Arts and Humanities Commons^™

Deronda And The Tigress: Judaism, Buddhism, And Universal Compassion In George Eliot’S Daniel Deronda, Joshua Frank Moats

Masters Theses

Many scholars have discussed Judaism and the ethics of George Eliot in Daniel Deronda, but few have explored the impact of Buddhism upon the novel. This thesis is the first study to demonstrate the influence of Buddhism upon George Eliot's fiction. By tracing Eliot's interest in the emerging field of comparative religion, I argue that Buddhism offered Eliot a unique religion that was compatible with her secular humanism. Although Buddhism appears explicitly in Deronda in only a few instances, I contend that Eliot uses the tradition of Jewish mysticism known as Kabbalism as the predominant theology in Deronda because …

Evoking Unity: Toward A Communal Phenomenology In Virginia Woolf And William Faulkner, Phillip Douglas Bandy

Masters Theses

Contemporary readings of William Faulkner and Virginia Woolf typically situate these canonical authors within their historical contexts as exponents of the material conditions of modernity or as the literary precursors of postmodernism, as writers of indeterminacy and linguistic play. In this thesis, I argue for a mode of reading Woolf and Faulkner grounded not in history or language, but in consciousness as the irreducible basis of human experience. That is, by invoking the philosophical tradition of phenomenology, I claim that both authors attempted to engage more fully with not simply a historical moment called “modernity,” but a human reality characterized …

“Can The Circle Be Unbroken” : An Ensemble Of Memory And Performance In Selected Novels Of Lee Smith, Jessica Frances Hoover

Masters Theses

This project combines performance studies and memory studies to the analysis of three of Lee Smith’s southern Appalachian novels in order to open the texts to broader understandings of Smith’s use of oral performance forms, such as ballads, music, and storytelling, in her characters’ transmissions of tradition. The approach draws on performance work by Joseph Roach and collective memory theory by Maurice Halbwachs to create a lens through which to add to existing Smith scholarship centering on feminist readings and women’s authorship. This blended approach allows room to analyze the oral performance forms so central to Smith’s work and their …

Paradox Of The Abject: Postcolonial Subjectivity In Jamaica Kincaid’S The Autobiography Of My Mother And Cristina García’S Dreaming In Cuban, Allison Nicole Harris

Masters Theses

In Powers of Horror, Julia Kristeva defines abjection as the seductive and destructive remainder of the process of entering the symbolic space of the father and leaving the pre-symbolic space of the mother, resulting in a desire to return to the jouissance of the pre-symbolic space. In this project, I read Jamaica Kincaid’s The Autobiography of My Mother as an attempt to link Xuela’s psychic abjection with the postcolonial identity. Xuela exists on the boundaries of the colonial dichotomy, embracing the space of the abject because she is haunted by her dead mother. She cannot return to her mother, …

No Place Like Home: Fiction Of Scandinavian Women And The American Prairie, Rebecca Frances Crockett

Masters Theses

This thesis examines various fictional depictions of Scandinavian pioneer women and their struggle to adapt to the American prairie. It looks specifically at three novels: Johan Bojer’s The Emigrants, O.E. Rolvaag’s Giants in the Earth, and Willa Cather’s O Pioneers!. All three novels depict Scandinavian immigrant groups who settle in the Great Plains area during the late nineteenth and early twentieth centuries.

The thesis looks in detail at the numerous ways in which each author’s female characters adapt or fail to adapt to the landscape, exploring the possible reasons for these successes and failures. It argues that …

Faith In Place: Theologies Of Implacement In Charles Frazier's Cold Mountain, Lee Smith's Saving Grace, And Wendell Berry's Jayber Crow, Laura Ruth Hicks

Masters Theses

Appalachian author and critic Jim Wayne Miller has cited the literature of Appalachia as being, above all, earthly. While often referencing ties to a "spiritual" world, this world is strictly separate from the earthly. This causes Appalachian literature, in Miller's estimation, to be "rooted" in the world. However, by looking at three novelists in and around the Appalachian region--Charles Frazier, Lee Smith, and Wendell Berry--we can see where Miller's assertions fall short in relation to contemporary fiction. While the works of these novelists might fit Miller's description of "rootedness," it is their rootedness which causes these novels and the characters …

A Comparison Of H. D. And Marianne Moore’S Poetry In The 1910s And 1920s, Yoko Ueno

Masters Theses

Although both H. D. and Marianne Moore created distinctive voices, we cannot ignore their close relationship with poetic modernism. These two poets had common characteristics which were fit for the ideas of modernism, such as exact descriptions, clear images, concision, objectivity, and repression of personal emotions. H. D.’s poems were regarded as an ideal model of Imagism, and Moore generally tried to follow the style although her poems contained her own unique features. Their choice of the modernistic hard style caused them to face complicated situations because of their gender. Both poets had affinities with Romantic aesthetics such as excessive …

Don't Take Orpheus Without The Lyre: The Intricacies Of Using Pagan Myths For Christian Purposes In The Divine Comedy And Paradise Lost, Rebekah J. Waltmann

Masters Theses

Because of their universal and artistic nature, the classical myths lend themselves well to use in literature, especially poetry. When used properly, as by Dante and Milton, the myths have the ability to enhance the work; when used poorly, they become gaudy ornamentation. It was, and is, this ability to enhance both the artistry and function of literature that pulled so many poets to the myths, despite the difficulties that could arise when the pagan myths did not quite match the Christian setting. My purpose in this thesis is not to explicate every use of myth within The Divine Comedy …

Humor Me To Heaven: Humor's Redemptive Role In The Works Of Eudora Welty, Flannery O'Connor, And Marilynne Robinson, Stephanie Johnson

Masters Theses

Humor is the topic of many psychological, social, and cultural studies, but this project examines humor under a new lens. Humor's unique qualities explored in this study prove that humor is capable of more than just causing laughter; the nature of humor allows it to unveil truths about humanity, both spiritual and physical, through exposing man's flaws. This quality is especially important to consider when analyzing humor in the context of literature, in which humor also works as an aesthetic element. This study searches several short stories by Eudora Welty and Flannery O'Connor along with Marilynne Robinson's Gilead to reveal …

A Hierarchy Of Love: Myth In C.S. Lewis's Perelandra, Joseph Walls

Masters Theses

In C.S. Lewis's Perelandra, the transposed creature is drawn up into its "kindly stede" as a sacramental symbol of Christ through that fictional planet's unbroken relationship between meaning and form. Although Perelandra's "wheels-within-wheels" hierarchy may at first seem reminiscent of Catholicism's teachings on symbol, as a Protestant, Lewis believes that human beings cannot be truly sacramental symbols until the return of Christ. Lewis's optimistic depiction of a cosmic hierarchy is one of perfect love: superiors rule their subordinates with agape, and creatures who discover their submissive roles reciprocate with eros or adoring love. Every created being in Perelandra is part …

And Then, He Folds His Patterned Rug: Repressive Reality And The Eternal Soul In Vladimir Nabokov, Elizabeth Cook

Masters Theses

While Vladimir Nabokov has deservedly earned fame as a stylist of the strange, most critics who study his novels approach his absurd and beautiful characters as little more than fractured victims of a wholly subjective reality. Compounding the misunderstanding is the tired debate over whether or not Lolita is literary, pornographic, or some cruel game of cat-and-mouse in which Nabokov seizes control of his readers' sense of morality. However, critics who read Nabokov as nothing more than a manipulative stylist neglect to realize that his characters suffer such absurd distortions of spirit and mind because their environment--the "average" reality of …

Orientalism And Three British Dames: De-Essentialization Of The Other In The Work Of Gertrude Bell, Freya Stark, And E.S. Drower, Lynn Sawyer

Masters Theses

Although postcolonial criticism has run its course for thirty years, a fresh look at Edward Said's Orientalism offers insight into how Orientalism functions in the writings of three British dames. Gertrude Bell in The Desert and the Sown, Freya Stark in The Southern Gates of Arabia, and E.S. Drower in The Mandaeans of Iraq and Iran, however, challenge Said's theory. Their writing raises questions about how gender alters the discourse about the Other, and whether Said essentializes the Occident. Bell, Stark, and Drower serve as case studies in which to analyze the politically and rhetorically complex interactions between the West …

You Sir Are A Fine Young Gentleman. Thank You, My Lady: A Rhetorical Analysis Of Eighteenth Century Conversations Regarding Gentility And Gender, Kati Overbey

Masters Theses

This study rhetorically analyzed the eighteenth century work of Richard Steele and Joseph Addison's The Spectator and Eliza Haywood's The Female Spectator using Kathleen Turner's framework for rhetorical history as social criticism integrating text and context. Ten essays from The Spectator as well as ten essays from The Female Spectator were selected based on content and subject matter regarding manners and gentility. When Turner's framework for analysis was applied to the essays, defining characteristics of gentility were revealed. A presentation of the results of the textual and contextual analysis of these twenty selected essays is provided. An analysis of the …

The Significance Of Silence: The Muted Voices Of Count Fosco And Laura Fairlie In The Woman In White, Melanie Page

Masters Theses

This thesis examines the intricacies of voice using narrative theory and reader-response theory with Wilkie Collins' The Woman in White. Since Collins first wrote this epistolary novel serially, he wrote aware of his audience as he printed segments with different narrators. This novel allowed Collins the opportunity to reveal an internal set of narrators' responses to other characters' voices--responses that sometimes conflict with and modify one another. At the same time, Collins' contemporary audience's responses to the novel reveal the role of characters' voices in shaping reactions of members of the novel's reading public. Two opposing figures--Laura Fairlie and Count …

A Study In Micro Discourse Community Learning: The Subject-Driven Micro Discourse Community Session Model, Philip Brandon Gallagher

Masters Theses

No abstract provided.

Bridging The Cultural Gap: Using Commonwealth Young Adult Literature In American Secondary Schools, Jennifer Hrejsa-Hudson

Masters Theses

No abstract provided.

Five People Like This: How Writers Perceive And Interact With Their Facebook Audience, Luke E. Kingery

Masters Theses

No abstract provided.

Genre Awareness: Effectively Teaching Composition Through Genre Awareness At A Community College, Ashley D. Klinginsmith

Masters Theses

No abstract provided.

"Through The Keyhole Of His Eye": The Restoration Of Jack Kerouac's Duluoz Legend, Gina Marie Lobianco

Masters Theses

No abstract provided.

"I Am Not Minor": Characters' Apparent Autonomy In J.M. Coetzee's Fiction, Brigid Erin O'Malley

Masters Theses

No abstract provided.

Sketching As An Ally In The First-Year Composition Classroom, Kenneth P. Webb

Masters Theses

No abstract provided.

The Anglicization Of Ælfric's "Passio Sancti Eadmundi Regis Et Martyris", Benjamin W. Potmesil

Masters Theses

No abstract provided.

Book Production In The Medieval West Midlands: The Case For Organized Bookmaking, Rashelle Spear

Masters Theses

No abstract provided.

Framing Jane: Film Adaptation And Jane Eyre, 1934-2006, Joy Wohlman Boyce

Masters Theses

No abstract provided.

Project In Grant Proposal Writing, Betsy Wells

Masters Theses

No abstract provided.

Nonprofit Visual Identity: Evaluating The Needs And Wants, Whitney R. Noland

Masters Theses

No abstract provided.

Sickness And Health, Anthony Smith

Masters Theses

No abstract provided.