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Articles 1 - 30 of 45
Full-Text Articles in Arts and Humanities
Women Can Step Out Of The Shadows Of Time And Take Their Rightful Place Next To The Men Who Blazed A Trail Through The Wilderness., Bonnie Swenson
Women Can Step Out Of The Shadows Of Time And Take Their Rightful Place Next To The Men Who Blazed A Trail Through The Wilderness., Bonnie Swenson
Research on Capitol Hill
Bonnie, attending USU’s statewide campus from her home in Orangeville, decided to pursue her bachelor’s degree after retirement and is studying English. In her coursework, Bonnie came across accounts of the Hole-in-the-Rock pioneer expedition in San Juan County in the late 1800s. Most research on this arduous trek has focused on the men of the expedition and the engineering innovations required to build a road into the side of a cliff. Bonnie’s work is unearthing previously disregarded accounts in library archives and amplifying the stories of the 100 women and girls who accompanied the expedition and contributed to its success. …
A Changing Narrative For Englishwomen's Authorship During The Early Modern Period, Erin Kruger
A Changing Narrative For Englishwomen's Authorship During The Early Modern Period, Erin Kruger
Honors Theses
This thesis is a look into women’s authorship in the English Early Modern period, specifically looking at the time period from 1543 until 1621. The main writers of focus are Catherine Parr, Mary Sidney, Lady Mary Wroth, and Aemilia Lanyer, with supplemental texts from the period used to frame the thesis argument. Modern research on this era is also used to supplement the work. Over the course of the period, the innovation of women’s authorship led to two primary changes in the nature of women’s authorship: more inclusive women’s authorship and the expansion of topics that women wrote on. These …
Much Ado About Contemporary Women: Gender Adapted In Contemporary Settings, Jessica C. Valdes
Much Ado About Contemporary Women: Gender Adapted In Contemporary Settings, Jessica C. Valdes
FIU Electronic Theses and Dissertations
Shakespeare’s Much Ado About Nothing has been reproduced multiple times in a contemporary context. This thesis focuses on two key productions, BBC’s ShakespeaRe-Told televised adaptation and Joss Whedon’s 2013 film and examines how these productions translate the gender themes in the play to a contemporary setting. To study translations of gender, this thesis is focused on the adaptations of Beatrice and Hero, two major female characters of the play. The comparison of these adaptations is accomplished through analyzing the pieces and reviewing existing work. While there are some important differences between the adaptations, the major problems Beatrice and Hero are …
Iron Manicures: Sex, Power, And Sedition In Margaret Atwood's Writing, Anna Zarra Aldrich
Iron Manicures: Sex, Power, And Sedition In Margaret Atwood's Writing, Anna Zarra Aldrich
Honors Scholar Theses
Margaret Atwood has often been criticized as a bad feminist writer for featuring villainous, cruel women. Atwood has combatted this criticism by pointing out that evil women exist in life, so they should in literature as well. Every story requires a villain and a victim, for Atwood these roles are both usually played by women. This thesis will explore the idea of the woman as spectacle in both behavior and body. Women are controlled by the idea that they must care. When they stop caring, they become a threat. At the heart of Atwood’s writing are the relationships between women …
More Than Just Wicked: The Tales Of Female Criminals In 17th- Century London, Savannah Resendes
More Than Just Wicked: The Tales Of Female Criminals In 17th- Century London, Savannah Resendes
Honors Program Theses and Projects
In 17th-century London, where women were bound to strict social rules and regulations, those who break free from these strict rules are often viewed with suspicion. Some may even call these women wicked as they stray away from what is expected of them. There was also surge of women committing crimes in this time period, which inspired literature to follow the same trend. Female criminals were often represented as sinful and wicked monsters of the time, showing people exactly what not to do if they want to fit in. However, in several specific literary texts set in 17th-century England these …
Narratives Of Incarcerated Women, Kaceylee Klein
Narratives Of Incarcerated Women, Kaceylee Klein
Honors Scholar Theses
Our criminal-justice system mandates the silencing and disappearing of 2.3 million people, a consequence of its historical context as an inherently violent institution, carrying on traditions of slavery, oppression, and extortion. While any voice that makes it out of a prison cell is resisting the effort to silence, smother, and make compliant the voices of those labeled criminal, the form of publication of that voice allows more or less agency to the author depending on its conventions and structures. There is a spectrum from more controlled or mediated forms of publications to more author-directed ones and they vary over the …
Narrative Style And The Female Story In Pride And Prejudice, Bridget Jones’S Diary, And The Lizzie Bennet Diaries, Parker Jones
Narrative Style And The Female Story In Pride And Prejudice, Bridget Jones’S Diary, And The Lizzie Bennet Diaries, Parker Jones
Honors Program Theses and Projects
Pride and Prejudice by Jane Austen has remained relevant since its publication in 1813, in part due to the popularity of numerous adaptations in multiple mediums. Pride and Prejudice is a novel that champions protofeminism as well as offers 1 an example of Austen’s unique style of writing. The story follows the Bennet family, and specifically the second oldest daughter Elizabeth, as their mother searches for husbands for her five daughters. Elizabeth is a woman that is expected to enter into a successful marriage, which would be defined by financial security for herself and her family. However, she refuses this …
Monsters, Marines, And Feminism In The 1980s: A Look At Ellen Ripley From Aliens, Summer Reardon
Monsters, Marines, And Feminism In The 1980s: A Look At Ellen Ripley From Aliens, Summer Reardon
Spring Showcase for Research and Creative Inquiry
The battle between Ripley and the alien mother symbolizes how women of the 1980s were grappling with their changing roles of motherhood brought about in part by their increased power over their own reproductive health, as well as broadening career options for women. During this time, more women began to take on non-traditional gender roles in the workplace, the family, and in society. Ripley's character reflects this the growing wave of feminism, and presaged a more assertive and adaptable woman, while still demonstrating devotion to her adoptive offspring.
Multicultural Women Writers, Nashieli Marcano, Jennifer Jacobs
Multicultural Women Writers, Nashieli Marcano, Jennifer Jacobs
Research Guides & Subject Bibliographies
No abstract provided.
Revision As Resistance: Fanfiction As An Empowering Community For Female And Queer Fans, Diana Koehm
Revision As Resistance: Fanfiction As An Empowering Community For Female And Queer Fans, Diana Koehm
Honors Scholar Theses
This thesis explores how fanfiction is a site of resistance and empowerment for female and queer fans. Fans rework popular cultural texts to represent themselves and reflect their own interests and concerns in the face of significant stigma on the part of fandom and media producers.
Ann Yearsley, "Earl Goodwin", And The Politics Of Romantic Discontent, Chris Foss
Ann Yearsley, "Earl Goodwin", And The Politics Of Romantic Discontent, Chris Foss
English, Linguistics, and Communication (Legacy)
There is a dearth of more substantial critical studies on Ann Yearsley’s tragic drama Earl Goodwin in general, and while the few out there have helpfully illuminated the play’s representation of the historical plight of women and the poor during Anglo-Saxon times, as well as its application to their current predicaments in Romantic-era England and France, they have tended to leave unexplored the ways in which Yearsley simultaneously is clarifying and extending her anger at and frustration with the class- and gender-based discrimination she experienced firsthand in the fallout with her mentor Hannah More over the profits from her first …
Fighting The Good Fight: Transforming Expectations Of Women In Front Of And Behind The Camera, Victoria Mills
Fighting The Good Fight: Transforming Expectations Of Women In Front Of And Behind The Camera, Victoria Mills
Mahurin Honors College Capstone Experience/Thesis Projects
The film industry is a male dominated field. This is not new information. Directing, cinematography, and musical composition are the most heavily male governed above-the line crew positions, with women only making up 12% of directors as of 2018 (Quick, “The data…”). There is an unfortunate hesitation in support for female filmmakers from the part of studios. Melissa Silverstein of “Women and Hollywood” writes that there are quite specific visual expectations of a director to be a “white male with greying hair,” as this is what people are used to (Smith, “Female trouble…”). To go along with this, only 35% …
Conrad's Erotic Women, Joyce Wexler
Conrad's Erotic Women, Joyce Wexler
English: Faculty Publications and Other Works
It is time to correct Joseph Conrad's reputation as a writer who falls short when the subject is women or sex. Praised for his ethical, political, and psychological insight, he is pitied for his love scenes. Writing about The Rescue in 1945, Walter F. Wright generalized, "Conrad usually had trouble with his women characters when they came into the foreground of a story. The themes which he best understood could be illustrated very well through the lives of men" (1945, 216). In 1956 Thomas Moser reinforced Wright's judgment, arguing that the quality of Conrad's later work declined because he tried …
Race, Slavery, And Evasion: Whitman And Melville’S Changing Perspectives And Their Glancing Poetic Treatment Of The Core Civil War Issue, Said Fallaha
Department of English: Dissertations, Theses, and Student Research
Whitman and Melville’s poetry about the Civil War is almost completely silent when it comes to slavery. Both writers depict a newly emancipated person in their poems about the Civil War, but they seem to do so almost as an afterthought. Both Whitman's “Ethiopia Saluting the Colors” and Melville's “Formerly a Slave” represent an elderly African American woman. These poems stand alone in their representation of an African American. Peter J. Bellis argues that both writers were concerned with how to negotiate national emotions and policies by the end of the war and these “emotions” and “policies” were vital to …
Reading Charlotte Bronte Reading, Madhumita Gupta
Reading Charlotte Bronte Reading, Madhumita Gupta
Department of English: Dissertations, Theses, and Student Research
This essay considers the significance of undirected childhood reading on an author’s mind and the reason some authors reference specific real books in their fiction. I argue that independent reading (as against schooling or formal education), and the direct and indirect references to certain books in Jane Eyre[1] were deliberate, well-thought-out inclusions for specific purposes at different points in the story. When a title pointedly says Jane Eyre: An Autobiography, it is probable that a significant part of the author’s life has seeped into her creation which makes it essential to consider the relevant parts of her life to …
Serving Two Masters: The Paralysis Of Early 20th-Century Women In A. E. Coppard’S “The Hurly-Burly”, Juliana Avery
Serving Two Masters: The Paralysis Of Early 20th-Century Women In A. E. Coppard’S “The Hurly-Burly”, Juliana Avery
Modernist Short Story Project
The theme of paralysis is evident throughout early twentieth-century British literature. Consider Joyce’s “Eveline,” in which a young woman cannot make up her mind about whether to go with her lover to South America or stay behind with her father. Eventually she stays behind, not of her own volition but rather because she is paralyzed by not knowing what her duty is, and so she cannot take the decisive step onto the boat. Joyce’s language shows this paralysis: “She stood among the swaying crowd” (15). Everyone can move but Eveline As Frank calls out to her from behind the barrier, …
We See Things With Our Eyes And We Want Them, Ann Ward
We See Things With Our Eyes And We Want Them, Ann Ward
MFA Program for Poets & Writers Masters Theses Collection
WE SEE THINGS WITH OUR EYES AND WE WANT THEM is a novel is stories following a female narrator, Janine, through adolescence and adulthood. Whether inspired by a spark of sexual tension over snack cakes, a broken down purple ‘96 Saturn named Lydia, a child’s pool party, or an ill-advised journey through a hospital air-vent system, Janine finds herself obsessed with trying to understand those she loves, and attempts to share the deeper parts of herself in the process.
What About Susan? Gender In Narnia, Emma G. Schilling
What About Susan? Gender In Narnia, Emma G. Schilling
Student Publications
Critics of C.S. Lewis argue that his misogyny is present in his portrayal of female characters. While Lewis himself was self-contradictory in his attitudes towards women, his depictions of female characters in The Chronicles of Narnia are both realistic and progressive. Both the male and female characters throughout the series demonstrate individual strengths and weaknesses that are not dependent on their gender. The criticism against Lewis focuses on his treatment of Susan, especially regarding her being the only child not to return to Narnia at the end of the series. Unlike what the critics argue, however, Susan is not excluded …
Karma, Jhanvi C. Ramaiya
Karma, Jhanvi C. Ramaiya
Student Publications
A short story about a woman, Indira, who undergoes a formative transformation in her understanding of Karma as she flees her mother's home, and finds her own with her three daughters.
The Lives And Deaths Of Flora Mac-Ivor And Rose Bradwardine: Romance And Reality In Sir Walter Scott's Waverley, Monica D. Allen
The Lives And Deaths Of Flora Mac-Ivor And Rose Bradwardine: Romance And Reality In Sir Walter Scott's Waverley, Monica D. Allen
Student Works
In Sir Walter Scott’s Waverley, Scott presents the problem of romance versus reality. He does this by personifying romance and reality through Flora Mac Ivor and Rose Bradwardine. Flora, with her passion, represents romance. While Rose, a more mellow character, represents reality. Waverley finds that he must choose between them. Rose is a “kindred spirit” to him, while Flora resembles “one of his daydreams.” They embody these ideas through a physical location. Flora’s location is the romantic Scottish Highlands, and Rose’s location is simply her father’s home. Besides location, the figurative deaths of Flora and Rose embody romance and …
From England's Bridewell To America's Brides: Imprisoned Women, Shakespeare's Measure For Measure, And Empire, Alicia Meyer
From England's Bridewell To America's Brides: Imprisoned Women, Shakespeare's Measure For Measure, And Empire, Alicia Meyer
Department of English: Dissertations, Theses, and Student Research
This thesis examines the experience of largely single women in London’s house of correction, Bridewell Prison, and argues that Bridewell’s prisoners, and the nature of their crimes, reveal the state’s desire for dependent, sexually controlled, yet ultimately productive women. Scholars have largely neglected the place of early modern women’s imprisonment despite its pervasive presence in the everyday lives of common English women. By examining the historical and cultural implications of early modern women and prison, this thesis contends that women’s prisons were more than simply establishments of punishment and reform. A closer examination of Bridewell’s philosophy and practices shows how …
Recalling Anna, Reclaiming Trauma: A Psychoanalytic Approach To Jean Rhys's "Voyage In The Dark", Emily Duffy
Recalling Anna, Reclaiming Trauma: A Psychoanalytic Approach To Jean Rhys's "Voyage In The Dark", Emily Duffy
English Independent Study Projects
A psychoanalytic reading of Jean Rhys's Voyage in the Dark, which compares the experiences, dreams and memories of the character Anna with that of Freud's protagonist, Dora, in his Portrait of Dora.
The Odds And The Ends: What To Do With Some Letters Of Catharine Macaulay, Olivera Jokic
The Odds And The Ends: What To Do With Some Letters Of Catharine Macaulay, Olivera Jokic
Publications and Research
Biographers of Catharine Macaulay (1731–91), much like her contemporaries, often agreed that the woman’s reputation was shaped by the peculiar company she kept: prominent, intellectual, political, radical, revolutionary, and occasion- ally “foolish.”3 This essay examines why it matters what company a writer keeps, especially when that writer is a woman and her reputation is tied to the status of her letters and her correspondents.
Review Of Stephen Bending, Green Retreats: Women, Gardens And Eighteenth-Century Culture, Nicolle Jordan
Review Of Stephen Bending, Green Retreats: Women, Gardens And Eighteenth-Century Culture, Nicolle Jordan
Faculty Publications
Review of Stephen Bending. Green Retreats: Women, Gardens and Eighteenth-Century Culture. New York: Cambridge UP, 2013. X +312 pp. Index. ISBN: 978-1-107-04002-1.
The 1876 Centennial Exposed: How Souvenir Publications Reveal Contrasting Attitudes Of Race And Gender In The Post-Bellum United States, Hope Hancock
Mellon Scholars' Works
The Centennial Exhibition of 1876 celebrated not only the 100-year anniversary of the signing of the Declaration of Independence but the industrial innovation and reuniting of American society after the Civil War. Using two rare books about the Exhibiton, Frank Leslie’s Illustrated Historical Register of the Centennial Exposition, 1876 and The Illustrated Historical Register of the Centennial Exhibition by James Dabney McCabe, Jr., this project compares the portrayal of women and African Americans in the late 19th-century United States.
'She Had Suffered So Many Humiliations For Want Of Money’: The Quest For Financial Independence In Sarah Grand’S The Beth Book, Melissa Purdue
'She Had Suffered So Many Humiliations For Want Of Money’: The Quest For Financial Independence In Sarah Grand’S The Beth Book, Melissa Purdue
English Department Publications
Melissa Purdue analyzes Sarah Grand’s semi-autobiographical The Beth Book (1897), “a New Woman novel deeply concerned with money—particularly women’s lack of it,” which finds its central metaphor in the book’s “discourse about hungry bodies, food, and consumption.” Grand celebrates her protagonist Beth’s proactive attitude toward money, indicating a larger shift in New Woman literature towards an endorsement of women earning their own money while also caring for others. As The Beth Book demonstrates, Purdue writes, “financial independence and what one does with money, rather than one’s distance from money, become important signals of feminine virtue in New Woman literature.”
“In Counterfeit Passion”: Cross-Dressing, Transgression, And Fraud In Shakespeare And Middleton, Anastasia S. Bierman
“In Counterfeit Passion”: Cross-Dressing, Transgression, And Fraud In Shakespeare And Middleton, Anastasia S. Bierman
Department of English: Dissertations, Theses, and Student Research
This thesis examines the way women cross-dressing as men functions as a crime in Thomas Middleton and Thomas Dekker’s The Roaring Girl and William Shakespeare’s As You Like It and Twelfth Night. While many modern scholars have discussed cross-dressing in these plays, many look to the end of the plays as the foundation for their analysis rather than the play as a whole. Because of this oversight, scholars deem the characters in the plays not transgressive, when, in fact, cross-dressing is transgressive. They ignore the way cross-dressing is often presented in writing in the Renaissance, i.e. as a type …
Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley
Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley
Masters Theses
Although Tennessee Williams does not openly champion the rights of women in his plays, he presents strong cases against their social alienation in a harsh and brutal world governed by men. Williams' emotional leanings, sensitivity, and intuition enable him to see life through women's eyes. In The Glass Menagerie, A Streetcar Named Desire, and Summer and Smoke, Williams astutely sounds the battle cry for women to fight against male oppression. He shows how Amanda Wingfield, Laura Wingfield, Blanche Dubois, Stella Kowalski, and Alma Winemiller are held hostage to the rules governing patriarchal society and become unhappy marginalized victims. The self-contained …
A Law And Literature Approach To Stumped By Debora Threedy, Kristin (Brandser) Kalsem
A Law And Literature Approach To Stumped By Debora Threedy, Kristin (Brandser) Kalsem
Faculty Articles and Other Publications
In this response, I will begin by identifying questions and issues about Stumped that might present themselves from law in literature and law as literature perspectives. This analysis will be followed by a discussion of the play from a particular law and narrative approach, one that ideologically is allied with feminist jurisprudence and critical race studies. Finally, I will conclude by examining the play in connection with scholarship on the cultural study of law, specifically emphasizing ways in which law and literature mutually constitute one another as opposed to being distinct categories of knowledge.
“To Say Nothing”: Variations On The Theme Of Silence In Selected Works By Sor Juana Inés De La Cruz, Sandra Cisneros, And María Luisa Bombal, Hannah M. Frantz
“To Say Nothing”: Variations On The Theme Of Silence In Selected Works By Sor Juana Inés De La Cruz, Sandra Cisneros, And María Luisa Bombal, Hannah M. Frantz
Student Publications
This paper explores the various ways in which Sor Juana Inés de la Cruz’s La Respuesta, Sandra Cisneros’s “Woman Hollering Creek,” and María Luisa Bombal’s “The Tree” address the theme of silence. It interrogates how the female characters in each of these works are silenced as well as their responses to that oppression. Meaning is subjective, so writing is a safe outlet for the oppressed. These works each identify an oppressor, either a husband or the male dominated church, as well as an oppressed individual, who is the female lead. In La Respuesta, the Catholic church, and specifically …