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Full-Text Articles in Arts and Humanities
Un-Fairytales: Realism And Black Feminist Rhetoric In The Works Of Jessie Fauset, Danielle L. Tillman
Un-Fairytales: Realism And Black Feminist Rhetoric In The Works Of Jessie Fauset, Danielle L. Tillman
English Theses
I am baffled each time someone asks me, “Who is Jessie Fauset?” As I delved into critical work written on Fauset, I found her critics dismissed her work because they read them as bad fairytales that showcase the lives of middle-class Blacks. I respectfully disagree. It is true that her novels concentrate on the Black middle-class; they also focus on the realities of Black women, at a time when they were branching out of their homes and starting careers, not out of financial necessity but arising from their desire for working. They establish the start of what Patricia Hill Collins …
Taking Eudora Welty's Text Out Of The Closet: Delta Wedding's George Fairchild And The Queering Of Saint George, James R. Wallace
Taking Eudora Welty's Text Out Of The Closet: Delta Wedding's George Fairchild And The Queering Of Saint George, James R. Wallace
English Theses
Eudora Welty’s characterization of George Fairchild (Delta Wedding) queers the heroic masculine ideal, St George, whose legendary exploits have been popularized in narrative literature, Catholic iconography, and children’s fairy tale. Lauded by the Fairchild women for his “difference,” George’s sexuality offers him an identity apart from the suffocating Fairchild family myth. George Fairchild’s queer sexuality and homoeroticism augments our critical understanding of Delta Wedding, the character, as well as other characters. The author’s subtly politicized construction of the novel’s ostensible hero subverts literary tradition, the gender binary, and patriarchal myth.
Marginally Male: Re-Centering Effeminate Male Characters In E. M. Forster's A Room With A View And Howards End, Damion Clark
Marginally Male: Re-Centering Effeminate Male Characters In E. M. Forster's A Room With A View And Howards End, Damion Clark
English Theses
In this thesis I argue that understanding Forster’s effeminate male characters is central to understanding the novels that they appear in. Tibby in Howards End and Cecil in A Room with a View are often viewed as inconsequential figures that provide comic relief and inspire pity. But if, instead of keeping them at the margins, readers put Tibby and Cecil in direct contact and conflict with the dominant themes of gender identity, gendered power structures, and gender equality in these novels, these characters develop a deeper significance that details the fin de siècle’s ever-changing attitudes regarding prescribed gender roles for …