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Affective Histories Of Southern Trauma: Shame, Healing, And Vulnerability In Us Southern Women’S Writing, 1975–2006, Faune Albert
Affective Histories Of Southern Trauma: Shame, Healing, And Vulnerability In Us Southern Women’S Writing, 1975–2006, Faune Albert
Doctoral Dissertations
This dissertation explores the affective impacts of historical trauma around slavery and segregation in the US South, arguing for the importance of understanding US Southern history through the ways in which it has lived and continues to live in and on the bodies of Southerners marked by race and gender and class and within emotional life in the South. The texts in this study—Gayl Jones’ Corregidora (1975), Dorothy Allison’s Trash (1988), Ellen Gilchrist’s Net of Jewels (1992), and Natasha Trethewey’s Native Guard (2006)—engage the affective impacts of intergenerational and insidious trauma through portrayals of Southern women struggling to give voice …
Kofifi/Covfefe: How The Costumes Of "Sophiatown" Bring 1950s South Africa To Western Massachusetts In 2020, Emma Hollows
Kofifi/Covfefe: How The Costumes Of "Sophiatown" Bring 1950s South Africa To Western Massachusetts In 2020, Emma Hollows
Masters Theses
This thesis paper reflects upon the costume design process taken by Emma Hollows to produce a realist production of the Junction Avenue Theatre Company’s musical Sophiatown at the Augusta Savage Gallery at the University of Massachusetts in May 2020. Sophiatown follows a household forcibly removed from their homes by the Native Resettlement Act of 1954 amid apartheid in South Africa. The paper discusses her attempts as a costume designer to strike a balance between replicating history and making artistic changes for theatre, while always striving to create believable characters.
Writing Against History: Feminist Baroque Narratives In Interwar Atlantic Modernism, Annaliese Hoehling
Writing Against History: Feminist Baroque Narratives In Interwar Atlantic Modernism, Annaliese Hoehling
Doctoral Dissertations
In the decades following the end of the Great War, paranoia and panic about survival and sovereign control were driven by unprecedented death tolls from war, disease, and economic disaster as well as by revolutionary agitation around the globe. This fear was channeled into policing gender, sexuality, and race; and the parameters of white, middle-class womanhood were weaponized for social control in the transatlantic imaginary. In this study, I identify two rhetorical-political figures that helped to shape this imagination: Surplus Women and Trafficked Women. In my analysis of the literature, these figures help to contrast domestic scenes, on one hand, …
Angels Who Stepped Outside Their Houses: “American True Womanhood” And Nineteenth-Century (Trans)Nationalisms, Gayathri M. Hewagama
Angels Who Stepped Outside Their Houses: “American True Womanhood” And Nineteenth-Century (Trans)Nationalisms, Gayathri M. Hewagama
Doctoral Dissertations
“Angels who Stepped Outside their Houses” examines the fashioning of a gendered white American middle-class Protestant subject called the “American true woman” as a fitting representation of the emerging new American nation, as reflected in the writings of white American women authors from the late eighteenth to the mid-nineteenth century. Locating the formation of this identity on a transnational plane, this work argues that in their myriad texts, these women authors reveal the significant role that imperial Britain and the non-national/not-yet-national colonial Orient played in the (de/)construction/(de/)centering of American true womanhood. For, in the face of a particular Englishness and …