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A Study Of The Early American Author Judith Sargent Murray, Her Role In Early American Print Culture And Her Misappropriation By Twentieth-Century Feminism, Robert Allen Fowler
A Study Of The Early American Author Judith Sargent Murray, Her Role In Early American Print Culture And Her Misappropriation By Twentieth-Century Feminism, Robert Allen Fowler
Master's Theses
In 1798, Judith Sargent Murray published a three-volume collection of one hundred miscellaneous essays on topics ranging from social politesse to women’s education to international politics. Her diligence, forethought and manipulation of pseudonyms in the print-hungry post-Revolutionary America create a unique place for her in the history of American letters. However, in the twentieth century, modern feminism has attempted to claim Murray as one of their own, choosing between one and four examples of her work as proof of her forward-looking philosophy, while ignoring significant pieces of those same works as well as much of her oeuvre as a whole …
I Don't Know Why You Say Goodbye, I Say Hello: Concepts Of Place In Eudora Welty's The Optimist's Daughter And Elizabeth Bowen's The Death Of The Heart, Emily Frances Cooley
I Don't Know Why You Say Goodbye, I Say Hello: Concepts Of Place In Eudora Welty's The Optimist's Daughter And Elizabeth Bowen's The Death Of The Heart, Emily Frances Cooley
Master's Theses
The Optimist's Daughter and The Death of the Heart reveal that, for Eudora Welty and Elizabeth Bowen, place is· more than mere landscape. Place is both the scene upon which their novels unfold and the means by which they convey their abstract understandings of the world. Place provides the physical settings of their stories, but it also reveals something about their psyche or symbolic language. The settings used by Welty in The Optimist's Daughter reinforce traditional notions of place in Southern life and society whereas the settings employed by Bowen in The Death of the Heart exhibit a partiality for …
Metaphasia: Shelley And The Language Of Remoter Worlds, Michael Andrew Howell
Metaphasia: Shelley And The Language Of Remoter Worlds, Michael Andrew Howell
Master's Theses
The aim of this project was to trace the evolution of Percy Shelley's metaphasic narrative, or language of the dead, chronologically through the Hymn to Intellectual Beauty, Mont Blanc, and Prometheus Unbound. Proceeding from Earl Wasserman's detailed map of Shelley's mythopoeic structure, I charted this evolution while identifying a fifth discrete entity within the mythological hierarchy of what Harold Bloom has characterized as a "mythopoeic trilogy" (36). Concurrently, I examined the ongoing debate concerning Shelley's influences, as well as the early formation of his personality, as it pertains to the poems in question, and his fascination with worlds beyond the …