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Malory, Chivalric Medievalism, And New Imperialist Masculinity, Andrew Livecchi

Electronic Thesis and Dissertation Repository

Over the course of the nineteenth century, Sir Thomas Malory’s fifteenth-century work of Arthurian romance, Le Morte Darthur, underwent significant reevaluation, from being warily considered a trivial, morally problematic text to being hailed as a national epic with a central place in the English canon. This shift in Malory’s status coincided with the rise of an increasingly competitive and unabashedly aggressive model of imperialism in the 1870s, which historians conventionally term New Imperialism. At the same time, a new model of masculinity emerged, one that bemoaned the “decadence” of the modernized, leisurely man and that celebrated the hypermasculine ideal …