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Full-Text Articles in Arts and Humanities
There And Back Again: Nick Adams' Masculine Journey From 'Indian Camp' To 'Fathers And Sons.', Michael F. Basista
There And Back Again: Nick Adams' Masculine Journey From 'Indian Camp' To 'Fathers And Sons.', Michael F. Basista
Electronic Theses and Dissertations
In the following paper, I discuss how Ernest Hemingway’s hyper-masculine persona influences how his male characters are interpreted by some readers. More specifically, I take the character of Nick Adams and look at him as being a representation of one of Hemingway’s male characters that diverges from the hyper-masculine persona that Hemingway had created for himself. To do so, I focus on eight of Hemingway’s short stories, with those being “Indian Camp,” “The Doctor and the Doctor’s Wife,” “Ten Indians,” “The End of Something,” “The Three-Day Blow,” “The Battler,” “Cross-Country Snow,” and “Fathers and Sons.” The development of Nick Adams …
Sex And The Superman: Gender And The Superhero Monomyth, Christopher Maverick
Sex And The Superman: Gender And The Superhero Monomyth, Christopher Maverick
Electronic Theses and Dissertations
Since the 1938 introduction of Superman, superheroes have been ever-present in American popular culture. Indeed, with the modern preponderance of comic book movies dominating the American cinematic box-office, superhero fantasy is arguably the most important genre of fiction being produced in the contemporary moment. Peter Coogan, Kurt Busiek and many other scholars have discussed the prominence and relevance of the superhero fantasy as a genre. Still others, including Umberto Eco and Marco Arnaudo, have asserted that the superhero is not so much a genre and as it is the evolution of mythology. In Sex and the Superman, I argue …
American Myth And Ideologies Of Straight White Masculinity In Men's Literary Self-Representations, Mary Parish
American Myth And Ideologies Of Straight White Masculinity In Men's Literary Self-Representations, Mary Parish
Electronic Theses and Dissertations
This study examines three autobiographical texts written in post-World War II America (1959-1973) that take as their subject a straight white man’s reflection on and engagement with the exercise of male power and the forces, both internal and external, that shape the degree to which he is “self-made,” i.e., an autonomous agent able to exert his will within a life domain (domestic, public, and war). Each of these writers engages in surveillance not solely of their own power, but also of the men who influence their experience, using their observations to critique, assert, and question the gendered realities and expectations …
Black And White On Black: Whiteness And Masculinity In The Works Of Three Australian Writers - Thomas Keneally, Colin Thiele, And Patrick White., Matthew Israel Byrge
Black And White On Black: Whiteness And Masculinity In The Works Of Three Australian Writers - Thomas Keneally, Colin Thiele, And Patrick White., Matthew Israel Byrge
Electronic Theses and Dissertations
White depictions of Aborigines in literature have generally been culturally biased. In this study I explore four depictions of Indigenous Australians by white Australian writers. Thomas Keneally's The Chant of Jimmie Blacksmith (1972) depicts a half-caste Aborigine's attempt to enter white society in a racially-antipathetic world that precipitates his ruin. Children's author Colin Thiele develops friendships between white and Aboriginal children in frightening and dangerous landscapes in both Storm Boy (1963) and Fire in the Stone (1973). Nobel laureate Patrick White sets A Fringe of Leaves (1976) in a world in which Ellen Roxburgh's quest for freedom comes only through …