Arts and Humanities Commons^™

Chitterin’ Lichts: Text And Intertext In Sangschaw And Penny Wheep, Patrick Crotty

Studies in Scottish Literature

The essay takes a new look at an old subject, the role of dictionaries in Hugh MacDiarmid’s so-called ‘early lyrics’. While demonstrating that the poet’s exploration of the lexicographical remains of Scots was more thorough-going and systematic than previous accounts have suggested, it positions his recourse to dictionaries in the intertextual habit that links the lyrics both to the English sonnets and prose sketches of the young Christopher Grieve and the encyclopaedic long poems to which MacDiarmid turned after abandoning Scots in the 1930s. The article attends in particular to the wide-angle allusiveness of Sangschaw and Penny Wheep, arguing that …

Denis Saurat’S ‘The Scottish Renaissance Group’ / ‘Le Groupe De “La Renaissance Écossaise”’: An English Translation, Paul Malgrati

Studies in Scottish Literature

Presents an annotated translation of Denis Saurat's 'Le Groupe de la Renaissance Écossaise' (1924), a seminal piece in the history of Scottish modernism, hitherto inaccessible in English, that introduced the works of both Christopher Murray Grieve and Hugh MacDiarmid (considered as two different entities) to the international literary scene.

The Ghost Of John Nisbet: Hugh Macdiarmid’S First Published Work, Alan Riach

Studies in Scottish Literature

Discusses the first published item, a short play, signed with the name 'Hugh M'acDiamid', and sets in its biographical and historical context just after the First World War and in the literary context of 1922 and international modernism, in 1922, viewing it as 'an encapsulation of its moment, and most importantly as an elegiac tribute to a friend,' arguing that 'Performing "Nisbet" as a play intimates the drama of fractured modernist selfhood implicit in the written text,' and concluding that it should be seen 'in the whole national context of Scotland finding a way towards a reconstruction of itself, a …

The Real Christopher: Sleights Of Text And Mind Behind The Persona Of Hugh Macdiarmid, Alexander Linklater

Studies in Scottish Literature

Argues that it was the persona of Hugh MacDiarmid, as much as his poetry, which brought about the Scottish Literary Renaissance of the 1920s, but that behind the extravagant personality lay an obscure biographical puzzle. Christopher Murray Grieve possessed little personal resemblance to his pseudonymous self and even less interest in what motivated him to create such an antagonist. In this essay, the author of a new life of MacDiarmid explores how the dominant figure of 20th century Scottish literature composed himself out of found texts, psychological misdirection and confected autobiography.

Notes On Contributors

Studies in Scottish Literature

Brief biographical notes on contributors to Hugh MacDiarmid at 100 (SSL 49.1)

Series Editors' Preface To Ssl 49.1, Patrick Scott, Tony Jarrells

Studies in Scottish Literature

Notes the significance of the issue topic for SSL's founder G. Ross Roy, notes that C. M. Grieve was on the original editorial board in 1963, and discusses briefly ho MacDiamid has been treated in the journal over the past 60 years. Thanks the guest editors for assembling contributions that reflect current perspectives.

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Macdiarmid The Spaceman: Extraterrestrial Space In Hugh Macdiarmid’S Poetry From Sangschaw To A Drunk Man Looks At The Thistle, Michael H. Whitworth

Studies in Scottish Literature

Looking at Hugh MacDiarmid’s Sangschaw (1925), Penny Wheep (1926), and A Drunk Man Looks at the Thistle (1926), this article considers MacDiarmid’s use of science, particularly astronomy, in the 1920s. It traces known and possible sources for his scientific knowledge in books and periodicals, especially The New Age. It examines the image of light travelling through space, found in popular astronomy works by Felix Eberty and Camille Flammarion. It also compares his conception of the earth as a moving object in space with that found in poems by Thomas Hardy.

Provincialising Macdiarmid: Decolonisation And Scottish Literary History, Alex Thomson

Studies in Scottish Literature

Examines the development of MacDiarmid's aesthetic and political views, in light of decolonial theory and criticism, as showing the 'inexorable and exigent doubling of Scotland with Empire', arguing that though MacDiarmid has been central to the construction of a postcolonial Scottish literary history, free from historical anxiety, a decolonial approach unsettles the narrative of Scotttish exceptionalism and challenges the political romanticism associated with the aesthetic construction of the national, endorsed by MacDiarmid and continued by recent cultural and literary histories [Ed.] .

Introduction: Hugh Macdiarmid At 100, Scott Lyall

Studies in Scottish Literature

Explains the background for this special issue, Hugh MacDiarmid at 100, in the Scottish Revival Network’s conference in August 2022, which marked the centenary of Hugh MacDiarmid’s first appearance in print under that name in The Scottish Chapbook in August 1922, and then, before summarizing the themes of each essay, discusses ways in which MacDiarmid’s legacy and reputation have become central to the Scottish literary canon but somewhat marginal to canonical modernism,

‘To “Meddle Wi’ The Thistle”’: C. M. Grieve’S Scottish Chapbook, The Little Magazine, And The Dilemmas Of Scottish Modernism, Scott Lyall

Studies in Scottish Literature

Examines C. M. Grieve’s (Hugh MacDiarmid’s) most important journal enterprise, The Scottish Chapbook, which critics have assumed marks the beginning of a modernist Scottish renaissance. Against this view, this article argues that the range of contributions to the Chapbook were generally not modernist in their formal characteristics, many recalling the Victorian or fin-de-siècle periods. While the Chapbook’s brief lifespan (1922–23) was typical for modernist little magazines, the dilemmas encountered by Grieve’s periodical – restricted finances, lack of avant-garde contributors – are explained here as a side-effect of ‘localist modernism’, a concept defined by Eric B. White.

Linguistic Islands: Archipelagic Perspectives In Hugh Macdiarmid’S ‘Vision Of World Language’, Fiona Paterson

Studies in Scottish Literature

Examines the impact of an archipelagic perspective upon Hugh MacDiarmid’s ‘vision of world language’ as set forth in the 1955 poem In Memoriam James Joyce. Informed by his travels to Scottish islands, documented in The Islands of Scotland (1939), and his engagements with Norn in Shetland, MacDiarmid’s vision is both expansive and particular, characterised by its decentralised plurality, and driven by an attempt to capture both simultaneity and progressivism.

‘No Further From The “Centre Of Things”’: Peripheral Citation In Hugh Macdiarmid’S In Memoriam James Joyce, James Benstead

Studies in Scottish Literature

Examines Hugh MacDiarmid’s “citational poetics” – that is, his practice of selecting material from a wide range of pre-existing texts, before transforming that material and then combining it in his own work, often without attribution – and shows how reading MacDiarmid’s long 1955 poem In Memoriam James Joyce with reference to this practice places that text within the lineage of “provincial modernism” identified by Robert Crawford.

Introduction: Denis Saurat On ‘“The Scottish Renaissance” Group’, Scott Lyall

Studies in Scottish Literature

Provides the biographical context and publication history for Denis Saurat’s essay ‘Le groupe de “la Renaissance Écossaise”’, which included Saurat’s French translation of some MacDiarmid poems, describes the essay’s importance in the history of the Scottish Literary Renaissance, explains some shortcomings in Saurat’s perspectives on the ‘renaissance’ and MacDiarmid’s work.

A History Of The Scottish P.E.N. Organization, Part 1: 1927-1949, Helen Stoddart

Studies in Scottish Literature

The first article in a two-part series charting the history of Scottish PEN, from its founding in 1927, through political struggles in the 1930s, and at the international congress in Edinburgh in 1934, over issues of intellectual freedom and the rise of Hitler, till the need to reestablish the organization after World War II, exploring Scottish PEN's relationship to the 20th century Scottish Renaissance movement, and examining the roles in Scottish PEN of H.J.C. Grierson, C.M. Grieve (Hugh MacDiarmid), Helen Cruikshank, William Power, Willa and Edwin Muir, and many others.

Liz Lochhead And The Fairies: Context And Influence In Grimm Sisters And Dreaming Frankenstein, William Donaldson

Studies in Scottish Literature

Examines the Scottish poet Liz Lochhead's period of North American travel and her response to American second-wave feminist poetics, particularly to the anthology No More Masks! (1973) and the poetry of Adrienne Rich and Anne Sexton, the treatment of myth by J.G. Frazer and Robert Graves, and the perspective on Scottish fairy tales offered by folklorists, to explore Lochhead's creative reworking of both fairy tale and classical myth in her collections Grimm Sisters (1981) and Dreaming Frankenstein (1984).

Humanity's Fate: An Analysis Of Speculative Human Evolution In Literary Fiction, Celeste T. Johnson

Senior Theses

Speculative human evolution is a literature subgenre of science fiction that explores the potential future of humanity and descendant species. Little academic research has been done to evaluate the scientific accuracy of works of this genre or assess the relationship between the themes presented in the works and our current world. Future human species and their evolutionary journeys were assessed for scientific possibility through comparison with current research in fields such as anthropology, evolutionary biology, and sociology. It was found that the species depicted in works of speculative human evolution were largely based in scientific accuracy and could possibly exist …

Identity In Literacy Narratives: Toward Reflexive Pedagogy In First Year Writing, Laiken Elizabeth Harrigan

Theses and Dissertations

An ongoing discussion for composition pedagogues is the relation of individuals’ identities and discourse histories in relation to academic discourses. In this thesis, I argue that academic discourse cannot be entirely separated from personal discourse, as individuals are always in conversation with their discoursal histories and identities. In order to better understand how students perceive their relationships to academic discourse, I analyze how First Year Writing (FYW) students experience the discourse of FYW— where they either intertwine their identities or we see their personal identities collide with the academic space. I used open coding to conduct a textual analysis of …

Hardly Working: The Labor Concerns Of Graduate Student Assistants In Writing Programs, Lily Victoria Howard-Hill

Theses and Dissertations

The instructors of undergraduate writing courses are very often graduate students who exist in a space between student and teacher, subsequently shouldering a dual burden of responsibility. This is particularly the case in freshman writing and composition classes. Graduate students that hold assistantships and work in writing programs have a number of concerns related to their academic labor, specifically the benefits and compensation they receive in exchange for their work. To further illustrate these issues, this project offers the results of an IRB-approved study that highlights the tight connection between graduate student assistants’ working conditions, the financial and material benefits …

Animal Representation Of Race In The Princess And The Frog, Tiffany Tyantyan Enoch

Theses and Dissertations

Disney’s 2009 film The Princess and the Frog was created in response to racial criticism. It features the first Black princess as a means of promoting racial equality. This film attempts to positively portray Black characters, who were depicted as violent and lazy in previous animations.

While the film showcases positive themes (e.g., internal beauty and virtuous work) and portrays Black characters in a more positive light than previous films, it still perpetuates the typical racism against people of color. The lack of accurate and equal representation of racial groups in recognizable and famous stories is a persistent issue, and …

Anthropocene Composition: Teaching Terminal Generations In The Pre-Apocalyptic Classroom, John Michael Purfield

Theses and Dissertations

The Anthropocene is an era characterized by human alteration of the planet at deep geological levels and permeation of anthropogenic damage across all biomes. The primary crisis of this era is climate change, which is understood broadly as the anthropogenic disruption in weather patterns and global temperature averages caused by carbon emissions and other pollutants, as well as extractivism and terraforming (deforestation, monoculture farming, desertification and alterations of waterways, for example). Though popular media tends to frame climate change as a looming but always future problem, it is currently producing casualties, both human and nonhuman. The ongoing great extinction correlates …

“Speak For Yourself”: Ovidian Women And The Suppression Of Voice And Complaint In Metamorphoses And Heroides, Grayson Elizabeth Newman

Theses and Dissertations

Ovid’s portrayal and attitude towards women is one that is particularly puzzling and contradictory throughout his Metamorphoses and Heroides. Recent scholarship on Ovidian literature is only divided on whether or not Ovid’s intentions within these two works were to sympathize with the Roman woman’s experience or to reinforce the lack of female representation in Roman society; however, I argue that Ovid fails to achieve empathy for the Roman woman. In Heroides, these women are pining and tragic, often meeting some terrible fate shortly after being abandoned by their suitors and putting forth a complaint. Conversely, women in Metamorphoses …

Rhetorical New Materialism, Queers, And Cringe, Katherine Anne Schell

Theses and Dissertations

Cringe, the negative reflexive reaction we experience when we witness something embarrassing or awkward, has a bad reputation in the queer community. In online and physical queer spaces, there is a pervading belief that “cringe culture” must be antithetical to queerness, that no queer community could possibly achieve liberation until it has eradicated the threat of cringe. This thesis revises that cringe vs. queer positioning by reimagining cringe as its own rhythm of queerness and examining the productive aspects of cringe through engagement with thinkers like Karen Barad and Eve Kosofsky Sedgwick. The thesis, formatted as a response to a …

Robert Burns’ Poetic Style Through His Poetry, Songs, And Correspondence, Abigail Druckenmiller

Senior Theses

This thesis explores connections and contradictions within the songs, correspondence, and poems of Scotland’s bard, Robert Burns. A selection of works from each of these categories is presented to compare the ways Burns writes verse, lyrics, and letters. Through this thesis, I analyzed his work looking at subject matter, use of the Scots dialect, structure, and poetic devices in order to offer holistic commentary on Burns’ style in a way that includes his letters more heavily than most other Burns scholarship. Overall, I thought Burns remained a consistent man of conviction and societal criticism throughout my findings, as well as …

Bad Blood: Octavia E. Butler Takes A Bite Out Of Gender And Racial Stereotypes In Fledgling, Abigail Cole

Senior Theses

For contemporary audiences the word “vampire” typically conjures two figures: a Damon Salvatore-esque[1] man with devil may care eyes, dark hair and an equally dark past. Dripping with sex and charm, he struggles with an internal dilemma, his animalistic urge to kill constantly at war with his human morality. On the other hand, we have the sexy, scantily clad white female vampire who uses her feminine wiles and socially “perfect” body to prey upon poor, unsuspecting men, until she is eventually corralled into domestic submission, or killed. While this description fits the broader scale of what the vampiric figure …

A New Atticus Is Afoot: The Portrayal Of Lawyers In Popular Culture, Anna Thrush

Senior Theses

This project analyzes the stereotypical image of lawyers in popular culture, focusing on either overly demonic or unrealistically heroic. Both stereotypes that are common portrayals of attorneys in popular culture are unrealistic and deny society a true comprehension of the profession. Popular culture has molded the image of lawyers to the characteristics that sell, rather than focusing on a realistic portrayal. Therefore, popular culture creates a falsely dramatized image of attorneys to generate revenue, putting the reputation and future of the profession as risk. These stereotypes are exemplified in this project through a close literary analysis of lawyer characters from …

Public Opinion And The Media’S Impact In U.S. Foreign Policy, Ada Skradski

University Libraries Award for Undergraduate Research

No abstract provided.

Contents, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Front Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Descended From Cain: The Biopolitics In Beowulf, Jia-Ying Liu

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.