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Angels Who Stepped Outside Their Houses: “American True Womanhood” And Nineteenth-Century (Trans)Nationalisms, Gayathri M. Hewagama
Angels Who Stepped Outside Their Houses: “American True Womanhood” And Nineteenth-Century (Trans)Nationalisms, Gayathri M. Hewagama
Doctoral Dissertations
“Angels who Stepped Outside their Houses” examines the fashioning of a gendered white American middle-class Protestant subject called the “American true woman” as a fitting representation of the emerging new American nation, as reflected in the writings of white American women authors from the late eighteenth to the mid-nineteenth century. Locating the formation of this identity on a transnational plane, this work argues that in their myriad texts, these women authors reveal the significant role that imperial Britain and the non-national/not-yet-national colonial Orient played in the (de/)construction/(de/)centering of American true womanhood. For, in the face of a particular Englishness and …
Cultural Subtexts And Social Functions Of Domestic Music-Making In Jane Austen’S England, Lidia A. Chang
Cultural Subtexts And Social Functions Of Domestic Music-Making In Jane Austen’S England, Lidia A. Chang
Masters Theses
Barring a few notable exceptions, English music between the eighteenth and twentieth centuries earns scant notice in music history textbooks, despite overwhelming evidence that England enjoyed a vibrant musical culture, especially during the Georgian era. However, I will argue that the English of this period were, in many respects, even more committed to music than their continental counterparts. The problem, for England, was not that it made no music during this period, but that it made the wrong kind of music, and enjoyed it in the wrong ways. At a time when Germanic critics like E.T.A. Hoffmann and A.B. Marx …