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Selecting Three Poems By W. Stevens: A Roundtable Discussion, Alan Filreis

Alan Filreis

Three poems by Stevens indicate a particular aesthetic predicament, expressions of near-cessation: "Mozart, 1935," "The Man with the Blue Guitar," and "The Plain Sense of Things." In the third poem, the imagination re-emerges at precisely the point of its termination. In the second, the poet ventures into pure sound just when an ideological model for the poem collapses. In the first, the poem is the result of a dodge on the matter of others' pain.

Sound At An Impasse, Alan Filreis

Alan Filreis

This brief paper presents six reasons why studies of sound in the poetry and poetics of Wallace Stevens have been delayed or suppressed.

Viable (A Letter Confessing My Own Lack Of Faith To My Newborn Son), Julie Hensley

Julie Hensley

Last January, in the minute and a half it took the ultrasound technician to pronounce that word, hours after I stood up from the sofa and felt the blood rush warm out of me, I thought about the moments when knowledge of your life was mine alone, when I had sat, heart-pounding, holding the confirmation of your presence inside me, frozen, unable or unwilling, to rise and begin the inevitable process of sharing you.

Influence, Anxiety, And Erasure In Women's Writing: Romantic Becomes Victorian.Pdf, Stephen C. Behrendt

Stephen C Behrendt

Impolitic: Kent Johnson's Radical Hybridity On Doubled Flowering: From The Notebooks Of Araki Yasusada (Roof Books, 1997), Epigramititis: 118 Living American Poets (Blazevox, 2004), Lyric Poetry After Auschwitz: Eleven Submissions To The War (Effing Press, 2005), I Once Met (Longhouse, 2007), And Homage To The Last Avant-Garde (Shearsman Books, 2008), Michael Theune

Michael Theune

The past twenty years in American poetry have given rise to middle space poetry, poetry—sometimes labeled “Third Way,” “Hybrid,” and/or “Elliptical”—that situates itself in the middle space between mainstream/lyric and avant-garde/experimental aesthetics. While work in the middle space by now should have added up to an important and fruitful development in contemporary poetry—for there is much shared ground for these aesthetics to explore—middle space thinking and poetry for the most part has been very problematic. Paradoxically, the problems of the middle space—especially as it is presented in its three key anthologies: Reginald Shepherd’s The Iowa Anthology of New American Poetries …