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Full-Text Articles in Arts and Humanities

J. R. R. Tolkien, War, And Nationalism, Amanda J. Johnston Apr 2010

J. R. R. Tolkien, War, And Nationalism, Amanda J. Johnston

English Dissertations

Tolkien may not have intentionally created his fictive nations to mirror real nations, but his world certainly bears the scars of his experiences of war. The World Wars heightened his fear of losing everything that he loved about his local culture through literal obliteration or assimilation into another culture in the event of England’s losing. Tolkien saw the nation as a social construct that potentially could minimize losses, if not wholly protect local culture from the forces that threatened to destroy it. Yet he also perceived the nation’s limitations in its ability to protect culture. A nation could grow too …


The Poet And The Ghosts Are Walking The Streets: Hope Mirrlees – Life And Poetry, Melissa Boyde Apr 2010

The Poet And The Ghosts Are Walking The Streets: Hope Mirrlees – Life And Poetry, Melissa Boyde

Melissa Boyde

Hope Mirrlees (1887-1978), a British writer, was until recently perhaps best known for her fantasy novel Lud-in-the-Mist (1926) which attracted a cult following after its republication in the 1970s. She achieved a measure of celebrity as a result, attested to by the photograph of her, taken with her dog, published in a 1973 Travel and Leisure magazine with the caption: ‘A frequent guest over two decades, poet and novelist Hope Mirrlees and her pug, Fred, are very much at home in the foyer of the Basil’, a Knightsbridge hotel. Mirrlees also wrote two other novels, a biography, several translations and …


The Dark Places Of Psychology: Consciousness In Virginia Woolf's Major Novels, Linda Martin Apr 2010

The Dark Places Of Psychology: Consciousness In Virginia Woolf's Major Novels, Linda Martin

Honors Projects

In a 1919 essay, Virginia Woolf wrote that “[f]or the moderns ‘that,’ the point of interest, lies very likely in the dark places of psychology.” For Woolf, this assertion represented a career-long interest in the mind and consciousness; she made a project of describing and explaining the mystery of subjective experience in her fiction. In my paper, I argue that specific, turn-of-the-century psychologists’ and scholars’ theories of consciousness influenced and inspired Woolf to integrate their ideas into her fiction. Further, through an in-depth exploration of Woolf’s middle fiction (Jacob’s Room, Mrs. Dalloway, To the Lighthouse, and The Waves), I demonstrate …


Ford Madox Ford's Good Soldier In A Modern World, Constance Hinds Apr 2010

Ford Madox Ford's Good Soldier In A Modern World, Constance Hinds

English Theses

Ford often wrote about virtuous gentlemen ruined by the modern society he saw developing around him. While Ford Madox Ford was writing The Good Soldier, ther was a sense of displacement in England and the class system was starting to crumble. Edward Ashburnham, one of the two male protagonists in The Good Soldier, is described as a Chevalier Bayard and there are definitely some similarities between Ashburnham and Bayard. For instance, both men lived during periods of great societal change and both faithfully served their countries. However, the feudal lifestyle that was appropriate for Bayard in the fifteenth-century is unavailable …


Defying The Feminist Dilemma: Eavan Boland's "Listen. This Is The Noise Of Myth", Rachel Newman Mar 2010

Defying The Feminist Dilemma: Eavan Boland's "Listen. This Is The Noise Of Myth", Rachel Newman

English

Boland creates a narrative poem, “Listen. This is the Noise of Myth,” that repudiates all legends that show men to be stronger and the savior of women, and suggests both that there are endless ways to depict any myth.


Selecting Three Poems By W. Stevens: A Roundtable Discussion, Alan Filreis Feb 2010

Selecting Three Poems By W. Stevens: A Roundtable Discussion, Alan Filreis

Alan Filreis

Three poems by Stevens indicate a particular aesthetic predicament, expressions of near-cessation: "Mozart, 1935," "The Man with the Blue Guitar," and "The Plain Sense of Things." In the third poem, the imagination re-emerges at precisely the point of its termination. In the second, the poet ventures into pure sound just when an ideological model for the poem collapses. In the first, the poem is the result of a dodge on the matter of others' pain.


Sound At An Impasse, Alan Filreis Feb 2010

Sound At An Impasse, Alan Filreis

Alan Filreis

This brief paper presents six reasons why studies of sound in the poetry and poetics of Wallace Stevens have been delayed or suppressed.


Pi(O)Us Medievalism Vs. Catholic Modernism: The Case Of George Tyrell, Richard Utz Jan 2010

Pi(O)Us Medievalism Vs. Catholic Modernism: The Case Of George Tyrell, Richard Utz

Richard Utz

Investigates the use of "medievalism" by George Tyrell in his book, Medievalism. A Reply to Cardinal Mercier (1908). Tyrell, who argues in favor of a modern(ist), intelligent, Catholic faith, sees the Church's reorientation toward the Middle Ages in the late nineteenth and early twentieth century as a misdirected form of originalism, which he rejects as "medievalism."


The Mother Tongues Of Modernity: Modernism, Transnationalism, Translation, Roland K. Végső Jan 2010

The Mother Tongues Of Modernity: Modernism, Transnationalism, Translation, Roland K. Végső

Department of English: Faculty Publications

The relation of modernism to immigrant literatures should not be conceived in terms of an opposition between universalistic and particularistic discourses. Rather, we should explore what can be called a modernist transnationalism based on a general universalist argument. Two examples of this transnationalism are explored side by side: Ezra Pound’s and Anzia Yezierska’s definitions of the aesthetic act in terms of translation. The readings show that the critical discourses of these two authors are structured by a belief in universalism while showing opposite possibilities, both generated by modernist transnationalism. The essay concludes that we now need to interpret the cultures …


Paths Of Most Resistance: Navigating The Culture Industry In William Faulkner, Richard Wright, Delmore Schwartz, And Eudora Welty, Jason Dupuy Jan 2010

Paths Of Most Resistance: Navigating The Culture Industry In William Faulkner, Richard Wright, Delmore Schwartz, And Eudora Welty, Jason Dupuy

LSU Doctoral Dissertations

This dissertation explores how four modernist writers of the 1930s and 1940s—William Faulkner, Richard Wright, Delmore Schwartz, and Eudora Welty—used their works to present ways to resist and navigate what they present as the frequently reductive worldview offered by the culture industry. Faulkner tends to show the culture industry as selling easy answers that focus on the end result, which allows his characters to approach the culture industry with a sense of fatalism. To resist this, Faulkner stresses a step-by-step, complex dialectical understanding of the culture industry, one that shows the fissures in its seemingly straightforward narratives and allows the …


Modernist Pedagogy At The End Of The Lecture: It And The Poetics Classroom, Alan Filreis Dec 2009

Modernist Pedagogy At The End Of The Lecture: It And The Poetics Classroom, Alan Filreis

Alan Filreis

Describes a modernist pedagogy based on the end of the lecture as we know it and a convergence of poetics, universities and the rise of digital media.