Theses & Honors Papers

No abstract provided.