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Full-Text Articles in Arts and Humanities

In The Margins: Thresholds Of Text And Identity In U.S.-Mexico Border Literature, Allison E. Fagan Jan 2010

In The Margins: Thresholds Of Text And Identity In U.S.-Mexico Border Literature, Allison E. Fagan

Dissertations

My project links discussions of U.S.-Mexico border literature's emphasis on marginalized identity with the growing textual studies interest in the marginal, often-invisible processes which aid the production and shape the reception of books. The dissertation not only calls attention to textual instability, or the places where the differing and even opposing intentions of authors, publishers, and editors often become strikingly clear, but also focuses on the political, racial, ethnic, and social instabilities inherent in publishing the work of borderlands writers. It advocates and advances a sustained attentiveness to the conditions under which border literature can and does get produced. Authors …


Uncommon Sense In Renaissance English Literature, Eric Byville Jan 2010

Uncommon Sense In Renaissance English Literature, Eric Byville

Dissertations

My project explores the distinctive union of Senecan tragedy and Elizabethan satire in Renaissance English drama, particularly the works of John Marston and William Shakespeare. Unlike Ben Jonson, who incorporated both Senecan tragedy and Elizabethan satire in his drama but did so in different plays (Catiline, Every Man Out), Marston and Shakespeare combined the two traditions in one and the same play, such as the former's Antonio's Revenge (1600) and The Malcontent (c. 1603) and the latter's Troilus and Cressida (1601) and Timon of Athens (c. 1606). They recognized and exploited a deep compatibility between the two traditions, a compatibility …


El Veneno Y Los Remedios: Vida Y Muerte En La Narrativa De Mayra Montero, Jesus Castro Gorfti Jan 2010

El Veneno Y Los Remedios: Vida Y Muerte En La Narrativa De Mayra Montero, Jesus Castro Gorfti

Master's Theses

The purpose of this study is to demonstrate the important role that certain elements--namely poison and natural remedies--play in the narrative of Mayra Montero. Poison and natural remedies are an intrinsic part of the Voodoo and Santeria religions, which are the framework for her novels. Within these religions poison serves a dual purpose. Montero's characters employ poison not only for personal gain--and in their struggle against the establishment--but also for more beneficial means, for instance as a way of obtaining food. Natural remedies are part of the magical-medicinal nature of these religions. They maintain the physical and spiritual well-being of …


"Passing" And Identity: A Literary Perspective On Gender And Sexual Diversity, Pamela L. Caughie Jan 2010

"Passing" And Identity: A Literary Perspective On Gender And Sexual Diversity, Pamela L. Caughie

English: Faculty Publications and Other Works

For the literary scholar as for the gender theorist, truth is what makes sense in terms of a particular narrative. What is true is not simply that which corresponds to the real; rather, what is true is what is accepted as being true within a given discourse, institution, or discipline. Unlike biologists, literary scholars don’t ask “Is it true?” but “How is it true?” This question requires interrogating the normative standards by which claims of truth, authenticity, and legitimacy are established. And that means learning to read people the way many of us have learned to read literature, taking into …


Virginia Woolf: Radio, Gramophone, And Broadcasting, Pamela L. Caughie Jan 2010

Virginia Woolf: Radio, Gramophone, And Broadcasting, Pamela L. Caughie

English: Faculty Publications and Other Works

No abstract provided.


Audible Identities: Passing And Sound Technologies, Pamela L. Caughie Jan 2010

Audible Identities: Passing And Sound Technologies, Pamela L. Caughie

English: Faculty Publications and Other Works

At the March 2008 conference of the Association for Recorded Sound Collections held at Stanford University, audio historians played what they claim is the first recording of the human voice. It is a presumably female voice singing Au clair de la lune, though the distorted quality of the 10-second recording renders the words no more decipherable than the singer’s gender to an untutored ear. The recording was made in Paris in April 1860 on a ‘phonautograph’ invented by Édouard-Léon Scott de Martinville (aka Leon Scott), nearly 20 years before Thomas Edison patented the phonograph in 1877. Sound waves captured …


Your Change Is Still Behind: Futurity In Early Modern Literature, Tripthi Pillai Jan 2010

Your Change Is Still Behind: Futurity In Early Modern Literature, Tripthi Pillai

Dissertations

A study of Renaissance literature's engagement with temporality, my project is a critical evaluation of the concept of early modern futurity, of which I propose three categories: "Material futurity"; "Biological futurity"; and "Political futurity." In the moments that I identify in texts composed during the Tudor and early Stuart reigns in England, I demonstrate that the future--as an idea--structures individuals' actions and ruptures social formations. Futurity, which I define as a play of multiple desires that exist simultaneously within our present beings, is a volatile agent of imagination in early modern literature. Futurity collides with the cultural sites of memory …