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Full-Text Articles in Arts and Humanities
Demystifying The Cowboy Through His Song: How Cowboy Poetry And Music Create A Common Language Between Multiple-Use Conservationists And Forever-Wild Preservationists To Meet The Goals Of Sustainable Agriculture, Kristin Y. Ladd, Roslynn Brain
Demystifying The Cowboy Through His Song: How Cowboy Poetry And Music Create A Common Language Between Multiple-Use Conservationists And Forever-Wild Preservationists To Meet The Goals Of Sustainable Agriculture, Kristin Y. Ladd, Roslynn Brain
English Faculty Publications
Though multiple-use conservationists (use the land for multiple purposes) and forever-wild preservationists (solely set aside land for non-human species) seem to be at odds, this article argues that key figures such as Gifford Pinchot and John Muir discredit this perceived discordance. As well, it probes into the unexplored arena of cowboy music gatherings as productive places for cooperation between the two groups. First, mystique of the cowboy is examined and unraveled through true stories of cowboy-environmentalist collaboration. The article addresses how cowboy poetry festivals function as entertainment and meeting places to support sustainable behavior through communitybased social marketing techniques.
An Infusion Of The Modern Spirit Into The Ancient Form:’ Textual Objects And Historical Consciousness In George Eliot’S Romola., Mattie Burket
An Infusion Of The Modern Spirit Into The Ancient Form:’ Textual Objects And Historical Consciousness In George Eliot’S Romola., Mattie Burket
English Faculty Publications
In George Eliot’s Romola, manuscripts represent the ability of objects to embody the past. Through various characters’ interactions with manuscripts, Eliot explores competing ways of using and valuing history, from Bardo’s obsessive collecting to Savonarola’s ideological co-optation. As the story progresses, however, manuscripts all but disappear and are replaced by printed texts. Through this depiction of technological change, Eliot advances her case for a particular kind of historical consciousness, one that engages critically—rather than fetishistically or opportunistically—with the past. Print, Eliot suggests, allows history to become widely accessible for public consumption, thereby weakening the aura of the past and allowing …
Review: Peter Mcdonald, "The Literature Police: Apartheid Censorship And Its Cultural Consequences", Shane Graham
Review: Peter Mcdonald, "The Literature Police: Apartheid Censorship And Its Cultural Consequences", Shane Graham
English Faculty Publications
Censorship has, of course, been much discussed in South African literary studies. But Peter McDonald's The Literature Police is a groundbreaking book in two ways: first, it is to my knowledge the first book to attempt a comprehensive historical overview of censorship in apartheid South Africa and its effects, not just on writers, but on publishers, literary journals, writers' organizations, and other key institutions. Second, it is the first text to look closely and methodically at the paper trail left behind by the Board of Censors to analyze precisely which texts were banned and the reasons given. The Literature Police …
Frenchifying The Frontier: Transnational Federalism In The Early West, Keri Holt
Frenchifying The Frontier: Transnational Federalism In The Early West, Keri Holt
English Faculty Publications
The antebellum West was a hotbed of literary activism. Western presses published more than one hundred local newspapers and literary magazines from the late 1820s through the 1850s. Cities such as Vidalia, Lexington, Marietta, New Orleans, and Cincinnati were thriving literary centers, boasting numerous bookshops, libraries, theaters, and literary societies, including the Semi-Colon and Buckeye clubs of Cincinnati, where members exhibited their western pride by discussing the work of local authors while drinking beverages from buckeye bowls.1 The “West” at this time was located much closer east and south than the West we know today. It encompassed, roughly, the …
Literature And Popular Culture In Early Modern England, Phebe Jensen
Literature And Popular Culture In Early Modern England, Phebe Jensen
English Faculty Publications
"All students of popular culture," Tim Harris wrote in 1995, "would acknowledge the intellectual debt they owe to Peter Burke's seminal study Popular Culture in Early Modern Europe." (1) Now in a third edition with substantial revisions and a new preface, the book defines "popular culture" as the culture of "ordinary people," which included "folksongs and folktales; devotional images and decorated marriage chests; mystery plays and farces; broadsides and chapbooks; and, above all, festivals...." Burke's central claim was that in 1500, the elite were culturally "amphibious," participating in this popular "little tradition" but also in the "great tradition" of the …