Arts and Humanities Commons^™

Imagining Sri Lanka, Derick Kirishan Ariyam

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Analyzes the works of three Sri Lankan expatriates, the writers, Shyam Selvadurai and Michael Ondaatje, and the artist, M.I.A., giving particular attention to Selvadurai's Funny Boy and Ondaatje's Running in the Family, Anil's Ghost, and The Cinnamon Peeler. Though all three have been charged as "inauthentic" due to their dislocated positions, uncovers the various productive and complicated ways Sri Lanka has been configured by those outside its shores.

The Luminous Halo: The Place Of Language In The Waves And The Years, Rachel Luban

Honors Papers

Can words ever express a truth beyond language? Virginia Woolf explores this persistent question most directly in two of her late novels, The Waves and The Years. The two appear to sit at opposite ends of the spectrum of her writing, The Waves embodying interiority and vision and The Years embodying exteriority and fact. The apparent realism of The Years, following on the heels of the impressionism of The Waves, has caused many critics to dismiss it as an aberration. But in fact the later novel is far from a regression to traditional realism: it takes up where its predecessor …

“Only Connect”: Music’S Role In Forster's A Room With A View, Tammela A. Platt

Honors Papers

This essay addresses fragmentation and connection on multiple levels in relation to E.M. Forster’s 1908 novel, A Room with a View. George Emerson, the novel’s Romantic hero, loves Lucy Honeychurch and wishes to connect with her. But Lucy cannot decide to marry George for love until she realizes she loves him, the latter of which is not possible until she connects two fragments of her self. Music – in particular that of Beethoven, Schumann and Wagner – brings Lucy to the brink of connecting her inexperienced social self with her sophisticated and intuitive musical self.

Forster’s act of combining aesthetic …