Arts and Humanities Commons^™

Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv

Theses and Dissertations

In this dissertation I argue that the proliferation of a mass codependent relationship with nostalgia in the twentieth century shares a parallel history with the widespread adoption of the reproducible image being used by collective audiences as a supplement for natural memory, or what Proust names “voluntary memory.” This conflict between nostalgia-hungry consumers and artists inspired groups such as Alfred Stieglitz’s Photo-Secessionists and artistically minded authors like Henry James, who employed increasingly complex photographic and literary practices to resist the images’ tendency to debase the aesthetic quality of their own work. Authors such as Marcel Proust and William Faulkner used …

Lost Voices: William Faulkner, Toni Morrison, And The Nature Of History, Luke Hardin

Undergraduate Theses

The novels of William Faulkner and Toni Morrison are nothing if not haunted. Though the authors themselves remain, in many ways, diametrically opposed, their works remain inextricably entangled due to the looming specter of history that hangs over their pages. Perhaps more-so than any other writers in the 20th Century, these two towering figures of American fiction took seriously the task of unpacking the migrainous burden of history. Read together, they offer differing perspectives on the nature of writing one's own past, and how this is informed by race and class. Specifically, Faulkner's novel Absalom, Absalom! has long been regarded …

Perspectives On Lynching In William Faulkner's Fiction And Nonfiction, Tabitha Fisher

Master’s Theses

This thesis analyzes William Faulkner's "Mob Sometimes Right" (1931), Light in August (1932), Intruder in the Dust (1948), and "Letter to the Leaders in the Negro Race" (1953) alongside recent critical perspectives for their depictions of lynching and black empowerment to determine Faulkner's racial narrative regarding racial violence and civil rights.

Eng 200: Weather-Worn And House-Hidden, Sarah Krebs

English 100-200-300 Conference

No abstract provided.

“All I Wanted To Know Was How To Live In It”: Rituals And The Quest For Meaning In Hemingway And Faulkner, Marissa Ortosky

Masters Essays

No abstract provided.

Flappers And Gibson Girls: Faulkner’S Perspective On The Feminine Ideal, Rachel Schratz

Masters Essays

No abstract provided.

Seeing Whiteness: The Progression And Regression Of White Identity In Four Post-Civil War Literary Generations, Sara N. Stone

Dissertations and Theses

This thesis explores the concept of white identity as seen in literary works in four time periods: Reconstruction, the Great Depression, the Civil Rights Movement and the 21st century. It examines the work of Mark Twain, William Faulkner, Kurt Vonnegut and contemporary writers George Saunders, J.D. Vance, and Jonathan Franzen. It seeks to understand patterns in racism, white nationalism, and white supremacy as part of the fundamental construct of the literary white man, and follows the evolution of that construct over time.

Tears Of A Clown: Reexamination Of Disabled Narrators In William Faulkner's The Sound And The Fury And As I Lay Dying, Alexandra Rose Smith

Electronic Theses and Dissertations

This thesis argues that Darl Bundren of Faulkner's As I Lay Dying, and Benjy Compson of The Sound and the Fury exhibit certain similarities, suggesting that, in relation to Donald M. Kartiganer's model from the introduction of The Fragile Thread: The Meaning of Form in Faulkner's Novels, they would be paired together better than his initial couplings. This argument proposes to discuss why Darl Bundren is the reincarnated version of Benjy Compson in terms of their internal discourses, narratorial skills, and disability within each novel. As both characters could easily be labeled "disabled," this endeavor will also speculate …

The Ladies And The Women, Caroline V. Jauch

Masters Theses

- ABSTRACT -

THE LADIES AND THE WOMEN

An Exploration into Faulkner’s Rhetoric of Female Hood

Caroline V. Jauch, B.A in French and English languages and literatures, Université de Genève, Switzerland

With his novels, Faulkner takes us on a journey to the South. He invites us into his character’s surroundings, homes, landscape, smells and especially into their hearts and minds. His portrayals of the white and black people that populate the South, his acute sense of observation regarding their external and internal dialogue, as well as his unique narrative style, all contribute to making him into a reliable witness of …

The Ideology Of Madness: The Rejected Artist Vs. The Capitalist Society In As I Lay Dying, Jared R. Mcswain

Oglethorpe Journal of Undergraduate Research

This article examines the character of Darl Bundren in William Faulkner’s As I Lay Dying from the position that he is an artist functioning in a society that ultimately rejects and condemns him through the vessel of ideological conceptions of madness. Topics explored include the ideology of madness, the ideological project of capitalism, queering as a weapon to support an ideology, essential characteristics of “the artist” type, and the consequences of perceived madness.

Dionysus Torn To Pieces: An Examination Of The Sound And The Fury In Light Of The Philosophy Of Friedrich Nietzsche, Scott R. Dubree

Student Publications

Over the course of this thesis the author considers the problem of truth in life as manifested in William Faulkner’s The Sound and the Fury by means of the Nietzschean conception of the Dionysian. The examination unfolds in a sequential analysis of the novel’s four sections, an analysis framed by Nietzsche’s four theses on “‘Reason’ in Philosophy:” the author considers the first section (Ben) symbolic of man’s subversion to what is directly before his eyes, and yet discovers in Ben’s idiocy a refutation of that same apparent reality in a presently-realized past, personified in Ben’s sister, Caddy; the bounds and …

Faulkner's Feeble Few: The Mentally Impaired Citizens Of Yoknapatawpha, Matthew Brent Foxen

Open Access Theses & Dissertations

This thesis explores Faulkner's use of mental impairments and illnesses, by analyzing closely three of his characters. With chapters focusing on Benjy Compson, Tommy, and Darl Bundren, this work investigates the literal, aesthetic, and figurative purposes that each man serves in his respective novel. It identifies commonalities and differences among these and other mentally impaired or ill characters.

"The Country Of Nine-Fingered People": The Southern Mountain Tradition And The Gothic In Faulkner's Intruder In The Dust And Dickey's Deliverance, Kathleen Peterson

Boise State University Theses and Dissertations

This study explores the role of the Southern mountain tradition and the Gothic mode in William Faulkner’s Intruder in the Dust and James Dickey’s Deliverance. Using Julia Kristeva’s concept of the abject, it argues that Faulkner and Dickey appropriated already Gothic elements of Appalachian history in order to create the Gothic characters and settings that would allow them to explore major cultural anxieties of their time. Chapter One gives a brief overview of Appalachian history from the Revolutionary War through 1970. It examines both factual material and fictional portrayals, including the miners’ union strikes of the early 1900s, Mary …

"The Worry That You Are Yourself": Darl's Unforgivable Neurodiversity In As I Lay Dying, Neal Hallgarth

EWU Masters Thesis Collection

"This paper is concerned with the character of Darl Bundren and the repeated motif of madness in William Faulkner's As I Lay Dying. Possible psychiatric explanations for Darl's madness, including linguistic evidence for his psychotic breakdown, are explored. The paper does not agree with the critical use of words such as "insane" or "crazy" as the book itself questions the verity of such labels. Critical analyses concerning Darl tend to be sympathetic but use derogatory language when defending the character. Articles related to the relatively new idea of neurodiversity will counter the backhanded sympathy with which the critics regard Darl. …

"[Breaking] The Back Of Words": Dimensions Of Gothic Unspeakability In Poe, Faulkner, And Toni Morrison’S Beloved, Elizabeth Kirsch

Honors Program Theses

No abstract provided.

Bad Blood: The Southern Family In The Work Of William Faulkner, Neil T. Phillips

Masters Theses 1911 - February 2014

This thesis concerns the Southern family in the work of William Faulkner, specifically The Sound and the Fury, Absalom, Absalom!, and Go Down, Moses.

Modelos Masculinos Y Violencia En Sanctuary Y Crónica De Una Muerte Anunciada, Cesar Valverde

Scholarship

This essay analyzes how two novels, William Faulkner’s Sanctuary and Gabriel Garcia Marquez’s Chronicle of a Death Foretold, present masculine models that juxtapose power and violence during times of social crisis. Both novels present violent masculinities that overcome peaceful masculinities, in conflicts that result in murders and rapes; but rather than acuse the individuals responsible for the violent acts, the texts point out the social mechanisms that inexorably move the authors of the crimes. In both works we also see violence against women and resulting public deaths of men wrongly accused, which happen due to an inability to adapt to …

Modelos Masculinos Y Violencia En Sanctuary Y Crónica De Una Muerte Anunciada, Cesar Valverde

Cesar Valverde

This essay analyzes how two novels, William Faulkner’s Sanctuary and Gabriel Garcia Marquez’s Chronicle of a Death Foretold, present masculine models that juxtapose power and violence during times of social crisis. Both novels present violent masculinities that overcome peaceful masculinities, in conflicts that result in murders and rapes; but rather than acuse the individuals responsible for the violent acts, the texts point out the social mechanisms that inexorably move the authors of the crimes. In both works we also see violence against women and resulting public deaths of men wrongly accused, which happen due to an inability to adapt to …

Paths Of Most Resistance: Navigating The Culture Industry In William Faulkner, Richard Wright, Delmore Schwartz, And Eudora Welty, Jason Dupuy

LSU Doctoral Dissertations

This dissertation explores how four modernist writers of the 1930s and 1940s—William Faulkner, Richard Wright, Delmore Schwartz, and Eudora Welty—used their works to present ways to resist and navigate what they present as the frequently reductive worldview offered by the culture industry. Faulkner tends to show the culture industry as selling easy answers that focus on the end result, which allows his characters to approach the culture industry with a sense of fatalism. To resist this, Faulkner stresses a step-by-step, complex dialectical understanding of the culture industry, one that shows the fissures in its seemingly straightforward narratives and allows the …

An Examination Of William Faulkner's Use Of Biblical Symbolism In Three Early Novels: The Sound And The Fury, As I Lay Dying, And Light In August, Richard North

Masters Theses

During the years 1928-1932, William Faulkner wrote and published three novels containing varying but significant amounts of Biblical content and symbolism: The Sound and the Fury (1929), As I Lay Dying (1930), and Light in August (1932). In The Sound and the Fury, the characters of Benjy and Quentin Compson share some characteristics of Christ figures, but receive irony-laden treatment. The novel, however, presents the purest Christian character of this period of Faulkner's writing--the Compson family's Negro servant Dilsey. The Bible holds a similar influence over As I Lay Dying, specifically in the Old Testament. The Christian characters in this …

Reading Joycean Comedy And Faulknerian Tragedy: Exploring The Significance Of Location, Literary Influence And The Possibilities Of Heroism With Leopold Bloom In Joyce’S Ulysses And Quentin Compson In Faulkner’S The Sound And The Fury And Absalom, Absalom!, Colin R. Cummings

Honors Theses

The distinct similarity between Joyce’s and Faulkner’s philosophical concerns (the affirmation of life in spite of its myriad difficulties), and the striking disjuncture between their aesthetic approaches (comedy for Joyce and tragedy for Faulkner), is where my interest in this project began. I sought to explore the lives and works of both writers in order to get a sense of how two artists could attempt to convey a similar message through such different means. The first thing I explore is a number of similarities between Joyce’s and Faulkner’s personal worlds (particularly their intimate connections to location) and their sources of …

Motherhood:Portrayals In American Literature, Christine J. O'Leary

Open Access Theses & Dissertations

ABSTRACT

The purpose of this Thesis is to illustrate five categories of motherhood in American literature. The five categories chosen are: the self-absorbed mother, the self-martyred mother, the child-sacrificing mother, the self-sacrificing mother, and the substitute mother. I chose these five categories because they appear frequently in texts written by people of multiple ethnicities who represent several larger American cultures.

1. The self-absorbed mother lives for her personal pleasures. Her children are a burden. She prefers her happiness over the day to day care of the children.

2. The self-martyred mother believes that she is responsible for all the difficulties …

The Scent Of A New World Novel: Translating The Olfactory Language Of Faulkner And García Márquez, Terri Smith Ruckel

LSU Doctoral Dissertations

Both William Faulkner and Gabriel García Márquez introduce the olfactory as a focal element in their writing, producing works that challenge the singular primacy of sight as the unrivaled means by which the New World might be understood. As they translate experiences of the New World into language, both writers record the power of olfactory perception to reflect memory and history, to shape identity, to mark unmistakably certain crisis moments of ethical action, and to delineate a form of knowledge crucial to their New World poetics of the novel. Observing and analyzing the olfactory language particular to the cultural spaces …

Hope From Hopelessness: Finding Contemporary Southern Literature Through Anne Tyler’S Use Of The Sound And The Fury, Amy M. Elliott

Amy M. Elliott

Critical debate focuses on the trend of Southern writers and the classification of their work within the tradition of Southern literature. One side of the argument supports contemporary writers as part of the Southern literary tradition. That is, it proposes that contemporary Southern writers continue to write Southern literature not by writing with the same style and magnitude as Faulkner and Warren, but by basing their writing on this tradition and modernizing it. An excellent example lies in Anne Tyler’s use of William Faulkner’s The Sound and the Fury as a foundation for her Dinner at the Homesick Restaurant. Through …

Partial Annotation Of The Sound And The Fury, Amy M. Elliott

Amy M. Elliott

A partial annotation of William Faulkner’s The Sound and the Fury, this project focuses on the Quentin section, specifically, pages 125-145 of the First Vintage International Edition, October 1990. Annotations define and explain selected words and phrases from the text that are likely to be unknown, unfamiliar, or misunderstood by the average reader. This project examines linguistics, archaic words, and colloquialisms in some depth, while still including aspects of rural life (i.e. facts, folklore, customs, songs, and sayings); references to local history, laws, and customs; analogues; and various allusions and references. Further, it reflects extensive research drawn from literary criticism, …

Faulkner, Mccarthy, And The Arthurian Tradition, Matt O'Connell

Seton Hall University Dissertations and Theses (ETDs)

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William Faulkner As Moralist : A Fable, Jean Marie Anderson

University of the Pacific Theses and Dissertations

In August, 1954, William Faulkner’s twentieth book of fiction, A Fable, was published. As might be expected by anyone knowing of Faulkner’s previous career and critical reception, the reviewers received it with widely divergent opinions. None seems to have found the book an unqualified success, the word “failure” occurs in many of the reviews, and a number confess inability to find motivation for various actions or the pertinence of certain episodes, More than one reviewer reveals quite obviously that he has not been able to follow the plot.

As a matter of fact, the runner is one the few main …