Arts and Humanities Commons^™

Discovering “God Almighty”: An Exploration Of Kurt Vonnegut’S Mythmaking In Sirens Of Titan, Cat’S Cradle, And Slaughterhouse-Five, Megan Joy Kehoe

Masters Theses

In an interview with Charlie Reilly interview, Kurt Vonnegut argues, “The Christ story is marvelous, but it’s not really about people like us” (“Two Conversations” 20). Vonnegut makes clear his appreciation for Christ, though he critiques the gospel’s relevance to humankind. In his own novels, Vonnegut takes from popular religion and creates his own stories, mythologies that are carefully catered to the human experience. In this evaluation of three of Vonnegut’s, I offer a new reading of the author which highlights his use of mythology, his parodies of God Almighty, and his hope for the direction of mankind. I begin …

Restoring What Has Been Lost: The Mythic Journey Of Shakespearean And Tolkien Heroes After The Fall In Eden, Taylor Loforti

Masters Theses

In order for man to understand where he is going, he must first remember where he began. The intertwining link between the beginning, the in-between journey, and the end of a story, or narrative, has been present since the ancient years of literary criticism. The ancient Greek philosopher Aristotle explains that a unified and effective narrative should have a beginning, middle, and end, and the even more ancient realm of mythology tends to follow this format not only in its written structure, but also in its thematic and archetypal construction. These three main segments of a mythic narrative are later …

Batman As Monomyth: Joseph Campbell, Robert Jewett, John Shelton Lawrence, Frank Miller, Grant Morrison, Scott Snyder, And The Hero’S Journey To Gotham, Andrew Thigpen

Masters Theses

In 1988, Jeffrey Lang and Patrick Trimble wrote an article called, “Whatever Happened to the Man of Tomorrow,” which explains the absence of a hero of the American monomyth in comic books. The American monomyth was proposed by Robert Jewett and John Shelton Lawrence and describes a community in harmonious paradise threatened by evil. The normal institutions of law and order fail to defeat the evil, but fortunately, a hero from outside the community arises to resist temptation, defeat the evil, and return the community to its peaceful condition. Lang and Trimble observe the death of Superman during the events …

Subverting A Mythology: Examining Joseph Campbell's Monomyth In The Fiction Of H. P. Lovecraft, Wesley Vandenbos

Masters Theses

American horror author H. P. Lovecraft's tales of monsters and madness, collectively known as the Cthulhu Mythos, have exploded in popularity in the last few decades and attracted both critical and casual interest. Inspired by his childhood mythological readings, Lovecraft created these chilling stories as a more modern version of ancient myths, drawing upon yet subtly altering the sources that influenced him. The author of this thesis draws attention to the differences between classic myths and the Cthulhu Mythos, using the monomyth of Joseph Campbell as a framework through which to view both ancient mythologies and Lovecraft's tales. This thesis …

An Implacable Force: Caryl Churchill And The “Theater Of Cruelty”, Kerri Ann Considine

Masters Theses

Churchill’s plays incorporate intensity, complexity, and imagination to create a theatrical landscape that is rich in danger and possibility. Examining her plays through the theoretical lens of Antonin Artaud’s “theater of cruelty” allows an open investigation into the way that violence, transgression, and theatricality function in her work to create powerful and thought-provoking pieces of theatre. By creating her own contemporary “theater of cruelty,” Churchill creates plays that actively and violently transgress physical, social, and political boundaries.

This paper examines three of Churchill’s plays spanning over thirty years of her career to investigate the different ways Churchill has used concepts …