Arts and Humanities Commons^™

Decolonization Of The Writing Classroom: Creating Space For Decolonial Theory, Tools, Anti-Racist Pedagogy, And Methods To Improve The Emerging Bilingual Student Experience, Desiree L. Brown

Masters Theses

In this thesis, the author addresses the colonial roots of the secondary writing classroom and the origin of standard academic English which enables strict standardized testing and writing assessment requirements that in-turn incite linguistic violence towards emerging bilingual students. The author frames her study within the framework of April Baker-Bell and Asao B. Inoue through a reflective/reflexive study of her teaching in a ninth grade writing classroom in a primarily Hispanic school district in South Texas, which is assessed by the state of Texas through STAAR. This study seeks to identify instances of linguistic violence being perpetuated in the writing …

A New Language: Apophatic Discourse In John Donne's "Devotions", Jessica M. Farris

Masters Theses

Not much ink has been spilled over John Donne’s relationship to negative, or apophatic, theology. A few scholars have written about apophatic discourse in Donne’s poetry and sermons, but, in general, the subject continues to be overlooked. This thesis seeks to (re)start the conversation by shedding light on Devotions Upon Emergent Occasions, a text which has yet to be linked to the negative tradition despite its clear engagement in apophatic discourse. Indeed, throughout Devotions, Donne wields several apophatic strategies when speaking of God including via negativa, predicates of action, linguistic regress, paradox, and a consistent reliance upon metaphorical …

Love On The Spectrum: Djuna Barnes’S Case Against Categorization In Nightwood, Kaitlyn A. Alford

Masters Theses

Djuna Barnes’s Nightwood is a challenging and beautiful text that continues to confound readers almost 100 years after its original publication. Though the text is often read as a “lesbian” novel, I consider the possibilities available when we read this text instead with a more open queerness in mind. By looking at the novel’s treatment of image, time, history, gender, sexuality, and identity, a new way of reading is revealed which rejects moves of taxonomization and categorization. This thesis explores how Barnes challenges dominant modes of representation and understanding, not to be a simple contrarian, but to present a new …

A Game Of Hazard, Per Chance: Reading Dice Games And Predestined Action In Troilus And Criseyde And Troilus And Cressida, Emma O. Corbin

Masters Theses

This thesis examines the references to the dice game Hazard in Chaucer’s Troilus and Criseyde and the Folio version of Shakespeare’s Troilus and Cressida as means to expand the understanding of Troilus’s ability to act as an agent of change within his predetermined story. Utilizing Johan Huizinga’s Homo Ludens as the foundation for game and play, this work focuses on Hazard as a game of chance present in both works. As a dice game that relies entirely on chance, Hazard is a game and a place of moral and religious anxiety as demonstrated through a survey of dice-based divination and …

Fortune, Fate, And Free Will: Chaucer’S Encounters With Providence, Ciara Jane Turula

Masters Theses

It’s easy to assume that the world is innately unstable as Chaucer seems to do in the short poems “Truth”, “Lak of Stedfastnesse”, “The Forger Age” and “Gentilesse”, and yet we are called to wonder with the Black Knight in The Book of the Duchess how any divine authority could let this be the case. As Lady Philosophy informs readers in Boece, the world is not really Fortune’s chaotic kingdom of unreliability. Instead, the Earth and all that happens within it has already been laid out in the plan of Providence, which unravels regardless of whether individuals are aware …

Moving At The Speed Of Trust, Sun Ho Lee

Masters Theses

Moving at the Speed of Trust is a workbook of strategies — practices, definitions, and techniques — to nurture community-building in support of inbetweeners who live between power structures and cultures and are often left out. Inbetweeners are those individuals whose lives are in transition through recent immigration or forced translocation from Asia to America.

These strategies revolve around threads of trust: kin, giggles, vulnerability, and shared experience. With these threads, we can question power. We can preserve stories, expand the ways we connect, shift perspectives on what is “standard,” and cultivate a community rooted in understanding. To understand each …

Citizens Of The English Language: Sociolinguistic Perspectives On Postcolonial India, Prateek Shankar

Masters Theses

This paper introduces the concept of "extralingual citizenship," which I define as an expansion of translingualism to include the ethnoracial logic of the nation-state and demonstrates the entanglement of language, governance, and education in the policing of knowledge infrastructures and discursive practices. I am interested in the codification of postcolonial disparity into the teaching, social performance, and material assessment of English language users, and the infrastructural disqualification of World Englishes (and their amalgams) in favor of a standardized English. I frame extralingualism as a kind of citizenship, shifting the focus of English pedagogy/practice from the syntactical/etymological concerns of language …

Neurodiversity In Sense And Sensibility And Emma: Jane Austen’S Heroines And Their Cognitive Difference, Alexandra Sausa

Masters Theses

There is a dearth of criticism that analyzes Jane Austen’s characters through the lens of neurodivergence — that is, an umbrella term for neurological difference, or behavior and cognitive processing that differs from what is “typical”. Although Austen has male characters that have been read as neurodivergent, this thesis will principally focus on two of Austen’s neurodivergent heroines: Marianne Dashwood and Emma Woodhouse. To support neurodivergent interpretations of these heroines, I will supplement close readings of Sense and Sensibility and Emma with social science and psychological literature. Marianne exhibits numerous traits that characterize Autism Spectrum Disorder (ASD), and Emma exhibits …

A Call For Planetary Kinship: The Development Of New Forms Of Subjectivity In Jeff Vandermeer's Annihilation, Jennifer Kinne

Masters Theses

This thesis joins a vibrant conversation on the importance of storytelling in an age of climate change through an analysis of Jeff VanderMeer’s Annihilation, a strange and prophetic novel whose environments and characters are confronted with significant ecological devastation and transformation. It explores the ways in which VanderMeer opens liminal spaces between the human and nonhuman through his usage of the New Weird genre, uncanny and abcanny imagery, and monstrous characters.

In my first chapter, I will explore the emerging world of New Weird fiction and argue that this genre is uniquely suited to addressing climate change, namely because of …

"Cabined, Cribbed, Confined": Tyrannical Anxiety And Maternal Power In Shakespeare, Elle J. Nieuwsma

Masters Theses

The tyrannical king, a common trope in Shakespearean plays, is on the surface a powerful and confident character. He is motivated, though, by overwhelming anxiety and fear about losing his power and the freedom he experiences through it. In other words, he suffers from a metaphorical claustrophobia and is terrified of being confined to physical, social, and sexual inadequacy. In order to protect himself and maintain his freedom, the tyrant must project his anxiety onto someone else, and interestingly, the Shakespearean tyrants choose a shared target: mothers.

Through a series of close-readings and analysis, this article explores how several different …

Dismantling Dualisms: Jane’S Liminal Agency In Charlotte Brontë’S Jane Eyre, Nicole Baniukaitis

Masters Theses

Charlotte Brontë’s Jane Eyre is a complex and, at times, seemingly paradoxical novel. Through Jane’s journey, I argue that Charlotte Brontë offers possibilities that can be explained and understood through Val Plumwood’s ecofeminist lens of dismantling or escaping dualisms in order to make these crucial changes and rewrite the traditional story. Jane’s liminality throughout the novel empowers her, offers her access to alternative modalities, and allows her to notice the oppressive dualistic structures governing all aspects of life. Due to her unique liminal positioning, Jane is aligned with nature and fights against oppressive dualisms to shape her life in a …

The Whale, Ahab, And The Transgender Human Condition, Catherine Simpson

Masters Theses

What could possibly be the relationship between Moby-Dick and the transgender experience? Where lies Moby-Dick’s utility in the context of literary queer theory? Does Moby-Dick have something useful to say to a transgender person? A possible answer is that Moby-Dick may lay a foundation to a specific intellectual process that parallels the transgender human condition. Realizing oneself as transgender necessitates an understanding of gendered norms, applying those norms to oneself, recognizing a dissatisfaction toward that application, and then navigating these norms in a more suitable way. It requires an unavoidable drive to subvert gender constructs despite its consequences. While Ishmael …

Beyond All Worlds: George Macdonald, The Pre-Tolkienians, And The Forgotten Possibilities Of Fantasy, Ethan Patrick Stevens

Masters Theses

The history of modern fantasy has been powerfully shaped by the worldbuilding paradigm so successfully executed in J.R.R. Tolkien's 1954-55 trilogy The Lord of the Rings. However, there were nearly a hundred and fifty years of creative work between the birth of fantasy as a genre and Tolkien’s publication of The Lord of the Rings. By examining the pre-Tolkienian fantasists, we find that Tolkien's way of exhaustive consistency was not, and is not, the only way to write fantasy. Phantastes (1858), the first novel by the influential Victorian fantasist George MacDonald, defies contemporary worldbuilding standards almost constantly in …

“The Ugly Truth”: Examining War Trauma And Therapeutic Storytelling Through The Works Of Tim O’Brien, Meredith Ivy Fedewa

Masters Theses

Within this work, a close study on the relationship between trauma and storytelling is examined through three of Tim O’Brien’s works: The Things They Carried, Going After Cacciato, and In the Lake of the Woods. Through the application of psychoanalysis, specifically the work of Jacques Lacan, and modern trauma theory, the relationship between individual identity and the traumatizing encounter of the Real is examined through O’Brien’s concepts of Story Truth versus Happening Truth, as well as how those concepts work together to navigate one’s trauma story. Through weaving the aforementioned theory with each text, O’Brien is seen …

Hagenheim Series By Melanie Dickerson: Creating Active Fairy Tale Heroines With The Christian Feminist Voice, Skylar R. Blankenship

Masters Theses

Charles Perrault, Hans Christian Andersen, and the Brothers Grimm; these four men are the great authors and compilers of western canon fairy tales. They may have created the canon, but others have expanded it through multiple means, including adaptations. One current author is Melanie Dickerson with the Hagenheim Series. Her adaptations alter the setting, characters, and a few other elements, but the most critical part of her work is the addition of the Christian-feminist voice. In the original fairy tales, the female protagonists were passive and uninspiring, but in Hagenheim, they are active heroines because Christianity and feminist ideas …

There Can Be But The One Ezra Pound: Rearticulating Hugh Selwyn Mauberley As Modernist Autobiography, Joshua H. Moore

Masters Theses

Ezra Pound took Eliot’s theory of Literary Impersonality seriously and rejected biographical readings of his poetry. Yet, his poem Hugh Sewlyn Mauberley contains explicitly autobiographical material, which is directly related to the poem’s meaning and has been referenced repeatedly in historical criticism of the poem. This creates a paradox of interpretation, in which the poem’s interpretive meaning stands in contrast with the author’s preferred style of interpretation. The intent of this Thesis is to work within this paradox by applying new criticism on literary autobiography to the poem; specifically the work of Max Saunders, Kevin Wong, and Hannah Sullivan. As …

An Economy Of Care: George Eliot's Middlemarch And Feminist Care Ethics, Madison V. Newman

Masters Theses

This thesis assesses the centrality of care relationships in George Eliot’s Middlemarch and, by doing so, seeks to provide a nuanced understanding of individual and collective morality. Using the ethics of care as a methodological framework to acknowledge the importance of care acts and successful care relations – especially those complicated by the presence of dichotomized socioeconomic hierarchies – will allow readers to engage more fully with this text, its author, her relations, her characters, and the community of readers; reading Eliot’s work from this lens will allow us to validate every interaction, every thread of connectedness, and every act …

Negative Realism: Reading The Novels Of John Williams, William Wells

Masters Theses

This thesis attempts to posit a dynamic theory of literary realism that accounts not only for the commonly understood “historical” realisms of the 18^th and 19^th centuries, but for the more fluid realisms that arise in the modern and postmodern eras. Realisms of this sort are still understood to be expressions of particular, sociohistorical eras, but these expressions must be understood to be subject to material change in society. This paper breaks, then, with traditional Marxist conceptions of realism as the direct response to enlightenment thought and early capitalism, and instead argues for traceable eruptions of realism throughout …

Revolting Delight: Posthuman Subversion In The Work Of Leonora Carrington, Jacob Breeding

Masters Theses

This thesis explores the posthuman implications of Leonora Carrington’s writing, painting, and other works. Carrington’s is a remedial project, one that points to a healthier potential future beyond the conceptual limits of humanism. Her body of work disorders the projected/created order of human society (with its arrogant philosophies and systems of knowledge) and supplies a sublimely recombined “order” of its own—one that, in its very grotesquerie, defies human hubris and solipsism and celebrates everything else besides. In spite of the undermining inherent in her work, Carrington provides a positive alternative to some of the “-isms” that spring from humanism and …

David Lindsay's A Voyage To Arcturus: An Anti-Fantasy, Bryan Wysopal

Masters Theses

This is a study of David Lindsay’s A Voyage to Arcturus (1920) in which I argue that the novel is an anti-fantasy, that is, a fantasy that negates certain tropes common to the genre as part of the author’s wider intentions for writing. I contextualize Lindsay by comparing him to several authors of his time who also worked in the mode of fantasy, then explain how the generic traits of the novel are handled unconventionally to promote Lindsay’s personal philosophy. I explore Lindsay’s treatment of the basic generic traits of the hero and his quest, the imaginary world, and …

"Comic"Ally Calling For Cultural Competency: Using Graphic Narratives To Teach Social Justice In The Writing Classroom, Travis Moody

Masters Theses

No abstract provided.

Material Encounters: Making Memory Beyond The Mind, Ariel Wills

Masters Theses

Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …

I Am Woman: The Complicated Relationship Between Fairy Mistresses, Virgin Martyrs, And The Medieval Patriarchy, Katherine A. Haire

Masters Theses

While modern scholars cannot expect medieval authors to live up to our expectations of feminism, we can still reflect upon the ways in which they both circumvented and upheld the typical patriarchal discursive structure which dominated the Middle Ages. A cross-genre examination of virgin martyred saints and fairy mistresses will illuminate significant overlap in the treatment of magic and divine intervention and the typical female portrayal in these circumstances. Saint’s Lives and Medieval Romances occupy significantly distinct spaces in the popular literary consciousness of the High and Late Middle Ages; however, both genres offer moral instruction for the women who …

“Am I Wrong To Want Justice?”: How J. M. Coetzee’S Disgrace Forces Readers To Think Through The Problem Of Law, Nicholas Langenberg

Masters Theses

Since the publication of J. M. Coetzee’s first post-apartheid novel, Disgrace, a number of scholars have noted the ways that this text encourages its readers to re-think their understanding of law. Many other scholars have also noted the ways that Disgrace explores the ideas of French philosopher Gilles Deleuze. However, up until this point, there has been no analysis written that considers the legal explorations of Disgrace alongside the legal philosophies of Deleuze, and in this thesis, precisely such an analysis will be offered.

By considering these two bodies of work in light of one another, it will be …

Emily Dickinson, The Tyrant, And The Daemon: A Critique Of Societal Oppression, And The Significance Of Artistic Truth, Debra Kue

Masters Theses

This thesis argues that art, for Dickinson, was an alternative system of salvation which her society could not provide her. Unwilling to surrender herself to the mold of her society, the institutional practice of Christianity and gender expectations, Dickinson chose to take ownership of her life through art, which allowed her to develop a personal language to combat the oppressive forces of the world around her. As a conscious “revolutionist of the word” Dickinson embarked on a path of self-discovery that enabled her to conduct a life in self-imposed exile as a means to emancipate herself from the constraints of …

Kofifi/Covfefe: How The Costumes Of "Sophiatown" Bring 1950s South Africa To Western Massachusetts In 2020, Emma Hollows

Masters Theses

This thesis paper reflects upon the costume design process taken by Emma Hollows to produce a realist production of the Junction Avenue Theatre Company’s musical Sophiatown at the Augusta Savage Gallery at the University of Massachusetts in May 2020. Sophiatown follows a household forcibly removed from their homes by the Native Resettlement Act of 1954 amid apartheid in South Africa. The paper discusses her attempts as a costume designer to strike a balance between replicating history and making artistic changes for theatre, while always striving to create believable characters.

Boethian Variations: Musical Thought In Sir Orfeo, Troilus And Criseyde, And Robert Henryson’S Orpheus And Eurydice, Joshua T. Parks

Masters Theses

This study approaches three poems from the late medieval British Isles—the Middle English Breton lay Sir Orfeo, Geoffrey Chaucer’s Troilus and Criseyde, and Robert Henryson’s Orpheus and Eurydice—through the lens of medieval music theory. The most important authority for medieval music theorists was the late antique philosopher Boethius, who held to a Neoplatonic philosophy of music that valued reason, theory, and contemplation of the music of the spheres. Later medieval theorists cited Boethius extensively while also adapting his thought to suit their own purposes. In particular, the early fourteenth-century French theorist Johannes de Grocheio, influenced by Aristotle, departed …

Innocent No More: How Child Vampires Challenge The Social Narrative Of Childhood, Ashley Quinn

Masters Theses

The inclusion of children within Gothic and horror fiction has always been regarded as untoward because children are vulnerable to misrepresentation. However, excluding children from transgressive genres eliminates a space where childhood can be critically analyzed. Fortunately, authors such as Stephen King, Anne Rice, and John Ajvide Lindqvist break the taboo through the inclusion of children in vampiric narratives. These narratives encourage readers to question the social narrative of childhood within the context of vampire stories. Through an examination of ‘Salem’s Lot (King, 1975), “Popsy” (King, 1987), Interview with the Vampire (Rice, 1976), and Let the Right One In (Lindqvist, …

Translingualism: Breaking The Language Policies And Politics In Composition Pedagogy And Protecting Cultural Identities Of International Students, Md Fahad Hossain

Masters Theses

This thesis explores the debates and conversations relating to a translingual pedagogical approach that helps preserve the cultural and ethnic identities of international students who take college composition courses in universities across the United States of America. Since domination of English in teaching, learning, and research in the United States of America is prevalent, this thesis explores much talked pedagogical approach – a translingual approach – in college composition that intends to protect the cultural and ethnic identities of international students studying in universities across the country. The translingual orientation in composition pedagogy is constantly adding new conversations to teaching …

The Cast Of A Giant's Shadow, Angela Kay Steineman

Masters Theses

Adapting fairy tales and folklore has been an ongoing endeavor by storytellers and artists since the very first story was repeated. The evidence can be seen in the many versions of fairy tales like those of the sleeping beauty, from Giambattista Basile’s “Sun, Moon, and Talia” to Walt Disney’s Maleficent. However, unlike their European counterparts, adaptations of American tales outside of children’s literature are not as ubiquitous. My writing rectifies this by adding to the resurging interest as seen in recent retellings like Matt Bell’s Appleseed: The Monstrous Birth (2019).

In an effort to reframe the American tall tale …