Arts and Humanities Commons^™

Beyond Sacrifice: Milton And The Atonement, Gregory Chaplin

English Faculty Publications

In Paradise Lost, Milton imagines a cosmos at odds with orthodox theology, making a heretical departure that parallels his reluctance to dwell on the Crucifixion and his Arian Christology. Belief in a plurality of worlds threatens the integrity of the Trinity: it exalts the omnipotence of the creator, while it limits the significance of the redeemer. In effect, it produces a tension best resolved by Milton’s position that the Father and the Son are two distinct beings—the former uncreated, infinite, and immutable and the latter created, finite, and changeable. This distinction enables Milton to fashion a theory of salvation …