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Full-Text Articles in Arts and Humanities
Music Terminology And Context In Robert Browning’S “A Toccata Of Galuppi’S”, Natalie M. Dolan
Music Terminology And Context In Robert Browning’S “A Toccata Of Galuppi’S”, Natalie M. Dolan
Student Publications
In his poem describing a performance of a Baldassare Galuppi toccata, Robert Browning uses music theory terminology and historical context to explain the emotions inspired by the piece. Browning’s 19th-century narrator reflects on the lives of past audiences and on his own mortality as he addresses the deceased composer. This paper analyzes the use of musical references in explaining the narrator’s response to the performance. The analysis includes an examination of Galuppi’s compositional period and a discussion of the specific terminology that Browning uses to convey his narrator’s wariness of death.
Neurasthenia, Robert Graves, And Poetic Therapy In The Great War, Juliette E. Sebock
Neurasthenia, Robert Graves, And Poetic Therapy In The Great War, Juliette E. Sebock
Student Publications
Though Robert Graves is remembered primarily for his memoir, Good-bye to All That, his First World War poetry is equally relevant. Comparably to the more famous writings of Sassoon and Owen, Graves' war poems depict the trauma of the trenches, marked by his repressed neurasthenia (colloquially, shell-shock), and foreshadow his later remarkable poetic talents.
The Poetry Of Christina Rossetti And Dante Gabriel Rossetti: Same Femme, Different Fate, Carolyn A. Kirsch
The Poetry Of Christina Rossetti And Dante Gabriel Rossetti: Same Femme, Different Fate, Carolyn A. Kirsch
Student Publications
Siblings Dante Gabriel Rossetti and Christina Rossetti both lived during the Victorian era and wrote poetry which epitomizes the Pre-Raphaelite movement. Although they were related, these two poets were drastically different, and their differences are evident in their poetry. Dante Gabriel was infatuated with beautiful women and many of his poems express sexual desire, while Christina was intensely devoted to God and many of her poems provide moral instruction. However, these poets both make femme fatales the subjects of their poems “Body’s Beauty,” “The Card-Dealer,” “The World,” and “Babylon the Great.” This paper analyzes the different ways in which Dante …
The Die Hards, Casey S. O'Higgins
The Die Hards, Casey S. O'Higgins
Student Publications
A prequel to the Up-All-Nighters, a glimpse into the tragic tale of Rick Rearman: Vampire Hunter. The average man living a supernatural life, Rick Rearman hunts for creatures of the night to avenge his fallen mother. Rearman only wants three things in life, a girl, justice, and a new wardrobe. The spectacularly unspectacular Rick Rearman doesn't deserve a poetry; however, his story was too compelling to pass up.
Landed In America, Vera I. Ekhator
Landed In America, Vera I. Ekhator
Student Publications
Poem about immigrant parents written by first-generation American.
Missed Phone Calls, Ben S. Sherbacow
Missed Phone Calls, Ben S. Sherbacow
Student Publications
A poem about hope and reconnection.
Artemisia In The Metro, Emily A. Francisco
Artemisia In The Metro, Emily A. Francisco
Student Publications
The “art poem” is an intriguing form of poetry. In writing about something that is inherently visual, a poet must remold a work of art into new material, drawing upon the work’s elements of form such as color, line, use of light, contrast, and composition to make his or her own reflective statement, beyond simply describing the artwork’s own content. In my poetry I aim to take this model of the “art poem,” and, through extended experimentation with this idea of ekphrasis (writing about art in a poetic context), intend to suggest a more intimate connection between art and language. …
New Topics, New Powers, And New Spirit: Walt Whitman And Allen Ginsberg And The Power Of The Poet, Peter W. Rosenberger
New Topics, New Powers, And New Spirit: Walt Whitman And Allen Ginsberg And The Power Of The Poet, Peter W. Rosenberger
Student Publications
Walt Whitman was an enormous influence on Allen Ginsberg, which Lawrence Ferlinghetti recognized at the first public reading of “Howl” in 1955. Leaves of Grass, first published in 1855, featured untitled twelve poems without rhyme, meter, or traditional line breaks. However, acknowledging a single influential figure for a countercultural writer is a somewhat uncommon phenomenon. Countercultural movements and countercultural artists tend to define themselves by standing against the dominant culture, an understandable instinct that yields important insights. Still the link between Ginsberg and Whitman is unmistakable. By analyzing the complex ties between an example of Whitman’s and Ginsberg’s major work …
Lessons In Tourism, Emily A. Francisco
Lessons In Tourism, Emily A. Francisco
Student Publications
A section poem in four parts that examines a number of experiences from the perspective of a female traveler, addressing themes such as dislocation of self, the remaking of identity, and the nature of female otherness within the global community.
Shieldmaiden, Allison A. Taylor
Shieldmaiden, Allison A. Taylor
Student Publications
"Shieldmaiden" is a poem that examines J.R.R. Tolkien's Lord of the Rings series from a feminist perspective, focusing on the character of Éowyn and her influence on female readers of Tolkien's novels.
Prometheus's Role Of The Poet, Sarah M. Connelly
Prometheus's Role Of The Poet, Sarah M. Connelly
Student Publications
This essay examines the characterization of Prometheus in the opening speech of Prometheus Unbound, by Percy Shelley, through the lens of Shelley’s “Defense of Poetry” in order to argue Prometheus’ existence as a poet. By giving humanity wisdom and bridging the gap between logic and compassion, Prometheus becomes the point from which imagination, beauty, art, and poetry stems. Prometheus’ role developed into a model of morality and love in contrast to the fear and spite of Zeus, whose influence is reflected in the evils of mankind. Yet, through the torturous reign of Zeus, Prometheus transcends his hate by retracting his …
Productive Destruction: Torture, Text, And The Body In The Old English 'Andreas', Christopher R. Fee
Productive Destruction: Torture, Text, And The Body In The Old English 'Andreas', Christopher R. Fee
English Faculty Publications
Writing in the Old English Andreas is at once both a productive and a destructive activity. We first become aware of the dangerous power of the written word quite early in the poem, when we learn that the Mermedonians have subverted the normally productive activity of writing into a tool for calculating the execution dates of their prisoners (134-37). Later, the words uttered by the devil to incite the Mermedonians against Andreas illuminate the lexical relationship between the destructive nature of writing and the productive nature of torture in the semiotic context of the poem. Finally, in a sort of …