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Full-Text Articles in Arts and Humanities
Disenchantment: The Formation, Distortion, And Transformation Of Identity In Charles Dickens' Great Expectations, Lydia K. Christoph
Disenchantment: The Formation, Distortion, And Transformation Of Identity In Charles Dickens' Great Expectations, Lydia K. Christoph
Masters Theses
Charles Dickens' Great Expectations (1861) stands apart from his other works as a powerful expression of his later social and theological views. Rife with rich characterizations, fairy-tale elements, grotesque and bizarre plot twists, Victorian social issues, and a beautifully thoughtful and imaginative commentary on the universal human themes of loss, guilt, abuse, identity, money, social status, and love, this novel remains an outstanding example of truly great art, both popular and classic. This story of identity formation in a nineteenth-century English context demonstrates how Dickens' life and writings, influenced by spurious and inconsistent theological beliefs, express the idea that sin …
An Examination Of William Faulkner's Use Of Biblical Symbolism In Three Early Novels: The Sound And The Fury, As I Lay Dying, And Light In August, Richard North
Masters Theses
During the years 1928-1932, William Faulkner wrote and published three novels containing varying but significant amounts of Biblical content and symbolism: The Sound and the Fury (1929), As I Lay Dying (1930), and Light in August (1932). In The Sound and the Fury, the characters of Benjy and Quentin Compson share some characteristics of Christ figures, but receive irony-laden treatment. The novel, however, presents the purest Christian character of this period of Faulkner's writing--the Compson family's Negro servant Dilsey. The Bible holds a similar influence over As I Lay Dying, specifically in the Old Testament. The Christian characters in this …