Arts and Humanities Commons^™

Heard: Pondering Life's Soundscapes, Carolyn Albright, Adam Berger, Lily Brooks, Amanda Denney, Liam Drehkoff, Jack Fink, Emerson Fraser, Benjamin Galligan, Marta Insolia, Sam Kleid, Finn Krol, Morgan O'Halloran, Keya Shah, Kit Simpson, Elliott Zajac

English

This collection explores the relationship between music, culture, and personal experience. The product of a fall semester honors Expository Writing course, Heard traces the songs that have impacted students' lives. From folk and punk to Broadway and yacht rock, the music of the collection has shaped each author's life in both small and profound ways.

Irreverent Womanhood: The Healing Of Intergenerational And Cultural Trauma In The Chicanx And Latinx Sonic Poetry Of Amalia Ortiz And Melissa Lozada-Oliva, Yasmine A. Gomez

Theses and Dissertations

The connections between nontraditional forms of literature and spiritual activism lie within the resistive practices of Chicanx Feminism. This thesis argues that cultural healing and social change is dependent upon the recognition of trauma as a step towards enacting social justice. Additionally, this thesis focuses on the figure of Coyolxauhqui and indigenous motherhood to reveal procedures for change. Through the theory of trauma, this thesis examines the nontraditional Chicanx/Latinx poetry of Amalia Ortiz’s sonic rock opera, Cancíon, Cannibal, Cabaret, & Other Songs and Melissa Lozada-Oliva’s novel in verse, Dreaming of You.

My investigation into the breaking of gendered …

From Story To Song: Exploring The Storytelling Potential Of Instrumental Music, Celine Darr

Honors Projects

For this project, I have composed a piece of program music with the aim of capturing scenes from Hans Christian Andersen's "The Little Mermaid" through music. The project seeks to answer questions regarding the elements that make instrumental music "programmatic", or able to portray a story.

Performing Grrrlhood: A Lyrical Analysis Of Riot Grrrl Music, Vida Hasson

CMC Senior Theses

This thesis examines the lyrics of the three founding Riot Grrrl bands: Bikini Kill, Bratmobile, and Heavens to Betsy. I explore how Riot Grrrl bands politicize girlhood to undermine patriarchal authority and empower girls to redefine feminism for themselves. I provide the historical context for Riot Grrrl as a political movement and its cultural impact in the 1990s. In my analysis I connect the lyrics to feminist discourse to demonstrate how Riot Grrrl provided women and girls a platform to discuss feminism and patriarchal oppression. Music has the power to send messages to the masses and Riot Grrrl's legacy proves …