Arts and Humanities Commons^™

Curriculum Vitae: Transsexual Life Writing And The Biofictional Novel, Pamela Caughie

Pamela Caughie

The complex relation between bio and fiction, life and writing, is central to the project I am currently working on, a comparative scholarly edition of Man into Woman: An Authentic Record of a Change of Sex (1933), the life narrative of Lili Elbe, formerly Einar Wegener, the Danish artist who became Lili Elvenes (her legal name) through a series of surgeries in 1930. In chapter six, Andreas Sparre (the fictional name used for Wegener in the narrative) offers to tell his life story to his friends, Niels and Inger, on the night before his first surgery, his last night as …

Appropriating The Restoration: Fictional Place And Time In Rose Tremain’S Restoration: A Novel Of Seventeenth-Century England, Judith Bailey Slagle

Judith Bailey Slagle

Excerpt: It was the sixties—albeit the 1660s—a time for tricksters, rakes, subversive women and sexual energy on the stage. It was a time of fun for those with the means to partake of it. The “good old days” are, of course, always better from a distance, but writers on through the twentieth century found the Restoration an apt setting for their fictions about prostitution, political intrigue, and tragic or comic historical events, especially for the cinema.

Trends In The Contemporary Irish Novel: Sex, Lies, And Gender, Jennifer Jeffers

Jennifer M. Jeffers

The 1990s Irish novel presents its own brand of uniqueness and sophistication to the contemporary Anglophone novel. In this article I divide the development of the 1990s Irish novel into three groups. The first type of novel that emerges in the 1990s concerns the presentation of a different image of Ireland, one that magnifies gender construction and sexual preference. The second group of novels concerns the act of reading itself and the difficulty in determining truth from lies. These novels impair the reader's ability to read in an effort to show that everything is a form of interpretation: memories, history, …

Women, The Novel, And Natural Philosophy, 1660-1727, Karen Gevirtz

Karen Bloom Gevirtz

Women, the Novel, and Natural Philosophy, 1660-1727 shows how early women novelists drew on debates about the self generated by the 'scientific' revolution to establish the novel as a genre and literary omniscience as a point of view. These writers such as Aphra Behn, Jane Barker, Eliza Haywood, and Mary Davys used, tested, explored, accepted, and rejected ideas about the self in their works to represent the act of knowing and what it means to be a knowing self. Karen Bloom Gevirtz agues that as they did so, they developed structures for representing authoritative knowing that contributed to the development …

Critical Histories Of Omniscience, Rachel Buurma

Rachel S Buurma

This chapter of New Directions in the History of the Novel tells the story of the literary-critical invention of the Victorian novel’s narrative omniscience. Beginning with Victorian reviewers’ references to novelistic omniscience, the essay moves through early versions of narrative omniscience penned by post-Jamesian novel theorists and critics, who saw the talkative, inartistic, “omniscient author” as inessential to the novel and excluded it from their accounts of novelistic form. It marks a major shift in the 1960s, when the Anglo-American tradition began to see omniscience as formal and central to the Victorian novel’s form, tracing this shift through Foucauldian “panoptic …

Eighteenth-Century Poetry And The Rise Of The Novel Reconsidered, Courtney Smith, Kate Parker

Courtney Weiss Smith

"Eighteenth-Century Poetry and the Rise of the Novel Reconsidered" begins with the brute fact that poetry jostled up alongside novels in the bookstalls of eighteenth-century England. Indeed, by exploring unexpected collisions and collusions between poetry and novels, this volume of exciting, new essays offers a reconsideration of the literary and cultural history of the period. The novel poached from and featured poetry, and the “modern” subjects and objects privileged by “rise of the novel” scholarship are only one part of a world full of animate things and people with indistinct boundaries. http://www.bucknell.edu/script/upress/book.asp?id=2501

Tidying As We Go: Constructing The Eighteenth Century Through Adaptation In Becoming Jane, Gulliver’S Travels, And Crusoe, Karen Gevirtz

Karen Bloom Gevirtz

"I Recognized Myself In Her": Identifying With The Reader In George Eliot’S The Mill On The Floss And Simone De Beauvoir’S Memoirs Of A Dutiful Daughter, Laura Green

Laura Green

No abstract provided.

How To Find And Fix 'Plotholes': Watch For Common Problems That Can Sidetrack Your Novel, Charlie Sweet, Hal Blythe

Hal Blythe

This article offers advice for writer on preventing major plotholes in fiction. Selection of information to be revealed earlier in story; Establishment of credibility of facts; Link of plot events with the motivation of the main character.

Review Of A Return To The Common Reader: Print Culture And The Novel, 1850-1900, A. Buckland And B. Palmer Eds., Rachel Buurma

Rachel S Buurma

http://www.nbol-19.org/view_doc.php?index=186

Film Review: Gulliver's Travels, Karen Gevirtz

Karen Bloom Gevirtz

No abstract provided.

(De)Constructing Jane: Converting Austen In Film Responses, Karen Gevirtz

Karen Bloom Gevirtz

No abstract provided.

Ephemeral Forms: E.S. Dallas, Novel Reading, And The Victorian Review, Rachel Buurma

Rachel S Buurma

No abstract provided.

How To Find And Fix 'Plotholes': Watch For Common Problems That Can Sidetrack Your Novel, Charlie Sweet, Hal Blythe

Charlie Sweet

This article offers advice for writer on preventing major plotholes in fiction. Selection of information to be revealed earlier in story; Establishment of credibility of facts; Link of plot events with the motivation of the main character.

Life After Death: Widows And The English Novel, Defoe To Austen, Karen Gevirtz

Karen Bloom Gevirtz

This monograph argues that images of the widow in the early novel served to express, explore, and construct concepts of appropriate female activity in emerging capitalism during the eighteenth century in England. Drawing on novels published between 1719 and 1818, this study investigates how different classes of widows (affluent, working class, impoverished, and criminal) functioned to challenge and affirm emerging economic values. A concluding chapter on widows in Jane Austen's work shows how changing notions of appropriate female economic activity had settled by the establishment of both the capitalist economy and the novel in the early nineteenth century.

My Worldy Goods Do Thee Endow: Widowhood, Economic Conservatism, And The Mid- And Late Eighteenth-Century Novel, Karen Gevirtz

Karen Bloom Gevirtz

No abstract provided.

Institutions Of The English Novel's Canon: Review Of Institutions Of The English Novel By Homer Obed Brown, Karen Gevirtz

Karen Bloom Gevirtz

No abstract provided.