Arts and Humanities Commons^™

The Word That Dare Not Speak Its Name, Pamela Caughie

English: Faculty Publications and Other Works

This essay asks, when does our effort to avoid offending students interfere with our ability to teach them? Rehearsing conflicts over language and terminology, over who can speak and what can be said, from my four-decade career as a literature professor, critical theorist, and gender scholar, I confront contemporary efforts to censor certain words, to prohibit certain kinds of inquiry, and to limit who can speak about certain subjects by placing recent incidents in relation to previous debates in academia and the public sphere. The university classroom and scholarly peer-reviewed journals have long served as spaces where established viewpoints can …

‘There Is No Gallery’: Race And The Politics Of Space At The Capitol Theatre, New York, Pardis Dabashi

Literatures in English Faculty Research and Scholarship

This essay brings developments in Black film historiography and architecture studies to bear on the study of Northern picture palaces as the period of their prominence coincided with the Jim Crow era. Taking as my focus New York City’s Capitol Theatre – which opened in the immediate wake of the US race riots of 1919 and was the largest movie theater to date – I show how Northern middle-class film culture enforced racial segregation in the absence of legal protection. Southern movie theaters were able either to outlaw Black attendance or relegate their Black patronage to the gallery, a seating …

Whump, A+ Parenting And Fantasy Racism: Trauma Narratives In Marvel Fanfiction, Sadie Fick

WWU Honors College Senior Projects

Fanfiction, especially fanfiction based on superhero stories like those from the Marvel Cinematic Universe, is an important but often overlooked vehicle for analyzing how society understands trauma. Using genre analysis and narrative analysis, this project is a wide-reaching exploration of how fanfiction both reflects and shapes popular understandings of trauma. It describes the unique fanfiction medium-genre and breaks down topics like whump, savior narratives, and fanfic's love affair with emotionally broken men, as well as topics like post-traumatic growth and deficit framing. The project also explores the intersections of trauma, identity and representation, discussing topics like structural trauma and childhood …

Race, Environment, Culture: Custome Into Nature' In The Early Modern Atlantic World, Jean Feerick

2022 Faculty Bibliography

No abstract provided.

Girls On Fire: The Evolution Of Female Characters In Young Adult Literature, Emily Cox

Antonian Scholars Honors Program

Not available

Relationship Counseling For The U.S.: Understanding White America's Role In Asian American Experiences, Alison N. Lawrence

Tredway Library Prize for First-Year Research

This paper explores the relationship between White Americans and Asian Americans in an effort to discover the root of the difficulties that first and second generation Asian Americans experience while attempting to integrate into American society. Through an analysis of perspectives from Asian American literature as well as historical and current events, it highlights the racist systems that are ingrained in our everyday lives, continuously reminding Asian Americans that they are out of place in their own country. It concludes with a discussion of White America's necessary role in dismantling these systems, and offers strategies to create a more welcoming …

Se Dice Pelo Bueno: Black Affirmations In Contemporary Puerto Rican Literature, Amaryllis Lopez

Honors Program Theses and Projects

In recent years, the natural hair movement has demanded social, political, and cultural acceptance of Black hair on a global scale. Particularly in the Hispanophone Caribbean, the natural hair movement has been a tool to not only promote the acceptance of curly, kinky hair but to combat Latin America’s anti-Blackness. I have found that although Black hair in the Hispanophone Caribbean is constantly compared to textures found in nature such as wool and pajón, it has also been regarded as unnatural. My work has been largely inspired by the essay “Beyond blanqueamiento: black affirmation in contemporary Puerto Rico,” in which …

Fascist Aesthetics From 1940 To Contemporary Times, Anna M. Gellerman

Publications and Research

Movies and literature all over the world share some common aesthetics: militarization, romanticization of death, beauty of perfection, and even purity. What most don't think about is how these tropes rose to popularity due to Nazi Germany's propaganda films. This work describes these fascist aesthetics, and uses famous publications from the 1940s until now to paint just how common these themes are.

Muddling The Middle: Cynical Representations Of Ethnic Relations In V.S. And Shiva Naipaul, Kevin Frank

Publications and Research

In this essay from the collection, Seepersad and Sons: Naipaulian Synergies, Kevin Frank argues that coming from a creolized society, unlike their father, Seepersad, V.S. and Shiva Naipaul's representations of "race" and ethnicity in their works is cynical, favoring one side in the Indo- and Afro-Caribbean racial antagonism, mainly because of their anxiety about "Black Power."

Racial Constructions And Activism Within Graphic Literature. An Analysis Of Hank Mccoy, The Beast, Juan D. Alfonso

FIU Electronic Theses and Dissertations

Through a post-modern lens, I will primarily focus on comics books published by Marvel Comics to demonstrate the myriad of ways in which graphic literature is used as a subversive tool of sociopolitical discourse. I will demonstrate this by deconstructing and redefining the role of myth as a means of transferring ethical practices through societies and the ways in which graphic literature serves this function within the space of a modern and increasingly atheistic society. The thesis first demonstrates how the American Civil Rights Movement was metaphorically translated and depicted to the pages of Marvel’s X-Men comics to expose its …

Race, Slavery, And Evasion: Whitman And Melville’S Changing Perspectives And Their Glancing Poetic Treatment Of The Core Civil War Issue, Said Fallaha

Department of English: Dissertations, Theses, and Student Research

Whitman and Melville’s poetry about the Civil War is almost completely silent when it comes to slavery. Both writers depict a newly emancipated person in their poems about the Civil War, but they seem to do so almost as an afterthought. Both Whitman's “Ethiopia Saluting the Colors” and Melville's “Formerly a Slave” represent an elderly African American woman. These poems stand alone in their representation of an African American. Peter J. Bellis argues that both writers were concerned with how to negotiate national emotions and policies by the end of the war and these “emotions” and “policies” were vital to …

Re-Imagining The Victorian Classics: Postcolonial Feminist Rewritings Of Emily Brontë, Yannel Celestrin

FIU Electronic Theses and Dissertations

ABSTRACT OF THE THESIS

RE-IMAGINING THE VICTORIAN CLASSICS: POSTCOLONIAL FEMINIST REWRITINGS OF EMILY BRONTË

by

Yannel M. Celestrin

Florida International University, 2018

Miami, Florida

Professor Martha Schoolman, Major Professor

Through a post-structural lens, I will focus on the Caribbean, specifically Cuba, Guadeloupe, Marie-Galante, and Roseau, and how the history of colonialism impacted these islands. As the primary text of my thesis begins during the Cuban War of Independence of the 1890s, I will use this timeframe as the starting point of my analysis. In my thesis, I will compare Emily Brontë’s Wuthering Heightsand Maryse Condé’s Windward Heights. Specifically, I …

South Asian American Visual Culture And Representation, Bakirathi Mani

English Literature Faculty Works

South Asian American visual culture is a diverse field of visual art, created by artists who are first-, second- and third-generation immigrants from Pakistan, India, and Bangladesh, among other diasporic locations (e.g., Kenya). South Asian American artists work in a range of media forms, including photography, sculpture, installation, video, painting, and drawing. Collectively, these artworks are frequently exhibited in museums and galleries as depictions of contemporary South Asian immigrant life. However, a close reading of individual works produces a more dynamic picture. Instead of viewing South Asian American visual culture solely in terms of artists’ own immigrant biographies, scholarship and …

The Animalistic Brown Penis And The Meek White Penis In “The English Patient” And “Fun Home”, Tarun Malik

Student Works

"The English Patient" and "Fun Home" are both texts that involve the topic of sex and male sexuality. However, these topics are handled very differently when it comes to race. "The English Patient" treats a harmless brown man as a threat whereas "Fun Home" portrays an abusive white man as safe. This paper examines the differences in treatment and reflects on what this says about the view of men-of-color as sexual threats in the culture at large.

Afterword: Horizons Of Transformation: When Age, Literacy And Scholarship Meet, Louise Wetherbee Phelps

English Faculty Publications

No abstract provided.

Course Syllabus (Su17) Coli 331: “‘World-Traveling’: Alterity And Liminality In Spike Lee’S Do The Right Thing And Amiri Baraka’S Dutchman”, Christopher Southward

Comparative Literature Faculty Scholarship

Course Description:

This semester, we’ll view Spike Lee’s 1989 Do the Right Thing and Shirley Knight’s 1966 cinematic production of Amiri Baraka’s Dutchman through the critical lenses of Maria Lugones’ notions of ‘worlds’ and ‘world-traveling,’[1] which she develops in Pilgrimages/Peregrinajes: Theorizing Coalition against Multiple Oppressions. Our task is to analyze a number of the problematics addressed in these visual works as discernible ‘world(s)’ of meaning and experience constituted by the libidinous investments, concrete practices, and ideological convictions of the human subjects who bear and circulate them.

[1] Maria Lugones, Pilgrimages/Peregrinajes: Theorizing Coalition against Multiple Oppressions, Rowman & Littlefield Publishers, …

All Men Created Equal: Flannery O'Connor Responds Communism, Nina Hefner

English Class Publications

From her mother’s farm, Andalusia in Milledgeville, Georgia, Flannery O’Connor found her writing inspiration by observing the ways of the South. Naturally, a pervasive motif in her works is racism. For instance, in “Revelation” Ruby Turpin spends a good portion of the short story thanking God that she is neither white trash nor black. In her essay “Aligning the Psychological with the Theological: Doubling and Race in Flannery O’Connor’s Fiction,” Doreen Fowler points out that “[Ruby’s] insistence on setting racial boundaries has been an attempt to distinguish a white, superior identity” (81), equality with African Americans being Ruby Turpin’s ultimate …

Toward A Crip-Of-Color Critique: Thinking With Minich’S ‘Enabling Whom?’, Jina B. Kim

English Language and Literature: Faculty Publications

Response to Julie Avril Minich, “Enabling Whom? Critical Disability Studies Now,” published in Lateral 5.1. Kim elaborates upon a crip-of-color critique, which has possibilities to both criticize structures that inherently devalue humans and to take action to work toward justice. Kim’s nal call is to identify and act against the inequalities and harm of academic labor, urging readers to take seriously a “politics of refusal” that might help academics of color survive through alternative collectivities.

Reframing The Archive: Vietnamese Refugee Narratives In The Post-9/11 Period, Mai-Linh Hong

Faculty Journal Articles

This article considers how recent narratives about Vietnamese refugees engage with the Vietnam War’s visual archive, particularly iconic photographs from the war and ensuing “boat people” crisis, and contribute to present-day discourses on American militarism and immigration. The article focuses on two texts, a National Public Radio special series about a US naval ship (2010) and Thanhha Lai’s Inside Out & Back Again (2011), which recounts a Vietnamese child’s refugee passage. By refiguring famous photojournalistic images from the war, the radio series advances a familiar rescue-and-gratitude narrative in which the US military operates as a care apparatus, exemplifying a cultural …

A New Kind Of Social Dreaming: Diversifying Contemporary Dystopian Fiction, Brita M. Thielen

Department of English: Dissertations, Theses, and Student Research

This thesis argues that the dystopian genre lacks diversity not because dystopian novels with a focus on issues of gender, race/ethnicity, and sexuality have not been written, but because these novels are assigned to other genres. Reevaluating the importance of a future setting to dystopian fiction opens the genre to stories whose characters need not exist in a future temporal landscape because their oppression exists in the present. The entrenched norm of a future temporal setting in dystopian fiction privileges the perspectives of a group of people who largely do not experience systemic oppression in the present: white heterosexual men. …

Huck Finn And The Tragedy Of Being Banned, Peyton Harris

English Class Publications

Mark Twain once said, "I am perfectly astonished--a-s-t-o-n-i-s-h-e-d--ladies and gentlemen--astonished at the way history repeats itself." This opening line of Twain's speech at the Papyrus Club in Boston of February 24, 1881 is proof of his fascination with the patterns of humanity. As the already famous author of The Adventures of Tom Sawyer, Twain's commentary on social hypocrisy and moral social maturation was well known. After writing this novel and confessing his interest in humanity, it is no surprise that Twain chose to once again delve into the world of fiction and produce what would become an instant classic …

Jessie Fauset’S Not-So-New Negro Womanhood: The Harlem Renaissance, The Long Nineteenth Century, And Legacies Of Feminine Representation, Meredith Goldsmith

English Faculty Publications

Fauset’s texts offer a repository of precisely what critic Alain Locke labeled retrograde: seemingly outdated plotlines and tropes that draw upon multiple literary, historical, and popular cultural sources. This essay aims to change the way we read Fauset by excavating this literary archive and exploring how the literary “past” informs the landscape of Fauset’s fiction. Rather than viewing Fauset’s novels as deviations from or subversive instantiations of modernity, I view them as part of a long nineteenth-century tradition of gendered representation. Instead of claiming a subversiveness that Fauset might have rejected or a conservatism that fails to account for the …

The Fire This Time: Ta-Nehisi Coates’S “Between The World And Me”, Bill Yousman

Communication, Media & The Arts Faculty Publications

In 1963, James Baldwin published his seminal The Fire Next Time. The first half of this foundational work was a letter to his nephew regarding America and race. In 2015 the journalist Ta-Nehisi Coates published a letter to his son, also about America and race. The literary device employed is no coincidence. Toni Morrison has anointed Coates as the successor to James Baldwin, and while that is a heavy burden for any 40 year old to bear, it is one that he just might manage to handle with grace.

Playing Hell In Charleston - Daniel Payne, Clementa Pinckney And The Fight Against White Supremacy, Susanna Ashton

Publications

The men and women massacred while studying the Bible the other night in the Emanuel A. M. E. Church were, in their own way, raising hell.

That phrase might seem ill conceived or even disrespectful but it can be invoked here to honor their courage and the A. M. E Church’s long tradition of challenging white supremacy. Their private prayer this week was political simply because their mere existence challenged racial power. There is a long contextual history of race violence in America which gives us tools to see this event clearly but even more than that, there is a …

White Male Nostalgia In Don Delillo's Underworld, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

To Be A Man: A Re-Assessment Of Black Masculinity In Lorraine Hansberry's A Raisin In The Sun And Les Blancs, Julie M. Burrell

English Faculty Publications

The first Black woman to pen a Broadway play, Lorraine Hansberry scripted a majority of male protagonists. Critics tend to see Hansberry’s depiction of Black men as either an unfortunate departure from her feminist concerns, or as damaging representations of Black masculinity. In contrast to such views, this essay maps the trajectory of Hansberry’s career-long project of scripting positive visions of Black masculinity, from the politically progressive, while still patriarchal, structures of masculinity in A Raisin in the Sun, to the heterogeneous performances of revolutionary masculinity in Les Blancs. Further, in her role as public intellectual, Hansberry questioned prevailing assumptions …

Editorial Cartoons: Is Michael Sam Gay? Or Is He Black?, Frank Bramlett

English Faculty Publications

A lot of media attention has been paid lately to the case of American football generally and the National Football League in particular. Recently, the NFL drafted its first openly gay man into its ranks, causing a great deal of celebration in some quarters and a high degree of consternation in others. As a fan of (American) football, I am interested in this story because of what it says about the social implications for individual players, team camaraderie, and the fans, too. I am thinking about this because I try to be mindful about and supportive of efforts to eliminate …

History Of Zoa [Supplemental Materials], Emily Workman

Gothic Archive Supplemental Materials for Chapbooks

No abstract provided.

Henrietta De Bellgrave [Supplemental Material], Emily Workman

Gothic Archive Supplemental Materials for Chapbooks

No abstract provided.

American Shudders: Race, Representation, And Sodomy In Redburn, David Greven

Faculty Publications

Newer critical treatments of Redburn argue that its significance lies in its critique of antebellum slavery, most saliently in chapter 31, in which Wellingborough Redburn, the first-person narrator, offers an ekphrastic depiction of the Nelson Monument in Liverpool, England. This monument contains an especially significant detail: the four naked, chained male figures at the base of the pedestal. Redburn tells us that he can never look at their “swarthy limbs and manacles, without being involuntarily reminded of four African slaves in the market-place.” The abjection of the figures is significant for understanding not only issues of race and slavery but …