Arts and Humanities Commons^™

Which Side Are You On? The Worlds Of Grant Morrison, Francesco-Alessio Ursini, Adnan Mahmutovic, Frank Bramlett

English Faculty Publications

Grant Morrison is a key figure among the first wave of authors of the so-called "British Generation" (Sandifer and Eklund). The works of the other two creators, Neil Gaiman and Alan Moore, have been the basis for a wealth of scholarly research within the field of comics studies and whole constellations of literary scholarship (Sandifer and Eklund; Sanders; Krueger and Shaeffer; Millidge). Morrison's fictional worlds, however, remain understudied, despite the fact that, as Marc Singer observes, Morrison's work and career seem to be evenly distributed along a continuum ranging from the alternative Vertigo material to the mainstream superhero comics (Singer …

Making And Breaking The Superhero Quotidian: How All-Star Superman Embodies And Revises The Everyday, Frank Bramlett

English Faculty Publications

This essay explores the idea of the everyday in All-Star Superman by Grant Morrison and Frank Quitely. Scholars identify the everyday, or the quotidian, as including routine behaviors and ingrained assumptions (e.g., Borland and Sutton), and the construct of the quotidian as culture has been explored in comics (Bramlett). Depending on circumstances, characters may navigate the Metropolis cityscape or the Kent farm, take trips to the moon, explore the Daily Planet office building, and meet otherworldly heroes and villains. Even though much of the world of the superhero is extraordinary and wondrous to readers, the characters themselves nevertheless have a …

How Do Song And Speech Go Together In Comics Panels?, Frank Bramlett

English Faculty Publications

In my last post, I wrote about simultaneous talk in comics, exploring the way that speech balloons can be positioned in a panel to convey a sense of overlapping talk. This post continues the series on the possibilities of simultaneous discourse. However, this one asks how visual and verbal cues might tell us something about the way readers are supposed to imagine hearing the production of both speech and song in the same panel.

The first example is drawn from Full Color, a graphic novel by Mark Haven Britt. I have taught this book a couple of times, …