Arts and Humanities Commons^™

Ambiguous Recognition: Recursion, Cognitive Blending, And The Problem Of Interpretation In Twenty-First-Century Fiction, Christopher David Kilgore

Doctoral Dissertations

This dissertation uses theories of cognitive conceptual integration (as outlined by Gilles Fauconnier and Mark Turner) to propose a model of narrative reading that mediates between narratology and theories of reception. I use this model to demonstrate how new experimental narratives achieve a potent balance between a determinate and open story-form. Where the high postmodernists of the 1970s and 80s created ironic, undecidable story-worlds, the novels considered here allow readers to embrace seemingly opposite propositions without retreating into ironic suspension, trading the postmodernist “neither/nor” for a new “both/and.” This technique demands significant revision of both descriptions of radical experimentation in …

The Gendered Soul: Victorian Women Autobiographers And The Novel, Robbie E Spivey

Doctoral Dissertations

This project considers ways mid-Victorian fictional autobiographies created new models for women's spiritual formation, testing Nancy Armstrong's theory that novels are antecedent to the cultural conditions they describe. I pair three mid-Victorian fictional texts Jane Eyre, Aurora Leigh, and The Mill on the Floss with three later non-fictional autobiographies written by women near the end of the Victorian Era: Annie Besant (1847- 1933), Mary Anne Hearn (1834-1909) and Frances Power Cobbe (1822-1904). These women came to spiritual maturity during the same time period in which the fictional heroines Jane Eyre, Aurora Leigh and Maggie Tulliver became prominent in the popular …

Saint Oswald, Christ And The Dream Of The Rood: Mutable Signs At A Cultural Crossroad, Scott Hutcheson Mac Kenzie

Doctoral Dissertations

The first decades following a country’s conversion to Christianity are sometimes marked by experimentation with native expressions of piety. Out of the multicultural environment of early Christian Northumbria such experiments created an insular Germanic version of sanctity. In the mid-seventh century, Oswiu of Northumbria (642-670), the younger brother and successor to King Oswald, constructed an elaborate narrative of God’s plan for England (without consent or guidance from the Roman Church). His narrative would weave his family into the sacred fabric of his nascent, Christian kingdom. Through skillful manipulation of oral tradition, material culture and sacri loci he crafted a unique …

Beyond The Battlefield: Direct And Prosthetic Memory Of The American War In Viet Nam, Susan L. Eastman

Doctoral Dissertations

“Beyond the Battlefield: Direct and Prosthetic Memory of the American War in Viet Nam” examines shifts in American, Viet Namese, and Philippine memorial, literary, and cinematic remembrance of the war through the cultural lenses of later wars: the Gulf War (1990-1991) and the “War on Terror” that began in 2001. As opposed to earlier portrayals of the American War in Viet Nam (1964-1975), turn-to-the-twenty-first-century representations engage in an ever-broadening collected cultural memory—a compilation of multifaceted, sometimes competing, individual and group memories—of the war. “Beyond the Battlefield” begins with the Vietnam Veterans Memorial (1982) because it serves as the impetus for …

Archaism, Or Textual Literalism In The Historical Novel, Linell B Wisner

Doctoral Dissertations

This dissertation examines the technique of archaism as it has been practiced in the historical novel since that genre’s origins. By “archaism,” I refer to a variation of the strategy that Jerome McGann calls textual “literalism,” whereby literary texts use “thickly materialized” language and bibliographic forms to foreground their own “textuality as such” (Black Riders 74). Archaism is distinguished from Blake’s, Pound’s, or Robert Carlton Brown’s literalism by its imitation of older literary idioms, yet the specifically historical quality of its intertextuality also seems different from primarily formal imitations such as pastiche and parody.

Although archaism appears to have originated …

Welcome To Boomland, Cebrun Abe Gaustad

Doctoral Dissertations

Abe Gaustad's first collection of stories, Welcome to Boomland, explores the lives of disparate characters longing for some escape. Whether a paraplegic blues aficionado or a boy who finds a strange object in the woods, they are each searching for a way out of their stagnation. Yet each character is trapped by their own unique circumstance: some of them by their mistakes, some by ruthless dictators, some by the very notion of death. As they search for their freedom, they find out new things about themselves and manage to wage quiet rebellions against those that would control them. In the …

"Not For An Age, But For All Time": Shakespeare's Romantic Comedies On Film, Kelly A. Rivers

Doctoral Dissertations

From Sam Taylor’s 1929 Taming of the Shrew to Kenneth Branagh’s 2000 Love’s Labour’s Lost, nine comedies have been filmed and released for the mainstream film market. Over the course of the twentieth century a filmic cycle developed. By the late 1990s, the films of Shakespeare’s romantic comedies included cinematic allusions to films produced and distributed in the 1930s. This cycle indicates an awareness of and appreciation for the earlier films. Such awareness proves that the contemporary films’ meaning and entertainment value are derived in part from the consciousness of belonging to a larger tradition of Shakespeare comedy on film. …

Into The Attic: A Novel, Laura E. Koons

Doctoral Dissertations

This creative dissertation is a novel titled Into the Attic. The novel tells the story of Sullivan Young, a junior at a small liberal arts college in central Pennsylvania in the mid-2000s, and James Shelley, a young literature professor at the college, with whom Sullivan initiates an affair. The narrative switches between the points of view of these two men, neither of whom is happy with the person he is becoming, and develops around the fears each has about the relationship.

The novel is concerned with character, sexuality, and power; in order to explore these issues fully within Sullivan and …

Becoming A Creatrix: Women’S Religious Roles In W. B. Yeats And Olivia Shakespear, Elaine Kathyryn Childs

Doctoral Dissertations

This project is the biography of a symbol: that of the holy woman motif in William Butler Yeats’s oeuvre. For most of Yeats’s writing life, beautiful women have a place of spurious privilege in his spiritual imagination because they have an intrinsic connection with the divine otherworld. In chapters on Yeats’s beauty-worship in his long fin de siecle, Olivia Shakespear’s critique of that beauty-worship in her fiction, and the role of A Vision in The Winding Stair and Other Poems, I argue that Yeats revised the holy woman motif from a limited and limiting goddess or helpmeet role in …

Too Much Horse: Fiction, Nonfiction, Prose Poetry, Andrew Otis Haschemeyer

Doctoral Dissertations

A collection of fiction, nonfiction, and prose poetry that explores imagination through different shapes in form, content, and genre. Includes award winning nonfiction, “The Storekeeper,” and award winning fiction, “The Fantôme of Fatma.”

“The Last Dear Drop Of Blood”: Revenge In Restoration Tragic Drama, Misty Sabrina Krueger

Doctoral Dissertations

Revenge on the English stage has long been associated with Elizabethan and Renaissance revenge tragedies, and has been all but ignored in Restoration theater history. While the shortage of scholarly work on revenge in Restoration drama might seem to indicate that revenge is not a vital part of Restoration drama, I argue that revenge on stage in the Restoration is connected with important late seventeenth-century anxieties about monarchy and political subjecthood in the period. This dissertation examines how Restoration tragic drama staged during Charles II’s reign (1660-1685) depicts revenge as a representation of an unrestrained passion that contributes to the …

Invisible Mink, Jessie L Janeshek

Doctoral Dissertations

Emily Dickinson, Frances Sargent Osgood, and Sarah Piatt render the nineteenth-century “women’s sphere” ironically Unheimliche while simultaneously conveying it as the “home sweet home” the sentimental tradition prescribes it should be. These American women poets turn the domestic milieu into, as Paula Bennett phrases it, “the gothic mise en scene par excellence…the displacements, doublings, and anxieties characterizing gothic experience are the direct consequence of domestic ideology’s impact on the lives and psyches of ordinary bourgeois women (121-122).”

Anne Sexton and Sylvia Plath continue to represent the Unheimliche home in their poetry through the middle of the twentieth century, specifically by …

Faith And Field: Christianity, The Environment, And Five Contemporary American Poets, Heather M. Hoover

Doctoral Dissertations

Many poets write about the earth or even about God using the language of nature. And many poets and contemporary authors concern themselves with the state of the environment. However, the poetry of Wendell Berry, James Still, Li-Young Lee, Mary Oliver, and Charles Wright seems to engage different kinds of questions about how humans creatively respond to the earth. Collectively, their responses seem influenced by their connections with Christianity rather than any specific ecological agenda. In all of their poetry lies a sensibility about how humans should interact with the earth. All five of the poets seem to acknowledge humanity’s …