Arts and Humanities Commons^™

“His Appearance Is Against Him”: Race And Criminality In Dorothy L. Sayers’S Unnatural Death, Laura Vorachek

English Faculty Publications

This essay places Dorothy L. Sayers’s novel Unnatural Death (1927 ) in the context of heightened xenophobia and racism in interwar Britain, arguing that Sayers attempts to challenge prevalent cultural associations of blackness and criminality. Like Wilkie Collins, Sayers works to critique and undermine racist assumptions and to generate sympathy for the colonial Other.

Intentionally So: Morality In Children’S Literature, Anna Edwards

Honors Theses

There are tales that follow us from childhood and into adult life: they take the shape of children’s stories. Within these books there are moral lessons to be learned; often times these lessons are communicated through enchanting characters and strange settings. However, in addition to the morality that can be found in the pages of these texts, I believe there is also a morality surrounding their creation. More specifically, the way their authors approach their writing. By looking at the two works The Complete Adventures of Peter Rabbit by Beatrix Potter and Alice’s Adventures in Wonderland by Lewis Carroll, a …

Misreading The Hybrid Face: The Alienation Of Performed And Authentic Self In Danzy Senna’S Caucasia And Chang-Rae Lee’S Native Speaker, William E. Landers

Honors Theses

Race is epistemological. It shapes worldviews, conceptions of self, and interactions with society. It defines who belongs in the national community and who counts as fully human. The myth of whiteness as a homogenizing and nativist identity creates false personas around and within racialized others. These personas define non-white populations according to exclusionary stereotypes. These stereotypes, in turn, separate populations based on appearance and cultural practice. This thesis applies Critical Race Theory and comparative racialization tools to examine the historical implications of race on the conception of an authentic, or internally true, identity. These implications are illustrated by the dynamics …

They Named Me, They Know Me, Shannon Stanforth

Faculty-Selected Student Works

This book was printed on Neenah Environment ® PC 100 White in the Department of Art and Design at the University of Dayton in 2019 as part of the Berry Summer Thesis Institute under the mentorship of Professor Misty Thomas-Trout.

Typeset in the Ryman Eco and Shannon families. Ryman Eco was designed by Dan Rhatigan with Grey London in 2014 and is considered a sustainable typeface, using 33% less ink in print production. Shannon was designed by Janice Prescott Fishman and Kris Holmes for Compugraphic in 1982.