Arts and Humanities Commons^™

Queer(Ly) Lingering In Nineteenth-Century British Literature, Emily Datskou

Dissertations

This dissertation is a critical critique of Queer Theory as an academic field. It argues that queer theory’s establishment as an academic discipline and as a periodizing and historicizing force through the bibliographies that make up its canon has upheld and supported the very normative models of temporality and progression that the field claims to resist. As a result, I argue, queer theory has focused most heavily on modernism and the twentieth and twenty-first centuries and has positioned the nineteenth century as the precursor to the queer strategies and representations that we see more fully fleshed out in the twentieth …

The Upstart Peril In The Nineteenth-Century English Novel, Lydia Craig

Dissertations

Responding to the French Revolution (1789-1799) with his widely read text Reflections on the Revolution in France (1790), conservative Whig politician Edmund Burke influentially accused an ambitious bourgeoisie of inciting the lower classes to revolt against the aristocracy and Bourbon dynasty. He also insinuated that only the class hierarchy and feudal respect prevented a similar upstart peril in England from occasioning revolution. For the English middle classes, this demonization of upstarts, or parvenus posed an ideological challenge to their public consolidation as a political and cultural force. Bourgeois authors from Jane Austen to Charles Dickens utilized an upstart rivalry device …

Utopian Discourse In Contemporary Speculative Fiction, Casey Alan Jergenson

Dissertations

I argue in this dissertation that utopianism is a vibrant form of cultural production in the post-Cold War period, despite the paucity of recent texts depicting €œgood€ societies. Most literary historical accounts of the genre place the decline of the utopian narrative in the early twentieth century, with a brief resurgence in the 1960s and 1970s. Contemporary culture has since become inundated with dystopian and post-apocalyptic visions of the future. If we take this generic distribution at face-value, it seems symptomatic of the utopian idea's retreat from cultural production since the 1980s. Influential critics have resisted this narrative by demonstrating …

Reforming Sensory Disability In Early Modern England, Mary Lutze

Dissertations

Reforming Sensory Disability in Early Modern England traces early modern literary depictions of blindness and deafness during the Reformation. the project proposes an inherently dynamic early modern religious model of disabilities: first characterized by its initial rejection of England's prior faith tradition, then by doctrinal negotiation among reformed dissenters. It analyzes the shift in disability representation in popular literature of the sixteenth and seventeenth century before culminating in an examination of seventeenth-century deaf education. Finally, the project proposes that the seventeenth-century advent of deaf education should be read as a concrete ideological shift in English society's perception of the disabled.

Interpreting Minorness And Minor Characters In The Victorian Novel, Grace Pregent

Dissertations

An unprecedented and staggering wealth of characters floods the Victorian novel with its rich social representation of the nineteenth century. in reading these capacious narratives that seemingly accumulate objects, plots, and people, critics continuously privilege plot and minimize or dismiss the intricate participation of minor characters in the construction of meaning. Studies of literary characterization have classically struggled to articulate a theory of character that moves beyond reductive dichotomies€”flat or round, major or minor€”but that does not become inflated and cumbersome. Despite a lack of comprehensive critical attention, minor characters are no minor matter, and the brevity of their textual …

A Poetics Of Violence: Representations Of Violence As Storytelling And World-Building Tools Of The Theater, Richard Gilbert

Dissertations

This dissertation explores how representations of violence do dramaturgical work in theatrical production. Playwrights write scenes of violence, and directors and designers stage them, with specific dramaturgical goals in mind. The project of this work is to develop a theoretical framework for understanding how productions use representations of violence. Ideally, that framework will be of use both to critics seeking to analyze productions with violence and to practitioners who want to more consciously shape their own use of violence.

Representations of violence create a sudden change in the audience's affective experience of the fictional world. I call that sudden change …

"We Were Framed To Fail And Die": The Ethics And Poetics Of Mortality In The Works Of Gerard Manley Hopkins, Brett C. Beasley

Dissertations

This dissertation is the first comprehensive analysis of the subject of mortality in Gerard Manley Hopkins's writings. Hopkins's writings on this subject are broad and varied: while still a student at Oxford, Hopkins became fascinated by martyrs; later, as a priest he would go on to write movingly about the deaths of parishioners in his care and would extol the virtues of soldiers, or "daredeaths" as he refers to them in one poem; finally, toward the end of his life, Hopkins became preoccupied with the role our own mortality plays in shaping our life, perspective, and choices. While previous scholars …

The User, The Reader, And The Pocket Cathedral: William Morris's Arts And Crafts Aesthetic And The Decorated Book, Brandiann Molby

Dissertations

In an expansion of Jerome McGann's claims for a "materialist aesthetic" as the defining feature of William Morris's Kelmscott Press books, this dissertation maintains that Morris's book designs are the fullest expression of an Arts and Crafts interpretive model that Morris established over his career as a designer and a craftsman and that decisively intervenes in traditional theoretical discussions of the distinctions between the visual and verbal arts. This dissertation demonstrates that Morris's book designs are predicated on the user's interpretive engagement with the material object to bring together word and image, form and function, and decoration and design in …

Fake News And News Anxiety In Early Modern England, Richard David Macey

Dissertations

This work defines and analyzes the concepts of fake news and news anxiety in early modern England, arguing that fears about the dishonesty, abundance, and intrusiveness of cheap newsprint became key cultural concerns—concerns that find frequent expression in the literature of the time. Professional theater and commercial news came of age together in England, and the dramatic stage, itself a kind of news venue, proved a trenchant critic of printed news. Other academic works have examined connections between commercial news and professional theater, but mine is the first to examine the theater’s anxious preoccupation with fake news. This study focuses …

Of Neere Neighbors: Sacrament And Sociality In The Drama Of Islamic Conversion, C.1600-1640, Stephanie Kucsera

Dissertations

This dissertation traces scenes of Christian-Muslim conversion across representative works by William Shakespeare, Robert Daborne, Philip Massinger, and Richard Brome to examine how the popular drama of the early seventeenth century participates in English political and ecclesiastical discourses about the meaning of interfaith conversion and its stakes for the construction and stability of late-Reformation English national identity. I argue that the structural and stylistic changes that define each drama’s distinct presentation of interfaith conversion may be understood as engaged in the still-evolving debates over the Church of England’s sacramental theology and ceremonial practices—the very ritual actions that could render the …

Citizens And Kings: Dramatic Genre And Social Consciousness In Early Modern England, Anna Ullmann

Dissertations

This dissertation combines Marxist theories of class consciousness and literary genre with an understanding of sixteenth century historiography in order to examine early modern plays that contain elements of both the English history play and city comedy. From about 1589 to 1620, there is a marked shift in audience preference from the former to the latter which is indicative of the cultural and political shift from an aristocratic ideology to a proto-bourgeois one. Such changes were caused most significantly by the rise of Protestantism and capitalism over the course of the sixteenth century. The project argues that economic, political, and …

Romantic Ends: Death And Dying, 1776-1835, Andrew J. Welch

Dissertations

Romantic Ends reinterprets of the origins and legacies of romantic death, the cultural spectacle exemplified by the dramatic deaths of young poets like John Keats. Against the widespread belief that romanticism ushered in a uniquely theatrical vision of death, Romantic Ends traces a long history of death as rhetorical performance, from the early modern ars moriendi ("art of dying") to the neoclassical obsession with the good death. The poetic deaths of the romantic period established a new repertoire of tropes and figures out of these longstanding and disparate deathbed traditions, set within the emerging discursive arena of "poetry." Yet while …

“Englishing” Horace: The Influence Of The Horatian Tradition On Old And Middle English Poetry, Justin A. Hastings

Dissertations

This dissertation explores the ways in which Old and Middle English poets made use of the poetic corpus of the Roman Augustan Age poet Horace (Quintus Flaccus Horatius) and the medieval commentary tradition that accrued around it. It considers especially the Late Antique commentaries of Porphyry and PseudoAcro as well as the scholia transmitted in Bern MS Bernensis 363 and Paris, BnF MS Latin 17897. The Old English elegies in the Exeter Book (Exeter Cathedral MS 3501) are the subject of the second chapter. Subsequent chapters focus on William Langland’s Piers Plowman, John Gower’s Confessio Amantis, and Geoofrey Chaucer’s Canterbury …

Though My Gross Blood Be Stain'd: Bleeding Bodies And Power Dynamics In Shakespeare's The Tragedy Of Coriolanus And The Rape Of Lucrece, Lindsey Katherine Dee Wedow

Master's Theses

Early modern literature is replete with references to blood. These references appear in the contexts of class and gender distinction, medical information, religious significance, and more. Upon looking into the Galenic model of medicine utilized in early modern England, it becomes clear that blood, while one of the four humors of the body, held a place of special significance amongst the rest. Thus in reading the works of Shakespeare we are able to see how he often handles blood as a substance that holds special qualities and as such plays an important role in human lives. This paper examines two …

Not The Whole Story: Narrative Responses To Contemporary Globalization, Sean Patrick O'Brien

Dissertations

This dissertation analyzes contemporary global fiction in English (and, in one chapter, new media literatures such as videogame-based narratives) to examine how individuals, communities, and globalized networks manage differences among historical interpretations, ideologies, lived experiences, and cultural and national traditions making competing demands. Cultural and media theorists like John Tomlinson, Anthony Giddens, Arjun Appadurai, Lev Manovich, and Ian Bogost have demonstrated the overwhelming complexity of life in an age of accelerating globalization. Building on their work and the narrative theory of Maggie Dunn and Ann Morris, I explore how literary narratives employ newly prominent composite narrative structures to represent and …

Public Relations: Diaspora, Media, And The State(S) Of American Literature, Nathan Allen Jung

Dissertations

Like any good public relations campaign, this dissertation aims to offer a persuasive interpretation of certain key facts. The facts, as I see them, are as follows: first, a great number of contemporary novels and poems explore the personal and social consequences of diasporic migration. Second, these texts, along with their print and electronic paratexts, share a pervasive interest in media. And third, these works are rarely read in conversation with one another, despite their mutual concern for migration and media. Owing to this last point in particular, scholarship has failed to fully address the broader media theories developed in …

The Trauma Thesis: Medical And Literary Representations Of Psychological Trauma In The Twentieth Century, Sarah Louise Eilefson

Dissertations

The historian Samuel Hynes has observed that World War I was not only the greatest military and political event of its time but also the greatest imaginative event. Soldiers and civilians struggled to comprehend the war’s devastation and the changes it produced while medical practitioners and artists examined the war as a site of extraordinary trauma. My project explores two of the many archives of trauma: the medical discourse through which trauma was defined; and representations of trauma in a variety of English language novels from the early and mid-twentieth century. I begin with a historical survey of the medical …

Re-Examining The Female Voice In Chaucer's Italian-Sourced Works: A Study In Paleography, Textual Transmission, And Masculinity, Stacee Bucciarelli

Dissertations

Research on women in medieval literature is abundant but often focused on broad questions of narrative and character development. Among the areas seldom examined is what I will term "female voice," a term that encompasses the thoughts and speech of women in literature. This project analyzes the representation of female voice in Chaucer's work, and it explores alterations to female voices within the largely male worlds (both actual and literary) in which they were created.

This study broadens the analysis from the restrictive and traditional realm of women's studies and contextualize these alterations on a grander scale of textual and …

Diplomatic Solutions: Land Use In Anglo-Saxon Worcestershire, Kevin Anthony Caliendo

Dissertations

My dissertation is a study of the charters of the Worcester diocese from its foundation in approximately 680 to the tenth century. Bishops of Worcester, men is control of one of the wealthiest sees in Anglo-Saxon England, used charters to acquire land, obtain rights and privileges for their existing estates, and manage trade within limits imposed by the king. Rights associated with bookland, land held by charter, gave bishops and their agents the ability to direct settlement and field systems in order to maximize estate productivity and encourage trade through a system of urban and rural marketing of timber, salt, …

Neuroscience And Galen: Body, Selfhood And The Materiality Of Emotions On The Early Modern Stage, Devon Wallace

Dissertations

From antiquity until the turn of the nineteenth century, temperament, mood and personality were believed to exist within, be managed by, and interact with material substance. Before the medical revolution of the late seventeenth century, early modern theories of anatomy and medicine were primarily based on the writings of Galen, who lived in the second century but was him influenced by a much older medical and philosophical tradition. In this period, the playwrights raise the same central question that now appears in so many reactions to the increasingly accepted "neurocentric" world view: "to what extent do I have an emotional …

Luxury Romanticism: The Quarto Book In The Romantic Period, Matthew Hale Clarke

Dissertations

This dissertation explores the cultural presence of the quarto book in Romantic-era Britain and argues that the format classed the period's defining literary ideologies--from sentimentalism, to liberalism, to Wordsworthian Romanticism, to orientalism--as luxuries meant exclusively for the nation's wealthiest consumers. Chapter 1 situates the quarto within the context of the period's luxury debates and advances a conception of the quarto as the era's predominant luxury format. Focusing on Oliver Goldsmith's The Deserted Village, Chapter 2 argues that early quarto editions of the poem classed the sympathetic feeling it celebrated as the unique privilege of a readerly elite and describes how …

Pirates Of Romanticism: Intellectual Property Ideology And The Birth Of British Romanticism, Jason Isaac Kolkey

Dissertations

This dissertation traces the role of unauthorized publication in the posthumous construction of British Romanticism as a literary movement. It argues that Romantic ideology emerged from conflicting claims about the nature of intellectual property and the circulation of political and artistic ideas, apparent in the texts and paratexts of pirated books. I examine how these disputes play out in reprints of the works by Percy Bysshe Shelley and Robert Southey that became cornerstones of radical culture. The dissertation goes on to discuss how the underground economy of literary piracy affected Sir Walter Scott and Lord Byron's publication strategies, the significance …

The Many Functions Of Taste: Aesthetics, Ethics, And Desire In Nineteenth-Century England, Julia Bninski

Dissertations

The starting point for my analysis of nineteenth-century criticism is the recognition that the word "aesthetic" was not commonly used in English until the early 1800s. For the first two-thirds of the nineteenth century, English criticism still relied on an eighteenth-century vocabulary of "taste." For thinkers living in a world altered by social mobility, urbanization, technological change, and mass manufacturing, taste helped make sense of a bewildering array of relationships among individuals, objects, and social groups. As a category associated with consumption, taste foregrounds the charged interaction between aesthetic object and perceiving subject. It raises the question of how we …

Discovered By The Process: A Methodology For Twentieth-Century Moral Fiction, Sean Adriaan Labbe

Dissertations

One of the great ironies of the "ethical turn" that literary criticism has taken in the last several decades is that while we as literary critics strive to be ethical or moral, we usually feel embarrassed at actually taking about moral concepts, especially as they are manifested in literary texts. As I am interested in how to discuss moral issues depicted in literary texts without reading them naively and reductively for guidelines to live by or for a social program to implement, my dissertation is designed to model a method of inquiry that approaches literary texts of the twentieth century …

On The Move: Games And Gaming Figures In Nineteenth-Century U.S. Literature, Douglas Anthony Guerra

Dissertations (1 year embargo)

In this dissertation, I analyze the way that gameplay, considered broadly, both facilitated and informed representations of agency in the nineteenth century. In effect, games were archives of possibility made procedurally discrete, rendering modes of action and agency legible in ways that are suggested, although differently engaged, in their somewhat less ephemeral cousins: books. Understanding that both games and books emerged from within similar fields of cultural production and often marketed themselves to the same audiences, I argue that taking a technical and materially historical approach to games helps us to explore major literary works of the period to startlingly …

The Things That Remain: People, Objects, And Anxiety In Thirties British Fiction, Emily O'Keefe

Dissertations

This dissertation analyzes the appeal of things in thirties British literature. I argue that in a time in which a catastrophic and world-changing war seemed to be on the way, many writers saw seemingly unshakable material things as a source of comfort. Drawing on thing theory, I explore thirties writers' recognition of the duality of things, their alienness to human society even as people invest great significance in them. Therefore, I show that despite this frequent appeal to the material world as a place of stability and comfort, many of these writers also recognized conflicting aspects of things, knowing (and …

Cruel Sorority, Or, Feminizing Enjoyment In American Romance, Carina Dionne Pasquesi

Dissertations

"Cruel Sorority, or, Feminizing Enjoyment in American Romance" analyzes the often-overlooked anti-social figures and affects found on the margins of American Romanticism. Symptomatically registering dissatisfaction and rage at the foreclosure of democratic possibility and public life, these feminized figures represent violent reactions against the dominant disciplinary institutions (e.g. marriage, motherhood, domesticity, slavery) that impoverish their lives. In keeping with the rich imaginative possibilities within the romance genre but often exceeding and redefining these conventions, these figures break with the reformist/inclusive logic that pervades works of the period. This project participates in recent critical discussions in American studies that deal with …

Desire And Agency In The Modern Women's Sonnet, Catherine Anne Ramsden

Dissertations

This dissertation investigates the ways that women poets, from the late Renaissance to the postmodern age, have used the sonnet form both to critique and to re-envision the female experience, particularly in regard to the cultural value of love. In addition to its analysis of poetic form, this dissertation also engages a cultural/feminist critique based on an enduring theme in women's writing: the power of patriarchal constructs to prevent women's individuation within traditional, middle-class cultural norms.

The Crew / Of Common Playwrights: Collaboration And Authorial Community In The Early Modern Theater, Lacey Ann Conley

Dissertations

As a consequence of the development of playwriting into an established profession in early modern London, a central paradox emerged: in order to secure a place within this authorial community, and also a place for the profession itself, playwrights needed to work toward the often contradictory goals of self-promotion and of validation of the profession at large. I confront this paradox by examining details about the backgrounds and careers of the twenty-nine professional playwrights working in the years 1580-1625. I use this information to categorize each author's interest and investment in the development of the profession of dramatist by defining …

Modernism En Vogue: Popular Periodicals And Their Engagement With Modernist Culture, Natalie Kalich

Dissertations

My project investigates commercial magazines from the 1920s, including, The Saturday Evening Post, Ladies' Home Journal, Vogue, and Vanity Fair to reveal the frequency with which modernist writers contributed to these periodicals and the extent to which editors of these magazines found modernist discourse marketable to larger audiences, thereby undermining the assumption that modernists only spoke to a coterie audience. Furthermore, by investigating the similarities present in discourse on modernism and developments in popular culture such as jazz and film in a commercial context, I expand and complicate constructions of modernist and popular culture from both sides of the cultural …